| | Ratings (20) |
Give your Rating |
2.0 poor | dihstyle69 | February 28th 16 | the ultimate mass destruction of dope ass beats. 2-
1 Bumps | Bump |
3.0 good | bluecliffy | December 29th 16 | Montana hooks up great combos (Kanye West/Nas, Big Sean/Travis Scott), along with hard hitting 808 beats and stellar guest features for this project. Which, totally makes up for his weak autotune performance (doesn't entirely bother me, wasn't expecting anything different). Wavey incorporation of Max B was cool.
Bump |
3.5 great | TheManMachine | April 5th 16 | Having seemingly seized an upsurge from his Max B-camaraderie/Kanye's recent wave-based wrangling and resultant consensual-call-as-intermission via the incarcerated B-man himself, French Montana's bailiwick remains quite rooted in the aesthetics and persons of yesteryear (i.e. ~a decade ago) -- chipmunk beats run rampant, he wonders why street rap ain't sellin' like Kendrick, "old men" Puff+Jadakiss join forces for some wildin' while almost-as-old men Kanye+Nas dispense particularly substantial hook-n-verse work. But due to the presumable desire for relevance and bodacious-for-a-mixtape budget, there's also your conventional Future+Travis Scott spots and grime-steeped auto-tune slathers and handful of beats-n-choruses to absolutely die for. So sure, French lets others do alot of the work, and um, listening to the Silver Surfer babble from a prison phone is becoming painful, and yeah, there's an inordinate amount of track-skipping going on; but at the very least the highlights are well worth the jaunt: the angelic Kingdom Hearts 2-exploiting shelter-seeker with an amazing/awful hook, a rippin'-remix finale that boasts unswerving flows and fancy vehicular zooms, and French's trismic back-n-forth with young buck Kodak Black; the latter of whom I hereby declare chief cake-taker. Not bad for being barely legal/conscious.
Bump |
2.5 average | Kurisu | September 19th 17 |
3.0 good | Krisa | January 1st 17 |
2.5 average | Jordan M. EMERITUS | February 21st 16 |
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