Review Summary: Down memory lane.
Photography Shield is remarkably human. Dabbling in harsh noise wall, Zachary Lindsay (aka Volcanic Queen) laces his newest output with repression, denial, and other destructive traits corresponding with the trials and tribulations of a long-term relationship. Whereas many similar artists lack emotional dynamic, Lindsay is not only fuelled by the throes of relationships, but waves them like banners: the title, the track list, and the artwork. There’s clear motivation, which both helps and hinders.
A beeline approach can make noise-related music more accessible and impactful, but perhaps less satisfying in exploration. Opener “Memories Burn at the Peak of Winter” feels hurried-out-the-door, as Lindsay employs a killswitch ending. It resembles a missed opportunity, which might tie into willfully disconnecting from a tragedy, but prevents the track from flourishing in its own right. The blankets of field recordings convey post-trauma with a bittersweet meditation. Agitated vocal samples are hushed, melting into minimal synth rhythms obscured by a soothing wall of noise. Then, it ends prematurely. On one hand, it allows the track to resonate; on the other, it’s quickly overpowered by the follow-up. “Portrait Disfigurement” is a standout, and sees Lindsay use more cavernous ambience. The wall of noise masks a series of tones and melodies, and calls to mind HNW artist Vomir’s recent work with Tanner Garza. In the home stretch, it’s easy to imagine Lindsay as a hypnotist; at the snap of his fingers, the noise is lifted without warning, revealing the beautiful layers underneath.
This euphoric instant release is a special moment of peace for Lindsay, with no strings attached, as though he stepped out of reality to drift without consequence; however,
Photography Shield is born of conflict, and closer “Ex-Lovers Trading Scar Tissues” speaks of precarious resolution. Choppy instrumentals give way to another noise wall, less commanding than on “Portrait Disfigurement”, with a weary, weather-beaten vibe. It slowly shifts into peaceful ambience, more realistically than the preceding track, avoiding the cold turkey departure from noise. Some things simply take time to fix. All considered, Volcanic Queen’s foray into HNW is a success, amplified by its dependence on failures. Rich with nuance,
Photography Shield lingers - like memories unwanted.
