| | | Ratings (10) |
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| 5.0 classic | sanji999 | January 31st 23 |
After all these years, I'm really heartbroken to see that Sybyr still doesn't get the recognition he deserves. Anti-World and Hellhorse can be regarded as one of the most groundbreaking underground Trap albums, with particular influence on the Trap-Metal genre (though Sybyr covers a lot of ground, especially on this project). As a Sybyr "connoisseur", I can tell witouth hesitation that this is his magnum opus and everything he stands for is covered in this tracklist. Experimental cloudrap production handled by the man himself, ranging from icy cold ambient soundscapes to hellish and existential ragers. Then you got the occasional futuristic song, that still spins my head to this day. The vocal performances are insane and not from this world. You can't compare this guy with anyone else. You always hear the influences from the early trap days, early 2010s but with his own demented take on it, channeling a lot of genuine anger and frustration in his voice and lyrics. That's what's most impressive about this project and Sybyrs other work, that these are genuine emotions on display and you feel them under your skin like with no other mainstream record. His pain feels real and you can't help but really understand what Sybyr is going through and feel fascinated by the raw energy and demented world you're being subjected to. You feel very empty and detached of life after a listen of this. Like living behind a glass wall and on the other side is the rest of humanity. Anti-World
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| 3.5 great | LegendaryOrangeBear | May 23rd 19 |
As Sybyr tradition, this album is all over the place in terms of quality. But when it's clicking (like for example on "Not The Same", "Trust Me" & "I Like Being"), it's clicking hard. Those tracks have such an appealing sound to them. The perfect mix of experimental, dark & catchy. The atmosphere on "I Like Being" is amazing, even though it is a bit cringy lyric wise, the beat captures such a great atmosphere paired with the vocal effects & flow he uses. But then so many tracks on this thing sound like a soundcloud rapper with double digit followers attempting edgy trap metal that you just want to exit out of as fast as possible (ex: The Antagonist, Raging, Pissin Off, Unrelatable Mess &.. well I'll stop there...)
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