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Review Summary: House heads south. Hugh Laurie’s successful onscreen portrayal of the reclusive misanthrope (House if you’re living under rocks) continually confirms his versatility as an actor. At the piano however, it takes a little more to convince us that his skinny croak suits hearty New Orleans blues he sets his heart in motion to. It’s an inevitability that Let Them Talk’s primary spokesperson is a middle-aged, conceited man with a cane on a mission to make as many enemies as possible, whilst simultaneously rescuing some mutant from a malignant form of obscure cancer. In some ways, the parallelism I’m drawing between Dr House and this southern blues counterpart is rather crude and cliché, but, it is no less an interesting dilemma that I was faced with during the first few listens. You see, Laurie, and the recent surplus of grumpy old male proponents of talent have more than enough doe to make records with the best session musos around. In this way, the music felt polished and energetic, yet occasionally impassive, even though Laurie clearly wanted to make it malleable and something truly of his own. It’s not that the record appeared to lack sincerity, more that it appeared to lack any defining character other than, dare I say it, a star with a unique tone, which means anyone (probably) could have sat the same spot.
But, as you listen, and gradually become at one with the true man behind the keys, it’s evident that Laurie’s devotion towards such a project is also why he ends up becoming the album's hero, saviour even. This could have been just another everyday blues record with a collection of musical masters piggybacking the star on the cover, yet Let Them Talk ends up being more than just another overplayed rendition of pre-war classics. Somehow, oddly, he injects his charm into music without destroying their original magnetism. And even though this voice may not be as well suited, his abilities on the piano (and guitar) are remarkably well settled, as if he'd been playing this music all his life. The opener “St James Infirmary” demonstrates this fact amid its thundering toms and strident piano lines, in turn doubling as the album’s most effectual statement. From here, there’s more than enough material to suggest that Laurie is not only a terrific actor, but also a proficient bluesman, which in the end isn’t all that surprising, given he’s always been passionate for music since the Fry and Laurie days—it’s only now, 20-or-so years later that we’re seeing the skills finally rear their heads.
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Album Rating: 3.5
http://www.youtube.com/watch?v=E1x7AeEogGM
Short, sharp, and that's the way I like it because sometimes, I feel as if reeling out song descriptions one after the other ends up being, well just another boring review.
Forgive my tiredness.
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Glad to see that this finally has a review. This is well written and concise, great work, Jake.
| | | Album Rating: 3.5 | Sound Off
After reading this review my only complaint is that I feel as though you talk more about Hugh Laurie rather than Hugh Laurie's music. However I like how you communicated your opinion on the album and the moderation that you exercised so have a very clearly earned pos!
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finally someone actually reviewed this. i was surprised how much i enjoyed it actually.
kind of a sunday morning doing manual labor-type album. werkin in da fields
| | | Album Rating: 3.5
I don't watch House at all, really, but I do enjoy this album quite a bit. "St. James Infirmary" is excellent.
"kind of a sunday morning doing manual labor-type album"
This. Very good background music to cleaning a room in your house.
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Huge fan of House here.
Laurie's character is the shit.
Listened to the YouTube link, liked what i listened to.
good review, pos.
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Short, sharp, and that's the way I like it because sometimes, I feel as if reeling out song descriptions one after the other ends up being, well just another boring review.
Fair enough. Review did its job, though - so pos =)
| | | Album Rating: 5.0
i have watched 162 episodes of House, M.D.
| | | Album Rating: 5.0
and 131 episodes of Bones
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ah you people serious
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All I can think of when seeing this is the piano skits on A Bit Of Fry And Laurie
| | | Album Rating: 3.5
Cheers bros. I appreciate the feedback.
More people need to hear this.
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Zion speaks the truth. Or on Jeeves & Wooster.
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Good shit
| | | Album Rating: 4.0 | Sound Off
the opener on this is fucking awesome
| | | Album Rating: 3.5
Oh yeah
| | | Album Rating: 4.0 | Sound Off
nice review too, listening right now its ballsy as hell so far
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Just really getting into House now. Despite its formulaic nature (ie: patient comes in, House misdiagnoses them, he broods about it for a while, has a stunning realization and cures said patient), it's still really interesting to watch, and House's jaded, sarcastic, fearless persona is so well executed. Also, this album is pretty great.
| | | Album Rating: 4.0 | Sound Off
thats an excellent analysis of the show. It's formula never changes, but its still so entertaining. Album rules really hard.
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Neutral: Yeah, I'm digging this album a lot at the moment. Just a really relaxing, suave blend of bluesy elements.
Can anyone tell me if House's premise starts to change a little? I've enjoyed what little I've seen of season one (6 episodes), but I can't imagine it using the same tricks for an entire 8 seasons.
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