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It might seem counterintuitive for a producer to detach themselves from one of the planet’s most thriving music scenes, but in the case of Julio Bashmore, that’s exactly what he did growing up in bass music hotbed, Bristol. You see, Julio’s first love is house music. And operating just on the peripheries of the city’s scene has allowed him to quietly cultivate a take on the genre unlike any other.
Julio may have appeared to burst on to the scene in late 2009, but the lead up to the Julio Bashmore EP for Claude VonStroke’s highly influential Dirtybird label was essentially a lifeti ...read more
It might seem counterintuitive for a producer to detach themselves from one of the planet’s most thriving music scenes, but in the case of Julio Bashmore, that’s exactly what he did growing up in bass music hotbed, Bristol. You see, Julio’s first love is house music. And operating just on the peripheries of the city’s scene has allowed him to quietly cultivate a take on the genre unlike any other.
Julio may have appeared to burst on to the scene in late 2009, but the lead up to the Julio Bashmore EP for Claude VonStroke’s highly influential Dirtybird label was essentially a lifetime in the making. Siphoning the tastes of his older brothers through hip-hop cassettes, Julio’s interest in electronic music began in earnest after hearing Daft Punk’s “Da Funk”, which was handily around the time that turntables arrived in the house via his elder sibling. There was something Julio warmed to in the typically French approach Daft Punk and Cassius took to house music composition, and his earliest vinyl purchases reflected this. Aged 14, a battered old PC and a copy of Reason became Julio’s very first ‘instruments.’ He later experimented with synthesizers and guitars, playing in bands for a brief period, but by the time he was old enough to experience club culture firsthand, Julio had made the realisation that DJing was the true vehicle in which to deliver his music. « hide |
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