Can't go wrong with his Pusher trilogy, it's brilliant.
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Album Rating: 4.0
Listened to this today, it's amazing, gonna be jamming this for weeks to come...
I'll get on that Pusher trilogy too...
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Album Rating: 3.0
Really like this album art, not sure if this is my thing upon first listen but I'll come back to it
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Album Rating: 3.7
This title track is very good mmm
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Album Rating: 3.5
Think this is my least favorite of his so far but it's definitely not bad by any means.
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where are the naked women on the cover art tf
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Album Rating: 3.5
Dancing in the back.
Zoom.
Enhance.
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https://www.youtube.com/watch?v=b2g_S0GNzpo
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Album Rating: 3.5
Very nice without context lol
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Album Rating: 4.0
ok but what exactly were you searching for in the first place???
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Album Rating: 3.0
good jam but nothing more
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Album Rating: 3.7
Ugh can't stop listening to the best bits from Dangerous Days
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Album Rating: 4.0
This makes me think of Drab Majesty's Modern Mirror a lot
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Yo this is dope
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Excess is so good man
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And entire review about Refn and synthwave and not one mention of Drive or its soundtrack...
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Album Rating: 4.0
eh Perturbator and Carpenter Brut are bigger than Drive's ost nowadays I'd say
Even Hotline Miami's soundtrack as a whole is
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Maybe, but Drive's soundtrack pre-dates them and was arguably one of the biggest reasons for the popularization of synthwave over the past decade. That makes Refn arguably as important to synthwave as Perturbator. It's not really important to the review, but I just thought it's funny that the reviewer didn't make the connection despite writing an entire thesis connecting Refn's movies and Perturbator's music.
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Album Rating: 4.0
Everyone watched Drive and its soundtrack is the definition of overhyped. Real Human Bean is a maymay, Under Your Spell is new wave-cum-dreampop, and Nightcall is just mediocrity that seems way better than it is because Refn is so good at incorporating music into his directing (see: elevating a boring beat drop with a well-timed light switch). No one even remembers the one actually really good track in the movie because it was utilized so well. Meanwhile everyone who owns an Aphex Twin album or played Hotline Miami 2 could have picked a better soundtrack, even if limited only to pre-2011 music.
And I did mention Drive, I made it the centerpoint of the review's thesis, but you must have missed that somehow.
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Album Rating: 4.0
rules hard
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