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Max Eastley began in the late sixties to investigate the relationship of chance to music. Using kinetic sound machines or the environmental
forces ofwind, streams and sea. As a consequence his career opened out into these various branches of creative and philosophical exploration.
He hasexhibited his sound installations internationally, and collaborated with a wide range of artists, musicians and filmmakers, including Brian
Eno, PeterGreenaway, Evan Parker, Thomas Köner and Eddie Prévost.Edit bio
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