To me, The Melvins Discography resembles three piles of steaming dog excrement, laid upon a bed of unblemished snow. The three steaming, tightly coiled dog excrement are their albums the are sub-standard, or merely average. The albums occupying this location are Houdini, Prick and Colossus Of Destiny. All their other works are the bed of snow: each album is a snowflake, unique and almost perfect in it�s own way. Electroretard decends and becomes part of this bed of snow.
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