Rckin' free improv with a guitar, sax, and bass. "Noon Harras" is particularly effective, as it builds across its nine minutes into a climactic sax squealing attack. "Evening Harras" is by far the longest cut here, and it's good, if self-indulgent. Self-indulgence often comes with free improv-- indeed, it's, to a degree, part of the territory-- so that's to be expected. Harras is a good record, but yes, it's free improv, so expect it to be noodly and somewhat long-winded.
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