yea dude frogstomp rules :D

you used to 5 a lot of stuff

hahahaha YES

victory is mine

dude dirty women is classic sabbath

dude trust me no one wants to read that review this album actually needs a new review

and you wont change me god

did you even finish listening to this yet

dude i have it rocked. check my last.fm!!
production is perfect, drums are perfect

have you heard gardens of grief

the song or the record?

gog is my fav ATG

the record vape

and yeah all 4 tracks are better than anything ever recorded by all other bands

really? ill check it out

you'll probably dig the vocals more too

Here's what Sweden's At the Gates told us with their first album, The Red in the Sky is Ours: they were from, er, Sweden; they were very upset about something -- probably their parents; they played extremely fast and furious; and they pretty much sounded like a "baby" Entombed, offering little in the way of innovation to the booming Gothenburg death metal scene. And that's pretty much it. Later on, their contributions would rank among the best death metal around, but, for now, only the title track and latter-day concert favorite "Kingdom Gone" show any inspiration. Everything else will barely interest even hardcore fans.

thats about as inaccurate as it gets

yea fuck allmusic
i got used to the vox actually around the last few tracks but better vox is always sweet

yeah but the "later on" really disqualifies the entire sentence

Allmusic sucks but not as bad as Rolling Stone, Kerrang, and Revolver.

Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion. Furthermore, the music fluctuates uncertainly between arty improvisations, jazz-inflected rhythms, and uninspired rock numbers. There are hints of promise scattered throughout the album, yet the record never gels into something special.