| | | Ratings (5) |
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| 3.5 great | yigruzeltil | June 30th 17 |
In a post-Good Morning Good Night world, this seems unbelievably warm and dynamic in its tendency towards less sparse improvisation (improvisation with a capital I). Still, the warm-up minutes of this album were preparing me for an actually pretty sound garden with characteristic Japanese robot birdsong - turned out it was just a warm-up, although when sustained tones eventually step in the frame, it's all arguably more bearable. Still, not quite "sweet" enough for my liking and the "distant curves" turned out to be obnoxious "tactile" obstacles. I guess you may retain it for the interplay (Brian Olewnick claims that the pitches used resemble those of the instruments of a traditional quarter or something like that). Nevermind the curves, here's the cuts.
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| 2.5 average | Pon EMERITUS | April 22nd 17 |
| 3.5 great | rrodf | March 12th 17 |
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Give Your Opinion on Sweet Cuts, Distant Curves
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