| | | Ratings (3) |
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| 4.5 superb | musichub | January 6th 22 |
Gesualdo's works are interesting in that they raised eyebrows across the scene when they were first published, were promptly forgotten about after his death, then revived over 300 years later by the serialists (Schoenberg and Stravinsky, particularly). Even if these madrigals can't be considered "atonal" per se, they certainly stretch the boundaries of tonality in a manner not seen before and very infrequently seen afterwards until the 20th century. Listen to "Moro, lasso, al mio duolo" (English: "I die, alas, in my suffering") for the end-stage Renaissance version of proto-Schoenberg.
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| 4.0 excellent | Doctuses | June 17th 18 |
This dude lived one badass life. one part prince, one part count, one part double murderer.
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| 5.0 classic | Rodrigo | November 10th 20 |
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