I enjoy being a surely piece of shit tho
|
| |
Album Rating: 3.0
I am Shirley, a piece of shit.
|
| |
Album Rating: 4.0
Cleverish twats.
|
| |
Album Rating: 3.5
That any of this sounds like Imagine Dragons is a ridiculous take no matter your overall opinion on the album
|
| |
Tbf it's pretty awesome how bent out of shape that comparison is getting some peeps
|
| |
Album Rating: 3.5
It’s not my hill to die on cos I could go either way with this album, but it is a shitty comparison so consider me 90 degrees
|
| |
yeah... this doesn't sound anything like imagine dragons. i could maybe see someone saying they hate it as much as imagine dragons, but outside of that any comparison between the two is pretty lol
|
| |
Album Rating: 2.5
22, A Million is like if Justin Vernon smashed random letters on his phone with autocorrect on
i,i is like he turned it off
|
| |
Album Rating: 2.5
ngl I don't even see the appeal about Bon Iver anymore
I used to like him but I just don't vibe with his songwriting style at all
his voice is distinctive but it's pretty ok. He's great on Hadestown and Yeezus and For Emma is quite good but his last three albums Im not into
|
| |
Album Rating: 4.0
This really ain't that bad. Some of you guys should sign up for drama school.
|
| |
what fun would this place be without the drama
|
| |
Album Rating: 4.0
Ey, I get it. But you know... So much untapped intelligence makes me sad.
|
| |
untapped intelligence? i doubt any more "intelligent" discourse would come out of everyone feeling resolutely neutral about this. not sure i'm interpreting what you're saying right though
|
| |
Album Rating: 4.0
Maybe not. There's a sub-conscious hate machine that works in the minds of dummies.
|
| |
Album Rating: 4.0
Don't take me too seriously.
|
| |
what about the sub-conscious love machine that works in the mind of simpletons
|
| |
Album Rating: 4.0
It's an issue.
|
| |
ur right tho its not shockingly terrible. for me it's just that his last album was interesting because it took such a drastic turn away from singer/songwriter indie folk shit straight to the depths of minimal experimentalism. it didn't really work out as a complete package but as a rather ballsy exercise in personal deconstruction i somewhat admired it. i had hoped that with this album he'd refine the new direction and create something more fleshed-out and substantial but instead it kind of felt like he just couldn't settle into it and needed to resort to carrying the new sounds on the back of his familiar old folk business. the problem with that is his familiar old folk business is rendered impotent by the lack of trauma in the undercurrent, so it just ends up being just as sparse and underdeveloped as 22, a mill, while simultaneously serving as a constant reminder that the height of his indie folk career is over.
|
| |
Amen.
|
| |
maybe homeboy needs a little emotional motivation or something.
|
| |
|
|