This record's sound is quite evident looking at who worked on it: Martin, Washington, Glasper and 9th Wonder, with the occasional help from singer Phoelix. It results in a warm, soulful and jazzy record supported by 9th Wonder's beats and Glasper's piano. Turned out I didn't exactly vibe as much as I expected: it sometimes sounded as subpar D'Angelo, and while the instrumentation is supremely chill, it's not the most memorable work of the year. It's one of the smoothest though.
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