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Elgato’s vehement and repeatedly stated view is that club experiences are best in small venues with a direct connection to the DJ, hopefully shared between people with a passion for music and who may even be friends. One dominant theme that emerged from our chat was a desire to pursue a musical career adhering as closely as possible to that ideal. His time spent in Bristol seemed like it came close; there he helped run a night called Bruk which sold tickets without letting on who would play, relying instead on trust to draw in the crowd. But if he’s keen for music itself to do most of the ...read more
Elgato’s vehement and repeatedly stated view is that club experiences are best in small venues with a direct connection to the DJ, hopefully shared between people with a passion for music and who may even be friends. One dominant theme that emerged from our chat was a desire to pursue a musical career adhering as closely as possible to that ideal. His time spent in Bristol seemed like it came close; there he helped run a night called Bruk which sold tickets without letting on who would play, relying instead on trust to draw in the crowd. But if he’s keen for music itself to do most of the talking, LWE’s 70th exclusive podcast is a good start. What Elgato prepared for us showcases only old U.S. and UK house and garage, genres he thinks claim a shared history, remaining closely entwined after growing from shared roots in the Paradise Garage. The fertile aesthetics of both house and garage, on both sides of the Atlantic, can also be felt in his tracks “Tonight” and “Blue” (the latter of which stunningly grabbed the #3 spot in LWE’s top tracks list). That the programming of this mix makes so much room for not-always-appreciated music at the intersections of these styles might go some ways to explaining the parallel emotions of recognition and surprise that made his debut release so good. « hide |
Similar Bands: Joy Orbison, Jam City, Kowton, Velour, Guy Andrews Contributors: Deviant.,
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