Album Rating: 4.0

Better than the first but not by much.

i cant take my eyes of you

Album Rating: 5.0

www.sputnikmusic.com/forums/image.php?u=446654&dateline=1398904470

Album Rating: 4.0

Etched Headplate tho

Album Rating: 4.0

Homeless is probably my fave song on this.

Album Rating: 5.0

"Better than the first but not by much."



Well the first is a 4.5 but this is just phenomenal.

Album Rating: 3.5

been trying to get my dad into this, but he prefers clubroot as this is 'too crunchy'

Album Rating: 4.0

kissing you. tell me i belong. tell me i belong. tell me i belong

Album Rating: 3.5

well, i mean i played him orbital ii then clubroot then this but he only really liked clubroot

this is probs my biggest grower, went from "good I guess" to "idk fantastic"

Album Rating: 5.0

Raver is the perfect closing track for this

Like the first glimmer of sunlight after a long dark night in the city

Album Rating: 5.0

would love to get inside his head, see how he comes up with ideas, how his visions for songs develop,

how he spots things to sample, puts all his sounds together to realise these tracks





all these wannabe producers spending $$$ on the latest kit and high end software and he uses fucking

soundforge and creates gold

this might help http://www.factmag.com/2012/07/01/interview-burial/

Album Rating: 5.0

this kinda stuff is interesting but musicians never seem to go into the actual grit of how they

construct a song. fly on the wall kinda stuff. they always talk about their influences or their

vision or occasionally how they came up with this riff or that melody, but they never talk about the

whole process of coming up with something and envisioning how it'll fit with another motif, how the

song will then progress and they actually write it all down and how the song and all its moods

develop.



this is why demo tapes are so interesting. cos theyre a snapshot of the song as it's still being

created.



maybe it's just a case of going out and finding out yourself cos i'm sure there's an infinite number

of approaches but how do you know where to start?

they just do it you know

Album Rating: 5.0

this resonates

“People talk about making ‘dark’ tunes, but they’re not properly dark, they’re just trainee male rage music. When you hear something properly dark, like Dillinja’s ‘Deadly Deep Subs’ or ‘Mortex’ by Tech Itch…they’re dark, they’re fierce tunes, they don’t fake it; they stay true…Some of the darkest tunes aren’t just dark sounds, sometimes vocals and warm sounds can be hypnotic and executed in a cold way…like they got shark eyes looking at you. If you feel like the person that made that tune was moody, had a piece of glass in their head or was bad-minded, then that’s dark and I love that feeling [laughs].



“I like putting uplifting elements in something that’s moody as fuck. Make them appear for a moment, and then take them away. That’s the sound I love…like embers in the tune…little glowing bits of vocals…they appear for a second, then fade away and you’re left with an empty, sort of air-duct sound…something that’s eerie and empty. Like you’re waiting just inside a newsagent in the rain…a little sanctuary, then you walk out in it. I love that.”

yeah that was the part i was thinking of

Album Rating: 5.0

that 2nd paragraph is great

Album Rating: 4.0

'raver' is possibly the greatest song of all time

Album Rating: 4.5

"loner" is also possibly the greatest song of all time

:O