Review Summary: A fine epilogue to Sublime’s legacy.
A brand new Sublime record was definitely not on anyone’s cards for 2026. The tragic passing of front man Bradley Nowell right before they hit the mainstream with their eponymous record thirty years ago abruptly ended the band. Their catchy blend of ska punk, reggae and alternative rock with a touch of psychedelia turned them into perhaps the most interesting and inventive act of the respective sonic sphere which they helped popularize in the early ‘90s. More than a decade later, drummer Bud Gaugh and bassist Eric Wilson revived the brand as Sublime with Rome, since they were not allowed to use the original name. Despite a few solid moments, the results ultimately lacked the expected quality. Nevertheless, in late 2023, the two members were joined by none other than Bradley’s son, Jakob for a benefit show, thus, sparking the idea of performing again under the Sublime moniker. It proved to be an excellent decision as the man shares an incredibly close vocal tone to his father’s and does a fine job continuing their legacy.
Although you would expect them to continue releasing new music like this, it was announced that
Until the Sun Explodes actually serves as an epilogue for the group’s career. It also acts as a tribute to Bradley, as well as providing the fans just about everything they would wish to hear on a Sublime LP. The trio included bits of every style previously explored, from sedated numbers such as the mellow “Favorite Song” or the slow burner “Figueroa”, to the pumping “Evil Men” & “Gangstalker”. First single, “Ensenada” is one of the highlights and closest to a classic tune of theirs. Jakob’s lush voice and twangy guitar tone make you feel like listening to the late singer once more. There is also the acoustic ditty, “Casino Taormina”, which comes across as a sweet, intimate break halfway through the record. Meanwhile, the title track details the son’s thoughts on his father, being thankful for the impact he had on his life, even if he wasn’t there to witness. It is a beautiful way to close this chapter. In between these cuts, there are various other interesting moments, such as the punk rockers “247-369”, featuring Pennywise, “Backwards” and “Personal Hell”. They echo the older, chaotic output of the original line-up, jumping from fast riffs to chill interludes.
Overall,
Until the Sun Explodes doesn’t reach the highs of previous Sublime LPs, however, it is a consistent effort. Jakob’s voice bearing such a striking resemblance to Bradley’s is the most important thing though. Still, he sounds more focused and careful in his delivery. The members found a great way to pay tribute to the late front man, while moving on and coming full circle so to speak. If this remains the final record, then they are ending things on a high note. It offers longtime fans an appealing bonus full-length, besides introducing a new generation to the band’s catalogue.
