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The staff tend not to unless they're reallllllllllyyyyyyyyy bad, but a few of the commoners do, certainly

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I read most of these redsparrow conflicts lol

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I remember when I first join I thought you people were going to break in my room at night a beat me to death...

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AHAHAHAHA

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and thats a fact

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"The staff tend not to unless they're reallllllllllyyyyyyyyy bad"





can attest to that.

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The staff tend not to unless they're reallllllllllyyyyyyyyy bad, but a few of the commoners do, certainly

Album Rating: 4.0

so bored atm.

this still rules

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I'm with you strizzmatik, very well said my friend

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hyper bulking

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Accordingly to iTunes:



JL: Vices, Bed, Sink, Bought a Bride

VA: Gasoline, Be Gone, Daisy, Noro

JL/VA: At the Bottom, You Stole

VA/JL: In a Jar



Now the fact that I don't dislike Sink is explained.

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Whats the difference between JL/VA and VA/JL? Is it Music/Vocals?



Not surprising though, the Lacey songs are definitely the best (bar Noro), and the rest are mediocre.

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@Prophet178



Songwriting/lyrics. I guess the difference is the level of collaboration.



What is JL/VA is more Lacey influeced, what is VA/JL sucks donkey balls.



And what is VA is just a catastrophe.

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It's pretty much how I would have imagined it, except for Noro, I definitely thought that was straight Lacey.

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interesting, my two favorite tracks are VA tracks

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Stones in your eyes, stones in your eyes

Stones in your eyes, stones in your mouth

Stones in your ears, stones in your mind

Stones in your eyes, stones in your eyes

STONES IN YOUR ASS, STONES IN YOUR ASS

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@Prophet



Really?



sitting duck, running out of luck

our car's stuck on the train crossing



Did you really thought Lacey would write these lines?

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More the songwriting. I haven't really paid any attention to the lyrics cause most of them suck.

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You know that moment of epiphany when you just realize something you really didn't before? Like the Comedian on Watchmen realizing it was just a huge joke? I think that I'm going all Rorschach mode or I'm really into something, so please bear with me here:



What if - and I know a lot of you love this, but let me finish - this record was supposed to suck? And you ask me why, well, Jesse has said a lot of times in the past that he doesn't want to continue on a major label, that they'll continue but this would be likely their last record on a major (I'm looking all over to an interview where he said this on youtube but I'm not finding it) and they'd be releasing their stuff through an indie label or something like that.



Well, what if this is the biggest secret behind Daisy? And don't get me wrong, I know that there're things you like on this, I'd even admit that there are things likable on this, but what if this is the secret meaning behind it? I mean, if this was one of the purposes behind Daisy, then Jesse Lacey is a fuckin' genius. Opinions about this have been mixed at best, and I think Jesse didn't take much part on the writing of this because he'll be doing things way more greater when they part ways with their major.



Before people start to crucify me, please stop for a second and think: it makes sense. The lyrics on this are down right wrong to Brand New standards, this could hardly be looked at as an evolution of their sound, what if they just had fun on studio and tried hard on sucking just to kiss their major goodbye?



I'm so fuckin' happy for trusting Jesse Lacey again.

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i think that's called rationalizing and it is one of the seven stages of grief