Band-Maid
Unleash


4.0
excellent

Review

by trackbytrackreviews USER (2 Reviews)
September 27th, 2022 | 10 replies


Release Date: 2022 | Tracklist

Review Summary: From Now On...same as always

As a, well, "western" girl, as far as current Japanese all-female rock bands go, I find BAND-MAID to be quite the best of the bunch – a testament to the oft-too-repeated 和criticism of appealing equally or closer to Western sensibilities in rock rather than Japanese ones.

Unleash is BAND-MAID's overall 13th release, a brand new EP coming in a year and a half after their last album, Unseen World. Despite this break in releases, the baggage is still felt in the music – see, after their breakout album World Domination introduced the band to a new audience, BAND-MAID followed it up with the bit-controversial, wrongfully-maligned Conqueror, a release built mainly around disjointing the songs into emphasis-on-the-vocal-parts and emphasis-on-the-instrumental-parts instead of a whole package. Course-correcting (for some fans, anyway) apology album Unseen World was next, which stated plainly that yes, BAND-MAID is still a hard rocking band.

Unleash mostly continues this, with instrumental opener From Now On seeing the band sticking to a textbook definition of hard rock – a track made entirely of guitar wankery in the best of ways. Lead single Unleash!!!, with it's slightly-more-downtuned-than-usual guitars (and cute anime music video to boot) will surely provide for the slightest raise of brows for long-time listeners and hard rock fans alike, but the business-as-usual structure of the track quickly draws listeners into BAND-MAID's comfort zone.

Sense, Corallium and Hate? find the band showing off their skills in rock songwriting, perfectly showcasing aggression (the end of Hate?), or melodic sensibilities (Sense's fantastic bridge), or both (the whole of Corallium). Album standout (and soon to be fan favourite) I'll is BAND-MAID's at it's finest – a masterclass of building up verses into the release of a soaring chours, complimented by an Unseen-World-esque perfect blend of melodic vocals (both lead and backing) and roaring guitars resulting in a complete package that can only be described as an absolute banger of a song.

On the more negative side of things, after 9 years as an outfit, guitarists Miku and Kanami continue to lay down fantastic riff after fantastic riff but still struggle in a key hard rock band aspect – the solos. While there's plenty of these in the album, mostly servings as bridges in true rock tradition, and they are all technically proficient and tasteful, said ones lack the necessary spark or catchiness to be truly memorable, a blunder that continues to plague the band after a decade in the spotlight. Quite funnily, the exceptions to this being the post-chorus small solos that the band insert both into I'll and Unleash!!!, which perfectly compliment Saiki's frantic vocals.

Tracks Balance and Influencer are the most unique songs in the album. The former, however, is closer to BAND-MAID madlibs than an actual song, a disjointed track that feels quite like feeding the entirety of BAND-MAID's discography to an AI and releasing the result; it'd be almost bad – if the band members weren't so skilled at their instruments. The latter, second single Influencer finds BAND-MAID amidst a throwback to the split focus of Conqueror, putting differing emphasis Saiki's braggish vocals and Misa's sweet bass that'd make for another banger of a song...if it wasn't so beget by a terminal case of japanglish lyrics that seems ripped out straight off Google Translate, a sadly not uncommon problem that still troubles Japanese bands to this day.

Overall, despite the break, the promises of a fresh direction and a small (but sweet) change of costumes, Unleash is just another BAND-MAID release...but is that really such an issue when the baseline is so good?

Track scores:
- From Now On - 4/5
- Balance - 2.5/5
- Unleash!!! - 4/5
- Sense - 4/5
- I'll - 5/5
- Corallium - 4/5
- Influencer - 3/5
- Hate? - 4/5


user ratings (13)
3.7
great


Comments:Add a Comment 
trackbytrackreviews
September 27th 2022


3469 Comments

Album Rating: 4.0

after so many years on the site, my first actual review, (first one I made is just something I needed to get out), criticism is welcome

mkmusic1995
Contributing Reviewer
September 27th 2022


1735 Comments


Nice review! I enjoyed it!

DrGonzo1937
Staff Reviewer
September 28th 2022


18271 Comments


long time now see tbt! hope you're well.

i've just skimmed through this (i'll give it a full read later today), and it looks great. the track ratings at the bottom is a nice touch.

hope you continue writing!

PortalofPerfection
September 29th 2022


3158 Comments

Album Rating: 3.5

Love these ladies, can't wait to check this out.



Nice review!

PortalofPerfection
September 30th 2022


3158 Comments

Album Rating: 3.5

Yeah this slaps. Overall sound slots between their harder stuff (Domination, Unseen World) and their softer stuff. Me likey.

Morningrise767
October 2nd 2022


3253 Comments

Album Rating: 4.0

love this band! the CD + Blu Ray is an awesome little package!

sonictheplumber
October 2nd 2022


17533 Comments


worst band ever!

Morningrise767
October 2nd 2022


3253 Comments

Album Rating: 4.0

: ' (

kochujang
October 7th 2022


12 Comments

Album Rating: 5.0

I absolutely love this EP. It is one of their more focused releases, which was an intentional choice considering the length. So many new favorite stuff happening in this release. It has:

Corallium, arguably my favorite song ever

From Now On, their best instrumental

I'll, which has one of my favorite B-M solos and chorus

Influencer, absolutely love that rap->bass solo->guitar solo section

I think their chorus-game as been upped considerably, and the vocal layering (especially in Corallium) is getting better and better. The Band-Maid trajectory is looking really good.

FadedSun
October 15th 2022


3196 Comments


"if it wasn't so beget by a terminal case of japanglish lyrics that seems ripped out straight off Google Translate, a sadly not uncommon problem that still troubles Japanese bands to this day."

Mixing English into their lyrics is "cool" there. I don't think it's fair to call it a problem that plagues bands. They likely don't consider a lot of the time that English native speakers are consuming their music, as it's meant mainly for a Japanese audience. You see it in Japanese hip-hop as well. There's a line in a hip-hop song I like where the artist wanted to talk about driving down the strips of LA, but she says "stripes", then rhymes it with "drive". Obviously a mistake, but it's too late.



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