yup Invading... still slaps hard
|
| |
Album Rating: 5.0
Oh hot damn Invading The World is so propulsive I looove it
|
| |
Album Rating: 1.5
disagreed
|
| |
Album Rating: 3.0
Invading is like what if garageband songwriting = quarter-life capitalisist crisis x more guitars
don't particularly dislike that one, but it's such a shapeless nothing-song
|
| |
Album Rating: 1.5
could say that about all the long cuts on this record
absolute snoozefests
|
| |
Album Rating: 3.0
the long cuts do have shape it is long
cut Infinite Josh in half, amputate that cancerous post-rock noodle [2]
|
| |
Album Rating: 3.8 | Sound Off
queen sophie still a banger
|
| |
Album Rating: 4.5
no the long songs are fantastic
|
| |
Album Rating: 3.0
arbitrary spite bump
|
| |
Album Rating: 5.0
Love bump to counter Johnny’s spite bump
|
| |
Album Rating: 3.0
Gross
This is probably the most egregious example of how to overwrite guitar parts from a non-prog band this decade. So many notes of nothing here
|
| |
Album Rating: 1.5
yeah this is a textbook example of how not to do long emo songs
|
| |
Album Rating: 4.5
counterpoint: no
|
| |
Album Rating: 4.0
If anyone is looking for something similar, check the new one by Fear Not Ourselves Alone - DEAD DOG PARADISE (OR LIFE LIKE PARASITES?)
You know it is good when Pika gives it a 2.
|
| |
Album Rating: 5.0
What the fuck kind of criticism is “so many notes of nothing”
|
| |
Album Rating: 5.0
So many words of nothing
|
| |
Album Rating: 3.0
play through Invading the World of the Guilty as a Spirit of Vengeance and tell me every note, or every riff, or every layering was remotely necessary to the development of the piece. horribly overwritten song
the guitar breaks in the second half as Infinite Josh aren't as indulgent melodically, but they're just as egregious structurally. so much of this songwriting here is high off its own smack, and it murders the record
|
| |
Album Rating: 5.0
I concur that the riffs in the first half of Invading might seem a bit aimless, but nonetheless the overly indulgent layering kinda makes it work for me. It feels like very wanky swancore carried to the conclusions of post rock. ”Horribly overwritten” more like “overly fun and grandiose”.
|
| |
Album Rating: 5.0
Well I simply can’t tell you that because I love that song.
|
| |
Album Rating: 5.0 | Sound Off
Grandeur is sort of the point here. It goes all out and it's not accidental. I can see how that could be a turn off to listeners who prefer stuff that's a bit more restrained, but to me this is the best thing they've ever done.
|
| |
|