I can smell the radioactive waste just barely listening to this monster. The production gives everything such a full, dirty punch to it (the last minute-thirty of "Asphyxiating On Hazardous Pollution", sweet lord) especially that deliciously pingy snare, that it's honestly some of the most easy slam to listen to, making fifty-five minutes fly right by. These guys have a noticeable and very tactfully-incorporated sludge influence here, mostly due to the production, but also because on any given song you can hear some discernible, albeit short, riffs peppered in throughout to accentuate the admirably powerful and even catchy slams. Basically, if you're going to use some riffs on a slam album, whether they be some quick tremolos or some slower, sludgier progression, this is how they should be used. Post-Apocalyptic Human Annihilation is awesome, basically. Also, pinch harmonics. (They also used the siren from the first Silent Hill on one of the samples. If you can't get down with Silent Hill, I can't get down with you.)
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