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| 3.0 good | Doublez38 | October 24th 19 |
Unlike many Trap rapper women, often too aggressive, sometimes too vulgar, who have done too much, Kash Doll is calmer, raises her voice and presses when necessary, and believe me it makes her very different from the others. The production is often very minimalist and punctuated by overwhelming bass. Personally I'm not a big fan, there are a few things that keep me from holding on. Pourant Kash Doll goes rather well with the instrumental, it's rather original as I said in relation to it, but this minimalism frightens me (precisely), because I have the impression that it seems so exaggerated that listening to several songs by Kash bores me seriously. So I have a lot of trouble going to the end of the album. Fortunately, there are the guests who bring vitality to this album
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