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THE DANSE SOCIETY: Don't you forget us #14

Fourteenth instalment in my forgotten/dismissed/underappreciated Post-Punk bands list series: Actually, you can go ahead and forget this band. It needs to be said right away. I don't like Danse Society. None of their albums are anywhere close to my secondary choice of listening for any moment. What they did, a horde of others did better. But they acquired quite a cult following over the years, so...
9The Danse Society
Change of Skin


Needless to say, Danse Society's grand comeback came unnoticed, apart from a few sources pointing out an unexpected change of lead vocalist from male to female. Oh also, they're a gloomy electrogoth outfit now.......... .... ... ... ... yeah... ... I, I really don't have anything more to say.

Go-to tracks: hahahha, no
8The Danse Society
VI


The band's latest (official) release is hardly of any essence to your listening experience. In spite of the fact that by this point the band finally learnt how to organise album releases in the modern age, the album was met with hardly any reception. And besides the obvious explanation that it comes from a decades long forgotten goth band in 2016, the reason for the lacking interest might also be in the album's equally lacking quality. The song-writing somehow dimmed down to absolutely banal, while every instrumental aspect seems to have been stripped of any potential to be kicking to any possible extent. It is just absolutely flat all throughout and even when it does strike with emotion, the production is sure to drown any possible enjoyability.

Go-to tracks: Bloodstream, Karma Machine
7The Danse Society
Looking Through


The last album before their disbanding (until their rebanding) is rather a disappointing release. It was during its time and it still is. Not that it'd be offensively bad, but there just isn't all that much to it to really write home about. The album just sort of goes by and exists and you kind of just forget about it after listening. But its pleasant merit it does hold, even if ever so minimal and brief. It was the band's final giving up to the attempt to become commercial-friendly, which did not happen. At that hurts a little.

Go-to tracks: Institution, Looking Through, Midnight Land
6The Danse Society
Demos Vol. 1


A collection of serviceable demos from their 80s work, but to judge it as something outstanding would be quite difficult. As it were, the songs changed ever so slightly from their final version, apart from a certain graininess only the demos contain.

Go-to tracks: just look at the go-to tracks of other releases
5The Danse Society
Heaven Is Waiting


One of the few actual successes the band saw in their day. By this point all the 'atmosphere first' rhetoric had already disappeared from their work. Seduction's subtle charms have withered out and the band fell into the clutches of the trendy at the time goth eyelinerwear. The arrangement got richer and the lyrics more suggestive (somehow), while the overall ethos suffered a slight tad, while the song-writing, already not the strongest link in the band's repertoire, plummeted even lower. Still, a success is a success.

Go-to tracks: Come Inside, Red Light (Shine), The Hurt, Valiant to Vile
4The Danse Society
Reincarnated


In tune with their tendency to fail to promote their work in any way, this album I am not even sure is actually from them. There is absolutely nothing around the net that indicates it being so, outside of a few mentions here and there. VI was advertised at least with a formal announcement, this just popped up somewhere at some point. Okay fine, it's not an actual album, but a mere compilation of greatest hits and unreleased tracks, it still holds up far better than their simultaneously released full album. Among others, it also contains reworked versions of their 2010-onward songs, now with a much more depth and character (and it only took a change of vocalist to do that).

Go-to tracks: just look at the go-to tracks of other releases, as well as this album's versions of: Message in the Wind, Come Inside
3The Danse Society
Scarey Tales


One of the few (possibly the only) times the band has sounded in its strength after the rebanding and change of the vocalist. Not that Scarey Tales is in any way a triumphant return, moreover that there isn't exactly much of anything to return to, but it is a much more solid release than its release contemporaries. Even though the band still failed to recapture the essence of the 80s goth rock they sought after, this release's song-writing and execution felt miles less awkward and cringeworthy. That, however, still does not mean it is a faultless album.

Go-to tracks: Message in the Wind, The Tale, The Wolf
2The Danse Society
There Is No Shame In Death


First off, the EP's opener is 12 minutes long... yeah. Indeed, this was The Danse Society at their most experimental. They were young and foolish and didn't know where to go with their music quite just yet. They had ambitions, as this EP makes clear, but they also had that artistic overdose in them, where they felt the necessity to make sonically shrilling and sharp overlong odes to despair.

Go-to tracks: There Is No Shame in Death, These Frayed Edges
1The Danse Society
Seduction


Yeah, it's that one album people remember. Somehow even in the world of samey goth rock bands, The Danse Society managed to create something of their own. Not that Seduction is a pinnacle of originality, but it does contain a strong... dense... atmosphere that doesn'T necessarily rely on song-writing and melodywork, but rather on the vibe and conceptual feeling of the whole experience. It might drag on a little, but it also charms its way into your psyche, what with its winding runes and haunting aesthetics.

Go-to tracks: These Frayed Edges, Woman's Own, Belief, Ambition, Somewhere
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