Review Summary: Brutal, noisy, and fucking brilliant.
Imagine being crushed by a bunch of bricks. Imagine slamming headfirst into solid concrete. All while either of these events are happening, imagine you are also wading through a thick river of mud at the same time. Better yet, listen to Helmet's debut because it's the audio equivalent of having all that happen to you. It's a brutal, unpleasant experience; it's one that doesn't try to paint a pretty picture or have any polish from the production studio. But at the end of the day, that's exactly what makes
Strap It On such a powerful gem of an album. It bridged alternative rock and metal, alternative metal with hardcore punk, and brought in some noise rock to tie it all together. It's still an uncompromising experience to this day and hasn't lost its punch over the years.
Helmet spawned from the NYC hardcore scene back in the early 1990, and instantly stood out from the rest of the metal bands of their day. They were often regarded as the "thinking person's heavy metal band" during their heyday due to their penchant for precise staccato riffing, unorthodox time signatures, and experimenting with jazz and noise rock. They also stood out from an image perspective, having a more earnest and "down-to-earth" look with t-shirts and jeans; there was no theatricality or grandiosity, nor were there any wankish or ridiculously flashy solos either. Now, I should mention that Helmet didn't hit their commercial stride until their second effort
Meantime, which had their signature song "Unsung." But
Strap It On definitely provided the building blocks of what would become the band's sound, while also being their rawest and most relentless piece of work. Much of what made Helmet so fresh came from frontman Page Hamilton, who still leads the charge today as the band's leader and figurehead. Also, if you're wondering where the jazz and blues influences come from, Hamilton actually studied jazz guitar in the Manhattan School of Music prior to forming Helmet. In any case, his guitar work is simply insane on
Strap It On. His solos can range from showing off his technical skills ("FBLA") to becoming utterly incomprehensible nonsense at times to fit the song's mood ("Murder"), or be a mixture of both ("Bad Mood"), but his guitar skills allow him to bend a song to his will just by the way he plays and experiments with his instrument.
Strap It On may be a short affair (only thirty minutes), but just like
Reign in Blood, it packs such a punch in that time that it warrants several replays. Right from the percussive bass/drum-centric intro of "Repetition," the album's production is instantly catches the ear with it mixes rawness and instrumental clarity. There's a thick wall of sound coming from the guitars during the more textural moments, such as the solo section of the slowly crawling "Sinatra" and the lengthy intro of the midtempo alt-metal number "Rude," but it's always punctuated by a punchy drum performance and tone courtesy of the legendary John Stanier. Then there are songs like "Bad Mood" or "Repetition," which are basically straight-up hardcore punk songs without any of the alternative metal elements the band is usually known for. But those are some of the best tracks on
Strap it On as they're the best displays of a group who was young, pissed off, and (as I stated) uncompromising as hell. Perhaps the best thing about this album is that it mixes intelligence and strong talents with brutality in one fell swoop, something that would be lost in future records as Helmet would eventually get cleaner and more melodic. There are melodic flourishes here and there, as the guitar textures of "FBLA" and "Repetition" prove, but there's always something propulsive going on in the backing instrumentation so Helmet don't really linger on them for too long. But whenever the more emotive moments are on display, they're often incredibly gloomy or depressing; the bridge of "Sinatra" in particular is pretty hard to listen to for this reason, as the lead guitar work just makes it sound
defeated... until the chorus kicks back in, that is.
Helmet made a number of brilliant records during their 90s heyday, but
Strap It On is the one that just sticks with me the most. This just seems like the most impressive document of their sound, creating a perfect balance of alternative metal, hardcore punk, and noise rock in one complete package. It's short, but to the point. It's brutal, but coherent and melodic enough that it never seems too abrasive. Plus, it's still one of the most headbangable (is that even a word?) albums I've ever heard to this day. And on top of all that, there's not a bad song to be found here. If you're into punk, metal, alternative rock/metal, noise rock, or just 90s rock/metal in general, this (along with
Meantime and
Betty) is simply essential.
