Review Summary: ::catharsis::
Welcome to Machine Girl’s second album. It’s abundantly evident there’s an effort in introducing the audience to a less suffocating version of the band in this vibrant sequel. While the album is stuffed to the brim with every type of synthesizer, frenetic beat, and vocal sample (per usual), it’s a vastly less uncomfortable atmosphere compared to the classic debut album.
Every bit of trance energy in Wlfgrl was expanded upon to craft Gemini. Digital hardcore continues as the genre of choice, and any implied melodic intent in Wlfgrl is the soundscape showcased. In these electronic caverns they are brightly lit, and a dance party is hosted. The cotton candy rhythms are upbeat and inviting, never growing wearisome or too abrasive.
The artist’s unique mannerisms are somewhat tamed to produce a more cohesive/predictable sound, but this is Machine Girl, front and center. It’s as dreamlike and nostalgic as before, sounding like computer game or Nintendo memories observed from Heaven (I see you, mister album art creator). The downside of such a samey sound is a forgettable album.
It’s difficult to pinpoint track highlights, because the spotlight is on the soundscape’s ethereal cushion. It’s a comfy experience, but while in your trance the album ends, and you’re left searching for what you just listened to. Gemini is a lovely listen, but whether the chill vibe here can grip you as hard as the intense debut is up to you. I personally was transported to a wonderland of universes and sounds hitting at the same time, in a visionary daydream.
