| | | Ratings (23) |
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| 0.0 | elchapoisjesus | March 22nd 16 |
Album: Touch Down 2 Cause Hell
Artist: Boosie Badazz
Score: 9
Favorite Songs: Mercy On My Soul, Retaliation, Window Of My Eyes
In just three years, Boosie Badazz has gone from facing the death penalty at Louisina's notorious Angola State Penitentiary (he wasn't found guilty obviously) to releasing a new album with TI, Jeezy, and Rick Ross. Boosie has become more lyrical by rapping about the bloody streets of Ferguson, Mo. and rapping about post-prison life. He clearly took time and put a lot of effort making a comeback album. The line up of guest appearances weren't that great. The only good guests were TI and Jeezy. Another thing I didn't like was his voice. It sounds like a snake in songs. It's better in some songs though. Overall, this album is a good comeback for Boosie and if you're a fan of southern rap you'll love it.
1. “Intro” - 9/10
2. “Windows of My Eyes” - 10/10
3. “Retaliation” - 10/10
4. “Like A Man” (Featuring Rich Homie Quan) - 5/10
5. “No Juice” - 8/10
6. “Don Da Da” - 8/10
7. “Mr. Miyagi” - 10/10
8. “On Deck” - 5/10
9. “Hip Hop Hooray” - 8/10
10. “On That Level” (Featuring Webbie) - 7/10
11. “She Don’t Love Me” (Featuring Chris Brown) - 8/10
12. “Drop Top Music” (Featuring Rick Ross) - 8/10
13. “How She Got Her Name” - 10/10
14. “Spoil You” (Featuring T.I.) - 8/10
15. “Black Heaven” (Featuring Keyshia Cole) - 10/10
16. “Kicking Clouds” - 7/10
17. “Hands Up” - 10/10
1 Bumps | Bump |
| 0.0 | elchapoisjesus | March 21st 16 |
Album: Touch Down 2 Cause Hell
Artist: Boosie Badazz
Lyrics: 8/10
Production: 8.5/10
Flow: 8/10
Features: 8/10
Overall: 8/10
Favorite Songs: Mercy On My Soul, Retaliation, Black Heaven, Mr. Miyagi
In just three years, Boosie Badazz has gone from facing the death penalty at Louisina's notorious Angola State Penitentiary (he wasn't found guilty obviously) to releasing a new album with TI, Jeezy, and Rick Ross. Boosie has become more lyrical by rapping about the bloody streets of Ferguson, Mo. and rapping about post-prison life. He clearly took time and put a lot of effort making a comeback album. The line up of guest appearances weren't that great. The only good guests were TI and Jeezy. Another thing I didn't like was his voice. It sounds like a snake in songs. It's better in some songs though. Overall, this album is a good comeback for Boosie and if you're a fan of southern rap you'll love it.
Bump |
| 3.0 good | TheManMachine | August 24th 15 |
Having been locked up since 2009, he's got stored up verses for days+days and guests aplenty stopping by to help commemorate his return. Straight out the prison gate/right off the introductory bat, he's nothin' but passionate+weaselly all the way, amping himself up in the third person and seeking forgiveness while mingling with soulful ensembles and gaudy drama-trap. Antiquated overindulgence quickly takes its toll as he moves onwards through savage revenge and strip club tales and radio-friendly nightclub bait; but the ardor endures, and in the process a knack for making the unlikely somehow work is unveiled: the tragically lengthy name-droppage of "Black Heaven" is touching even when Rosa Parks is labeled "a O.G.", "How She Got Her Name" still manages to rouse up sympathy within its misogyny and saves the day beat-wise with a softly sampled purr-hook, "Hands Up" feels forced but offers a refreshingly clear opinion on the current police state ("Fuck That SHIT!"). When an ender finally rolls around, he's returned to the basics: piano-only for backing and apologetic shout-outs for everyone - Mama, the crew, the aunties, God, a million fans, all seven kids, etc.
Bump |
| 3.0 good | ItsMaxwell | June 5th 15 |
Boosie is one of the great rappers of our generation - forceful yet graceful, an aggressive snarl that conveys so much, and most importantly, he's getting better and better. Better at writing, as he's starting to develop a political angle, and amazing at emotion. It's no secret that he's never had a very good cohesive album, but that's never bothered me when he had a great palate for regional producers. Unfortunately, in Touch Down 2 Cause Hell, he takes every rap cliche and makes some Rap Album. He tries his hardest to make it worthwhile, the first five tracks or so are great and the last two (particularly "I'm Sorry") are some of the best stuff he's done, but a large chunk of the album is mediocre or worse and it all sounds like Boosie trying to conform to the world around him, when he spent so many years trying to make the world conform to him. What a shame.
Bump |
| 4.0 excellent | qwe3 | October 18th 15 |
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