| | | Ratings (63) |
Give your Rating |
| 3.6 great | Erwann S. EMERITUS | August 26th 24 |
Stetson's formula of dissocircular repetition of sax shredding is maybe at its weakest here - the haunting parts aren't as hauting as his hauntingest work, and the same can be said about the melodic passages. Still one of the most interesting saxophonists right now.
Bump |
| 3.5 great | TheManMachine | August 21st 17 |
Colin's compositions can be hypnotic or maddening or both -- between a bizarrely handled bass sax and clunky percussion and some spectral wordless 'ooo'ing, sparse rigidity-n-repetition is a take it or leave it motif. Bound to primarily draw in the tone-centric zealots and avant-jazz admirers; but brief and manageable enough to not leave normies in the dust. Plus his particular techniques are stylistically pretty apportioned: works ya in slow and seductively, hones in on hectic+dirty, stuns with softly soaring sublimity and buildups. A 13-minute closer contains all of the above.
Bump |
| 4.0 excellent | Lani | January 7th 25 |
| 4.0 excellent | TMTrates | September 16th 24 |
| 4.0 excellent | jhop | August 31st 24 |
| 4.0 excellent | FunJan | June 28th 23 |
| 3.5 great | Oatus | May 18th 22 |
| 4.0 excellent | SaneTBP | February 26th 21 |
| 1.5 very poor | gschwen | December 29th 20 |
| 3.0 good | Prole | March 21st 20 |
| 4.0 excellent | JOK | June 28th 19 |
| 3.0 good | adr | October 24th 17 |
| 3.5 great | Smelty | July 10th 17 |
| 4.0 excellent | Rail | May 29th 17 |
| 4.0 excellent | JJKeys | May 1st 17 |
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