Album Rating: 4.5
Noooooo. I'm so sorry to hear that dude. Hopefully they come back next year for the 30th anniversary of Future of What.
|
| |
maybe I'm wrong, but impression I've gotten is that it seems like they will be doing it as long as they are able and that they kind of got cucked out of their lives' work by alcoholism and were it not for that they would have been doing it all along, now making up for lost time
uh I guess my point was that so long as they stay standing chances seem good you'll get another chance to see them
|
| |
Album Rating: 5.0
DOESN'T REALLY MATTER
|
| |
Album Rating: 5.0
That drone in Arboretum is too sexy
|
| |
Album Rating: 5.0
the music the people need right now
|
| |
the fucking music right now
|
| |
SATAN FUCK ME WITH UR DICK my $3000 headphones broke when I was listening to this album.
|
| |
Album Rating: 4.5
OUCH
|
| |
Album Rating: 5.0
Who needs headphones that cost that much? lol
|
| |
Album Rating: 4.5
sick perverts who like to feel the sound frequencies tickle their taint
|
| |
Album Rating: 5.0
Yup this is a 5
|
| |
Album Rating: 4.0
I’m nor scaaaaaared to stay alone inside a sealed envelope,
envelope, envelope, envelope!
|
| |
Album Rating: 4.9
“This a 5”
And the only reason I ever thought otherwise is because Leaves is such a hard 5
|
| |
Album Rating: 5.0
Exactly Fowldawg < 3
|
| |
Album Rating: 4.5
This may be encroaching on 5 territory for me as well, many of the moments I previously thought weaker have grown on me a lot
|
| |
Album Rating: 5.0
it took me almost a decade to realize just how perfect it is
mostly because it's so devastating that i'm not really thinking about it like that when it's over lol
|
| |
Album Rating: 4.9
Abstraktions really is one of the hardest trajectory shifts ever
|
| |
Album Rating: 4.5
damn this is nice
|
| |
Album Rating: 4.9
Been playing What is Wound on the guitar all week, Justin's chord choices are just yumm
|
| |
Album Rating: 4.5
please tell me im not the only one who sings “tonight’s gonna be a good night” when Go to Dallas starts
|
| |
|
|