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Reviews 1 Approval 100%
Soundoffs 14 Album Ratings 813 Objectivity 72%
Last Active 01-17-20 7:31 pm Joined 12-19-18
Review Comments 41
| Dir En Grey Albums - Worst to Best
Over two decades, Japan's leading metal band has consistently evolved and released some great albums. No single album is 'bad', but due to the sheer number of stylistic changes, it's hard to enjoy every one equally. This is how I would rank the albums. | 10 | | Dir En Grey Kisou
Kisou features some of the best songs from Dir En Grey's early era, but the problem with the album is that when put together, it's a slog. There's too many ballads, so when a shorter, punchier song comes around it just feels out of place. There are some excellent songs here though, like "Bottom of the Death Valley" and "undecided", but the pacing and frankly awful production holds it back. Seriously, people that are complaining about The Insulated World's production should go back to Kisou - it's really bad. That said, this was the band's first experience with the nu metal style that would dominate them throughout the mid-00s, so it is important for that alone. Definitely rough around the edges, but still worth a listen. Some hold this album on a pedestal but it's never done it for me. | 9 | | Dir En Grey The Marrow of a Bone
The Marrow of a Bone sees Dir En Grey at their most generic, at least for the first half of the album. Featuring some rather unoriginal metalcore/nu metal riffs and less than stellar, angsty Anders Friden style harsh vocals from Kyo (which he would finally perfect in Uroboros), and it pales compared to the album that came before it. These early tracks are still pretty catchy, but it's in the second half where this album starts to redeem itself. Some of the slower, calmer tracks like "Namamekashiki Ansoku, Tamerai ni Hohoemi" are the real hidden gems of the album. It's a shame that some of the tracks on the second half start strong and then burst into more generic sounding nu metal, but get past that and you have a very flawed yet enjoyable album. It just isn't as involved or interesting as something like Macabre. | 8 | | Dir En Grey Vulgar
Vulgar is a great album, but I can never get into it. Whenever I put it on, I'm impressed and really enjoy it, but I never have an urge to revisit it. At this point in the band's career, pulling off such a divisive change in style was a bold move, and the band suffered from some detractors. Vulgar isn't just a nu metal album though, nor just an alt rock album; there are a lot of influences here. Audience Killer Loop has the first use of what I like to call the 'Katatonia riff' that shows up a lot in their later albums, particularly Arche. The closing track, Amber, is a straight up goth rock song, and R to the Core is a very short punkish track... basically there is a lot of variety. You do have tracks like Child Prey and Shokubeni that are close to what Korn was making in the 90s though, but they are simple and addictive and help breathe life into the album. The production is a step up from Kisou but still lacking in some places - it's more than listenable though. | 7 | | Dir En Grey The Insulated World
The most recent and most controversial album from the band. My thoughts? Well it's definitely a step down from the last three albums but I enjoy it a lot. The production is raw and I would argue that it's purposefully like this to compliment the loud, intense earlier tracks, but when you get to the final 4 or so songs and some big moments are undermined by the lack of dynamic range, it becomes a big problem. The pacing is similar to that of The Marrow of a Bone, what with the first half being in your face and the second being more relaxed and progressive. It goes back to a more riff based approach with some conventional verse chorus verse song structures that you would expect from Withering to death. especially with Values of Madness. I don't know if that song is a parody of nu metal or if the band genuinely wanted it to sound like that, but it's not great. Tracks 10-13 are the best in the album, elevating it to the next level for me. | 6 | | Dir En Grey GAUZE
The debut from the band is also one of the most beloved by hardcore fans. It is considered a classic in the VK scene, and I can mostly see why. It is very rough and you can tell that it's the band's first full length, but the ideas presented are more than worthwhile. Rough elements of metal can be heard in some riffs, but Gauze is mostly just really fun alt/pop rock music, but with a very dark lyrical twist. The lyrics are some of the most depraved that I have heard, even putting some death metal bands to shame. Tsumi to Batsu would leave some CC fans shocked. The massive issue with Gauze is in the form of one song, and that's Mazohyst of Decadence. Let's forget the idiotic lyrics for a second, and look at it musically... it's just boring. It builds up for far too long and the payoff is less than satisfying. If it was removed altogether then the album would be a solid 4.5 for me, but it just bogs it down. I always skip it, and without it, the album is pretty great. | 5 | | Dir En Grey MACABRE
Easily the band's least accessible release excluding DSS, MACABRE is a journey. Compared to GAUZE, it's way more progressive and experimental, with several songs eclipsing the 8 minute mark. Unconventional song structures and odd fusions of styles make this album hard to get into, yet deeply rewarding. You've got full prog rock songs here like the title track, which unlike Mazohyst has interesting dynamics and tonal shifts. This album also has more of a metal presence than GAUZE, with Myaku, Hydra and Ratetsukoku leaning heavily towards thrash metal. In amongst all of this though though are more competently written alt/pop rock songs. All of this variety might feel like too much to hold, but I don't think that it ever becomes tiresome despite the 73 minute length of the album. It's an album where no tracks are skipped. | 4 | | Dir En Grey Arche
Arche isn't so much a step down from the previous two albums, rather it's just less surprising, all things considered. There are a monumental 16 tracks on this thing, but they are all great. Kyo's vocals are at their best here too - his new tool here is a very high register, clean falsetto, and it's quite beautiful. In fact, that's how I'd describe the entire album - beautiful. The production gives it an otherworldly atmosphere, complimented by the album cover itself, and the echo and tremolo picked riffs are awe inspiring. It's another huge stylistic change from Dum Spiro Spero, but one that feels natural. There is no death metal at all here, except for the growled vocals, in fact I would describe some of it as bordering on post-black metal due to the aforementioned tremolo picking and shrieked vocals. It's avant-garde for sure, but only due to Kyo's vocal experimentation. Definitely one of the best albums from the band and a sign of maturity, proving that the band has still got it. | 3 | | Dir En Grey Dum Spiro Spero
At release, many criticised Dum Spiro Spero for being boring deathcore. This is wrong. I mean, sure, some tracks lean towards deathcore due to the breakdowns (hageshita to...) but there is so much going on here stylistically that it's impossible to categorise. From death, doom, prog and a bit of grind, Dir En Grey effortlessly explores multiple styles in the extreme metal sub category, and whilst it doesn't always work perfectly, it's always engaging. I don't find it boring at all - some tracks can be a bit dissonant and spacey (Amon, Yokusou ni Dreambox etc.) but the experimentation makes up for it. This is also the first time where Kyo's vocals are at that god tier level. He proved himself as a competent vocalist beforehand, don't get me wrong, but DSS showcased another dimension to his ability. The way that he effortlessly switches between growls, screeches and cleans is unbelievable at times. DSS is excellent, but a lot to take in. Multiple listens are necessary. | 2 | | Dir En Grey Withering to Death
I would describe Wtd. as a rock album. Sure it's heavy, and has some of the first uses of Kyo's guttural vocals, but in terms of song structure it couldn't be any more an alt rock album (with a bit of nu/alt metal thrown in there too). There is still variety, but some tracks do sound quite similar. This makes it feel more cohesive to me though. Verse chorus verse repeat. It's not particularly remarkable in that sense, but it is remarkable due to the feeling that it gives me. I can't describe it, but this album has me on the edge of tears each time I listen to it. There is just so much emotion in it, but it's also just empowering. The choruses are of particular note as they are simply the best that I've ever heard. I'm serious. This album is very much about death, and doesn't hesitate to explore the many ways in which death can happen. It makes some of the lyrics feel very powerful. It's hard to describe, but this album spoke to me in a way that no other has. | 1 | | Dir En Grey Uroboros
Cliché choice for sure, Uroboros is the album that got me into the band. It effortlessly combines multiple styles such as death metal, progressive rock, alt metal and avant-garde to generate something truly unique. Variety is in abundance yet the album progresses with a consistent flow. The intensity that it builds up brings a general sense of claustrophobia, especially in the original mix. Listen to the remaster however and you're presented with a lot more breathing space, and you can discern the outstanding instrumentation. Uroboros brings back the old experimental stlye from Macabre and combines it with the harsh riff-based metal of their Marrow of a Bone era, and Kyo's vocals evolve further by incorporating guttural growls and inhuman screeches. Uroboros is the peak of the band's career; it may not have the complex, progressive structures of Dum Spiro Spero, or the otherworldly atmosphere of Arche, but it does have emotional weight and a unique quality to it. | |
Viriathus
03.12.19 | Ranking Insulated above Kisou is a crime. | CalculatingInfinity
03.12.19 | Na because Kisou is even worsely produced than Insulated lol, horrendous to listen to. The actual songs are light years ahead though, Mode Kisou and the live versions back in 2003 are such a treat.
"The massive issue with Gauze is in the form of one song, and that's Mazohyst of Decadence." is probably the worst Dir opinion I've ever seen though, idk where to begin. Enjoying reading the list anyway, nice to see some positivity after TIW dropping. | samwise2000
03.12.19 | Mazohyst is one of the best tracks on Gauze, and was a precursor to the type of tracks Dir en grey would release later in their career. Also, Insulated World above Marrow of a Bone is a CHOICE. Macabre (the album) is definitely the bands worst effort in my opinion, bar-none. | CalculatingInfinity
03.12.19 | I'mma double down and say Mazohyst is the best track in Dir's career. | samwise2000
03.12.19 | Damn, thats a bold statement Calc, but I can definitely see where you're coming from. Ive always been partial to The Blossoming Beezlebub myself | CalculatingInfinity
03.12.19 | Beelzebub would be in my top 5 and as a song I like it just as much but live Mazohyst steals the show everytime whilst Beelzebub is hit or miss so I rank it higher. | samwise2000
03.12.19 | Agreed, not too many spectacular live performances of Beezlebub, at least from the live shows ive watched | ReiniEden
03.12.19 | I must be the only person who liked both Kisou and The Insulated World.
I guess I'm a true Dir En Grey fan. | Viriathus
03.12.19 | I think Kisou is too overlooked and I dont see anything wrong with the production. Karasu and Gyakusou Tannou Keloid Milk are two of my fav Dir En Grey tracks. | CalculatingInfinity
03.12.19 | The guitar tones are as thin as paper, something as Nu Metal inspired as that should massive. Not even raw, just unpolished and irritating. | Viriathus
03.13.19 | what Nu Metal inspiration is on Kisou? The guitar tone is far from being thin too and im usually the kind of person to complain about that sort of thing. | samwise2000
03.13.19 | Zomboid is like the one of the most numetal things the band has ever released, then you got stuff like The Domestic Fucker Family and Karasu... pretty numetal if you ask me. | Viriathus
03.13.19 | Karasu isnt Nu Metal in the slightest. What band does that track sound like? Domestic Fucker Family is just a really weird noisy Metal track. I see nothing in Kisou thats in Slipknot, Korn, Deftones, Nothingface, Mudvayne or any other band. | Uzumaki
03.13.19 | I’ma agree with Sam and say Mazohyst is one of the best tracks on Gauze, and for pretty much the same reason too; you took the words right out of my mouth. Right now I’m leaning toward “Vinushka” though as their best song, but I’ve always had a soft spot for “Dozing Green”.
Nice list, another fan had joined the Sput ranks, although his and my personal rankings are def different. | Blurbs
03.13.19 | I knew I would get some flack for saying that Mazohyst is bad, but it never gripped me. I've tried to like it but I find it way too simple and repetitive for a 10 minute song. I appreciate its importance as the first attempt at a long progressive song though.
| Blurbs
03.13.19 | Zomboid and Domestic Fucker Family is nu metal through and through. Repeating, simple riffs, screamed vocals, funky bass etc. I guess the big drawback is the thin production. If it was crunchier, it wouldn't be too far from something off of Vulgar. | BigPleb
03.13.19 | DSS is #1. | samwise2000
03.13.19 | ^ [2] | Blurbs
06.06.22 | Wow, I would change so much about this list that it's not even a joke. I'll probably wait until Phalaris comes out then redo it because I completely disagree with this now lol |
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