Review Summary: dark synthy gaze-pop to relax/vibe to
There’s something to be said for pre-classics. You know, those vaguely neglected records released before The Album everyone knows and loves?
Isn’t Anything,
Just For a Day,
Blue Bell Knoll,
sure, all my examples are drem, shut up: that kind of thing. While these may not be my favourite albums, they offer a uniquely easy-listening experience curated by a band I love. Rather than having to “wow” and “sheesh” and “hjönk” at every mind-blowing sonic choice, I can simply sit back, relax, and, dare I say, vibe.
Jaywalker feels like such a record. MØAA’s second full length comprises a gothic-tinged dream pop experience that is wonderfully consistent and consistently wonderful, without any explicitly defined peaks or valleys. Certain textures are especially delightful - look no further than “The One”s excellently eerie atmosphere or “Such a Saint” weaving a sticky hook out of equally haunting lyrics - however,
Jaywalker is primarily concerned with delivering a well-produced, immersive experience. Sure, part of this immersion is owed to a lack of true standout cuts, but it is also (or: moreover) accomplished due to MØAA’s impactfully smooth vocals and ability to weave an inviting, all-encompassing atmosphere.
This might all feel a little back-handed, and yet, the most exciting thing about
Jaywalker undoubtedly is that it truly feels like the precursor to a masterpiece. Simultaneously, excitement isn’t exactly on MØAA’s mind: as it stands, her new album is a highly enjoyable slice of gaze able to grace and enhance any situation or setting. It’s soothing, it’s pleasant, it’s great. I can’t wait to hear what comes next.
