lol I didn't even notice that one. What I was referring to was Peter Hook being the bassist on this and you saying "hooked on the bass".
|
| |
o⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
|
| |
You didn't see that eh
|
| |
Sick shadowplay indeed
|
| |
No, what pun did they use?
|
| |
Album Rating: 5.0
we were strangers for way too long
|
| |
Album Rating: 4.5
This album is the perfect example of an album that truly transcends time and space, with the only thing holding it in its place is the production, which is very clearly late-70s. These songs and everything on Closer and Substance still sound revolutionary.
|
| |
Album Rating: 4.5
I still need to watch that. Apparently it's superb, no?
|
| |
Album Rating: 4.5
The production on this is absolutely pristine. Never heard an icier and more appropriate style for an album in my life.
|
| |
I've never actually given this a serious listen until today. This is pretty awesome. I had the tape for Closer when I was younger so I'm more familiar with it but I might prefer this one tbh
|
| |
Album Rating: 5.0
indeed
|
| |
Album Rating: 4.5
I’ve always preferred this one. Closer is a draining listen.
|
| |
Album Rating: 4.5
Both are killers but this one is probably a bit better over all. More raw and earnest sound, less calculated.
|
| |
Album Rating: 4.5
Closer > but this is still pretty much perfect.
|
| |
Album Rating: 4.0
[2]
|
| |
Album Rating: 5.0
new dawn fades has some of the best riffs ever
|
| |
Album Rating: 5.0
yea
|
| |
Album Rating: 4.5
A despairing classic. Real deal.
|
| |
Album Rating: 5.0
despairing is the perfect word yea
|
| |
Album Rating: 4.5
Quality dig there park lad
|
| |
|
|