Macross, a Mexican producer, infuses some French House into his Japanese-influenced future funk formula. Woah. What's impressive here is that Macross seems to know when to make its loopy tunes stop: tracks overstay their welcome very often in future funk, yet it's not (too) much the case here. Nevertheless, the genre's shallowness still starts hitting by the 25th minute (if you're not actually dancing in a club, in such a case it's not tiresome in the long run).
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