Doof's 2018 Half Way Jamboree
Welcome back to the weird and wonderful world of Doof, a land where only 6 (8 at most) genres are officially recognised and your Earth attained musical reputation and celebrity count for nothing. Josh Tillman go slip on a dIck, your latest album blows. Kanye, swivel for it mate, you haven't released a good track in two albums now.
If this isn't a world you can understand or identify with don't be scared, all are welcome to visit, I'm not a threat to your way of lyfe. I cum in pisces. Try and enjoy! |
1 | | Tropical Fuck Storm A Laughing Death in Meatspace
1st Place: 'Rock' music
Ooh rock is dead, rock is not what it was, etc. This is true, instead of being the actual ‘pop’ of the masses that used to unite people in huge numbers it’s now...just another genre, like folk or pop itself. Which is to say there’s no overarching trend or movement, it’s all far more disparate and distanced now - and yet here I am, the Doof, telling you it’s a great year for rock. Well, first up you had the grizzly Tropical Fuck Storm gnashing their way out of the fresh corpse of The Drones and providing a razor sharp guitar masterclass and showing the rest how a rock act can still sound current and angry at the same time in 2018. Other beloved outsiders return in the welcome many-headed shape of Evil Blizzard, who have finally shaken the ‘pub band’ sound on album number three, the irresistible ‘Worst Show on Earth’. Spin it, live it, try and better thyselves. |
2 | | Tropical Fuck Storm A Laughing Death in Meatspace
The prevailing trend, if indeed there is one for rock in 2018, is still '90s fetishising. This year the particular fashion is for female fronted bands or ‘girly one man bands ’ as I call them (and why not)...some of which are good, little are outstanding. In fact it’s an old master in the form of Stephen Malkmus who delivered the best album in this style, a return to form no less. No Age also weighed in with a meaty opus of their own to claim a close second placed finish behind our Steve. Post punk and punky punky punk (punk that isn’t post anything? Ask Uni about the differences) faves are the new Parquet Courts which was unsurprisingly solid and the lively new releases from Ed Schrader’s monkey phonics band (sic), Hot Snakes, Hookworms and (KT) Turnstile. For something more ‘out there’ look no further than ‘Bon Voyage’ by Melody’s Echo Chamber - a sweet trip to a land of loveless avalanches if you catch my snowdrift. |
3 | | Tropical Fuck Storm A Laughing Death in Meatspace
A few low key disappointments in the new Ought and Yo La Tengo albums but nothing to go postal over. The ‘embarrassing 90s survivors comeback’ spot is this year claimed by (dum dum dum)...Ash who’ve decided 2018 is the perfect time to start copying Arcade Fire, just when Arcade Fire themselves have got to the stage they’d rather sound like anyone other than the 2018 edition of Arcade Fire. So in summary, rock is still the daddy, kind of. What next? |
4 | | Tropical Fuck Storm A Laughing Death in Meatspace
1st for rock [4.4/5] |
5 | | Evil Blizzard The Worst Show on Earth
[4.3/5] |
6 | | Melody's Echo Chamber Bon Voyage
[4.2/5] |
7 | | Stephen Malkmus and the Jicks Sparkle Hard
[4.0/5] |
8 | | No Age Snares Like A Haircut
[4.0/5] |
9 | | Ed Schrader's Music Beat Riddles
[3.9/5] |
10 | | Amen Dunes Freedom
[3.9/5] |
11 | | Parquet Courts Wide Awake
[3.9/5] |
12 | | Turnstile Time and Space
[3.9/5] |
13 | | Jukka Nousiainen Ei enaa kylmaa eika pimeaa
[3.9/5] |
14 | | Hot Snakes Jericho Sirens
[3.9/5] |
15 | | Hookworms Microshift
[3.8/5] |
16 | | The Voidz Virtue
[3.7/5] |
17 | | Frog Eyes Violet Psalms
[3.7/5] |
18 | | City Calm Down Echoes In Blue
[3.7/5] |
19 | | Buffalo Tom Quiet and Peace
[3.7/5] |
20 | | Iceage Beyondless
[3.7/5] |
21 | | Paddy Hanna Frankly, I Mutate
2nd Place: 'Pop' music
You read that right, a great year for ‘pop’ or ‘popular song’ that doesn’t qualify as rock or folk etc to be more precise. Trends that have worked well are the unexpected update to a kind of retro chamber pop as showcased by artists like Paddy Hanna and Matt Maltese, with humorous/witty lyrics and knowing crooner style deliveries. Arctic Monkeys went somewhere close too but made an absolute balls up of it sounding like a braindead/low rent Bowie pastiche. Anna Von Hausswolf, Eleanor Friedberger and Beach House showed there’s still life in the ‘still on trend’ more dreamy/abstract branches of pop, the latter of whom even drifting close to a powerful rock-ish sound in places this time. |
22 | | Paddy Hanna Frankly, I Mutate
Not many old hands out there delivering anything particularly memorable, esp compared to recent memory where there’s been a glut, but David Byrne’s ‘Utopia’ found him sounding at home and in his element, so worth anyone’s time. The big disappointment was Pops J Misty phoning in album numero 4 and effectively having his pants pulled down by others besting him at his own (or a similar) game - along with the aforementioned Matt Maltese who outdid him for witticisms you also have Damien Jurado bruising his eye for soul searching and romanticism. |
23 | | Paddy Hanna Frankly, I Mutate
There were other minor disappointments, in particular a second serving of (ham and) Rhye wasn’t all that revelatory and the John Grant and Shearwater side projects were both only sporadically inspired. The stuff that turned me off (beyond the usual depressing state of chart pop natch) were the awful pandering soundbite-y projects epitomised by Janelle Monae’s ‘Dirty Computer’ (ooh matron) and the influx of bland fem fronted country pop records that I sadly find harmless at best, cloying at worst. That’s yer pop (save your questions until AOB at the end of the list). |
24 | | Paddy Hanna Frankly, I Mutate
1st for pop [4.7/5] |
25 | | Eleanor Friedberger Rebound
[4.6/5] |
26 | | Matt Maltese Bad Contestant
[4.2/5] |
27 | | Anna von Hausswolff Dead Magic
[4.2/5] |
28 | | Beach House 7
[4.1/5] |
29 | | Damien Jurado The Horizon Just Laughed
[4.0/5] |
30 | | David Byrne American Utopia
[4.0/5] |
31 | | Essaie Pas New Path
[3.8/5] |
32 | | Wasuremono Something Left Behind
[3.7/5] |
33 | | The Sea And Cake Any Day
[3.7/5] |
34 | | Shakey Graves Can't Wake Up
[3.6/5] |
35 | | La Luz Floating Features
[3.6/5] |
36 | | Rhye Blood
[3.5/5] |
37 | | Creep Show Mr Dynamite
[3.5/5] |
38 | | loma Loma
[3.4/5] |
39 | | Meshell Ndegeocello Ventriloquism
[3.3/5] |
40 | | Totally Mild Her
[3.2/5] |
41 | | Ben Howard Noonday Dream
3rd Place: 'Folk' music
Folk IS quite popular these days to the degree most folk here is damn close to pop - so don’t ask me exactly where one starts and the other begins. Relax into this. Some is indie folk/indie pop, whatever that may be? Some is country or alt country-ish stuff that also gets lumped in here for being folk-y. Clear? Good. A steady year for folk indeed, with excellent low key and gorgeously understated releases from Ben Howard, Jennifer Castle, Aiden Mo-ffat (who-that?) and SsssCarey. Americana was serviced through an unexpected all-instrumental soundtrack comeback from Richmond Fontaine and an impressive debut from the ‘not dissimilar to prime-RF’ Dogwood Tales. |
42 | | Ben Howard Noonday Dream
More experimental fare was to be found in among the hidden gem discovery Rosehall, courtesy of Lucid’s review, an album that combines spoken word, field recordings, and the sort of folk passages Grizzly Bear or Sufjan Stevens would be proud to call ‘my sort of folk passages’. In terms of an ‘oldie but a goodie’ we had John Prine whose voice now makes Johnny Cash’s ‘Hurt’ deliverin’ latter career croak sound positively sprightly by comparison. Whelp. Eels collect their near-annual ‘slightly disappointing’ here, and I can’t think of a major folk disappointment - does folk ever disappoint in any seismic way? Probably not but hey that’s yer 2018 folk summary. |
43 | | Ben Howard Noonday Dream
1st for folk [4.4/5] |
44 | | Rosehall The First Requisite Is Life
[4.1/5] |
45 | | Jennifer Castle Angels of Death
[4.0/5] |
46 | | Aidan Moffat and RM Hubbert Here Lies The Body
[3.8/5] |
47 | | Dogwood Tales Too Hard to Tell
[3.8/5] |
48 | | Richmond Fontaine Don’t Skip Out on Me
[3.8/5] |
49 | | Angelique Kidjo Remain in Light
[3.8/5] |
50 | | Stick In The Wheel Follow Them True
[3.8/5] |
51 | | S. Carey Hundred Acres
[3.7/5] |
52 | | John Prine The Tree Of Forgiveness
[3.6/5] |
53 | | Jim McCarty Walking in the Wild Land
[3.6/5] |
54 | | Simone Felice The Projector
[3.6/5] |
55 | | Trampled By Turtles Life Is Good On The Open Road
[3.6/5] |
56 | | A.A.L. (Against All Logic) 2012-2017
4th Place: 'Electronic' gubbins
The Doof doesn’t specialise in any particular genre of electronic and similar to metal it’s usually the crossover/majorly hyped stuff that gets a listen. Saying that, my AOTY so far (if it qualifies) is Jaar’s incredibly solid A.A.L comp. Oneohtrix Point Never returned with another excellent album...that sadly isn't quite good enough to end up claiming another Doof AOTY after 'Garden of Delete' did just that a couple of years ago. Beyond that I’ve been enjoying the mellow delights of E Ruscha V and Yu Su (the 'Preparations for Departure’ EP) as well as dipping a toe into ambient waters with the evergreen Gas, Grouper and Pendant (they sound like a collective listed like that). Some solid comebacks from Mr. Fingers and DJ Koze round out my 2018 for electronic, nothing has majorly disappointed me from this genre...but I (clearly) haven’t delved too deep either. |
57 | | A.A.L. (Against All Logic) 2012-2017
1st for electronic [4.8/5] |
58 | | Oneohtrix Point Never Age Of
[4.3/5] |
59 | | Protus Opus Screaming Eagle
[4.1/5] |
60 | | Jon Hopkins Singularity
[4.1/5] |
61 | | Gas Rausch
[4.0] |
62 | | E Ruscha V Who Are You
[3.8/5] |
63 | | Nils Frahm All Melody
[3.8/5] |
64 | | DJ Koze knock knock
[3.7/5] |
65 | | Mr. Fingers Cerebral Hemispheres
[3.6] |
66 | | Rolo Tomassi Time Will Die And Love Will Bury It
5th Place: The 'Metal'
Grrr, Doof Metal lives...or does he? Is he asleep out of boredom. Rock is near-dead as we’ve already discussed but does ‘Doof Metal’ even have a pulse? Yes, I don’t really dabble too much in the most extreme sub genres of metal - unless there’s a huge degree of hype or consensus. So what have I found? Some crossover albums in Mol’s ‘Jord’ (great for some sunbather-ing) and Rolo Tomassi’s constantly hopping ‘Time Will Die and bla’. Sleep woke up and did a sleep - a great sleep as it happens, but sleep is sleep if you follow. So sleep. Drudkh took me closer to the ‘black’ side with an album that starts like a house on fire but loses a little of that power as it progresses. |
67 | | Rolo Tomassi Time Will Die And Love Will Bury It
Mainstream metal had no ‘big release’ as such but COC and Tribulation released unspectacular but steady albums, while nu metaller era acts Skindred and Sevendust dropped passable discs. Lordi stomped on the comedy metal competition with the ‘me horni horni horni’ ‘Sexorcism’ - honestly pretty hilarious. Other than Sleep stoner metal saw Monster Magnet phone in yet another decent enough offering. Flops? It’s metal, there were innumerable bad albums - take your pick from Machine Head, Ministry and an out of his depth Jonny Davis. Other than that...the album about slugs wasn’t all that chaps. |
68 | | Rolo Tomassi Time Will Die And Love Will Bury It
1st for metal [3.8/5] |
69 | | mol JORD
[3.8/5] |
70 | | Drudkh They Often See Dreams About The Spring
[3.6/5] |
71 | | Corrosion of Conformity No Cross No Crown
[3.2/5] |
72 | | Tribulation Down Below
[2.9/5] |
73 | | Lordi Sexorcism
[2.9/5] |
74 | | Monster Magnet Μindfucker
[2.9/5] |
75 | | Slugdge Esoteric Malacology
[2.7/5] |
76 | | Nickelus F Stuck
6th Place (aka last place): 'Rap' music
Yes, I’m calling it ‘rap’ because I’m including some electronic stuff with rapping to make up the numbers. Plus I’m including EPs for this genre. If you’re picking up the subtle clues you can probably surmise I’m not blown away by the quality of hip hop in 2018. ‘Conscious’ and ‘trap’ still dominate as the trends du jour...other than the other major M~AJOR trend that is 10% of the world’s population constantly feeding into Kanye’s inflated ego. Yes, Ye Ye Ye projects have dominated and because they’re so short in terms of runtimes this year I’ve checked most of them out. ‘Ye’ itself, not for me, we all know this, let's not go there. ‘Daytona’ and ‘Ghosts’ are an improvement but the moment phrases like AOTY are bandied about the eyes glaze over. Still, he’s been involved in some good-ish stuff here and there, I'll concede. |
77 | | Nickelus F Stuck
Showing that trap or ‘near-trap’ isn’t an impossible Doof jump is my boy Nickelus F who really came up with the goods on the equally hard hitting and catchy ‘Stuck’. A couple of super EPs have caught my ear, Shygirl’s ‘Cruel Practice’ is closer to dubstep but I’m putting it up here and then Black Thought’s debut EP brings some of that on-trend ‘conscious’ Roots magic. Veterans are mainly responsible for some mild disappointments like Doom’s above ok ‘czarface’ and Doc Oc’s ‘not quite the same past magic’ ‘Moosebumps’. Obviously a lot of ‘lil’ and cloud artists out there doing a lot of nothing, with Drake clogging up mainstream radio to make sure there’s no escape - I couldn’t sound older right now if I tried. Onwards! |
78 | | Nickelus F Stuck
1st for rap [3.9/5] |
79 | | Black Thought Streams of Thought, Vol. 1
[3.8/5] |
80 | | Shygirl Cruel Practice
[3.8/5] |
81 | | CZARFACE and MF DOOM Czarface Meets Metal Face
[3.2/5] |
82 | | Pusha T DAYTONA
[3.2/5] |
83 | | Dr. Octagon Moosebumps
[3.1/5] |
84 | | SOB x RBE Gangin
[2.8/5] |
85 | | Kids See Ghosts Kids See Ghosts
[2.7/5] |
86 | | Idris Ackamoor and The Pyramids An Angel Fell
Other shit
Yes, my favourite genre. From jazz to whatever the hell ‘The Drink’ are it’s all here. A middling year for ‘other shit’ all told.
1st for other shit: [4.3/5] JAZZ |
87 | | ******** The Drink
[4.1/5] WEIRD YOUTUBE ALBUM REISSUE |
88 | | Sons of Kemet Your Queen Is a Reptile
[3.7] JAZZ |
89 | | Hailu Mergia Lala Belu
[3.6/5] JAZZ |
90 | | Laurie Anderson and Kronos Quartet Landfall
[3.5/5] MNNNSNSNAYM.... |
91 | | Tropical Fuck Storm A Laughing Death in Meatspace
Songs
Yup, these are songs. The ones I liked best so far from 2018.
TWO AFTERNOONS |
92 | | Evil Blizzard The Worst Show on Earth
TELL ME |
93 | | Diplo California
WISH |
94 | | A.A.L. (Against All Logic) 2012-2017
SOME KIND OF GAME |
95 | | City Calm Down Echoes In Blue
PRIDE |
96 | | Laurie Anderson and Kronos Quartet Landfall
NOTHING LEFT BUT THEIR NAME |
97 | | Ben Howard Noonday Dream
SOMEONE IN THE DOORWAY |
98 | | Eleanor Friedberger Rebound
MY JESUS PHASE |
99 | | John Prine The Tree Of Forgiveness
SUMMER'S END |
100 | | ******** The Drink
SCHWEPPES BITTER LEMON |
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