Although Catharsis has been labelled as a power metal band, the band should more
specifically be classified as neoclassical power metal. Dea exemplifies the neoclassicism
by using quintessential baroque harmonic progressions and melodic patterns; while
predictable, these frequently used progressions and patterns establish themselves quite well
in one's memory. Moreover, the baroque style gives Dea a sense of grandeur. However, where
strength lies there may be weakness. In this album, Catharsis tended to cycle around a
couple simple baroque progressions and melodic lines. In every piece there was a
prolongation of the tonic, some 7th chord on the supertonic as a predominant, and a
resolution with either a diminished chord or a dominant chord. Perhaps it gave them security
in their songwriting, as that was their forte. This led to limited variation amongst the
tracks. Another problem appears in tracks with a vocalist, such as Igni et Ferro. The
vocalist seems like he lacks air support and, maybe, confidence. His vocal timbre is also
rather flat, but that probably arose from his lack of air support.
Overall, Dea is a good album, especially considering that it is their second earliest album,
only following Febris Erotica. Despite gritty production, Catharsis managed to create an
album that has recognisable and grandiose, yet charmingly bombastic tracks. Ultimately, Dea
serves those who are fans of heavily baroque-inspired music well.
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