Possession crushes listeners beneath pounding, repetitive rhythms comprised of mountainous drums, thick guitars, and ? idiosyncratically ? jazzy alto saxophone courtesy of John Zorn. The record?s bludgeoning, soulless attack is reminiscent of Godflesh, though the experimental underpinnings distinguish it. ?Black Jesus?, a noisy, haunting atmospheric piece, exemplifies this, as do the assorted free jazz influences.
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