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Ranging from orchestral extravaganzas to short death escapades, Tremoro Tarantura explores its own limits between the ugly and the beautiful,
constantly verging on the edge of disaster. They shake hands with imperfection, but somehow manage to keep a strong melody which guides the
listener through the eclectic romanticism, and into the light.
Norwegian Tremoro Tarantura came to life October 2010, and released its first LP titiled “Virtulipan Collapseecon” only a few weeks later, followed up
by the infamous “Escapadarius Thrashcant” 7-inch March 2011. The band is known by refusin ...read more
Ranging from orchestral extravaganzas to short death escapades, Tremoro Tarantura explores its own limits between the ugly and the beautiful,
constantly verging on the edge of disaster. They shake hands with imperfection, but somehow manage to keep a strong melody which guides the
listener through the eclectic romanticism, and into the light.
Norwegian Tremoro Tarantura came to life October 2010, and released its first LP titiled “Virtulipan Collapseecon” only a few weeks later, followed up
by the infamous “Escapadarius Thrashcant” 7-inch March 2011. The band is known by refusing working in studio environment and has a strict policy
of capturing their creative outbursts on obscure locations, including everything from haunted buildings to churches. Music of [ Tremoro Tarantura ]
should be considered as field-recordings, and nothing else.
Drawing inspiration from Ac/Dc and Penderecki, to Teo Macero and Gainsbourg, the band has managed to create a sound which often goes beyond
common sense, rewarding the ears of the patient and ignoring the possibility of complete hearing loss as a result of inhuman volumes.
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