Review Summary: Like visiting eFukt on your parents’ computer when you were twelve years old.
The quintessential secret identity artist, by daytime undercover multi billionaire, Visit Kalvhaga is back once again. From origins unknown, from inspiration sources unknown, they have produced this G R E A T two track EP. Castle yadayadawhatever is about six times longer than their last outing and a venture into new territory. (Baseball sucks).
A couple of things have changed since the last time around. For example, the drums are no longer preset boring plastic midi drums (not true). Also, this time around Visit Kalvhaga introduce vocals for the first time on Movement III […] with lyrics sung halfassedly in a foreign mythical language.
This EP is two tracks long, but it’s made up of three movements (what?). The first track contains Movements I and II. Honestly Movement I is a true banger, like having intimacy with a girl. That’s what it feels like, like this song (try it sometime). On the other hand, Movement II feels like round two when you put it in again seconds after climax. It’s just not as good, and during, your mind is probably wandering away to Super Bowl commercials or something.
This album has very good and tasty presets. Like watching the warmups to a tennis match.
The songs feature a lot of instruments and I get the feeling that Visit is very good at playing them. Kalvhaga sure know a lot of different instruments. A generational talent surely.
Visit Kalvhaga is going to take you to the bank Senator Trent, to the blood bank.
This is the rejected Kashiwa Daisuke dungeon synth demos you weren’t supposed to hear.
This is what happens when you mix beer and Red Bull.
This is a 3.5.
https://visitkalvhaga.bandcamp.com/album/big-walters-joyous-siesta-in-the-castle-hall
