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3.5 great | Iai EMERITUS | June 12th 11 | Very impressive. It's microtonal/electroacoustic material, but it pulls in all sorts of strains of popular music. "Trifase", the least avant-garde track on the album, is almost a straight-up blues track, and parts of it feel - if not sound - like American primitivism too. I'm not really sure whether I should judge this as a classical composition approaching pop, or an experimental pop musician reaching into the avant-garde (the Smetak biographies I can find suggest either is equally valid), but it's just as enthralling either way.
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3.5 great | Topaz | July 1st 13 |
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