Gets off to a great start with the main theme, but the whole atmospheric 80's synth concept loses steam after a short while, and it starts to sound samey. The few occasions where we break away from this pattern are undoubtedly the highlights, especially the Sia track at the end, which frankly ranks up there as one of the best end-credits pop songs since Will Smith's "Men In Black" or Enya's "May It Be".
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