|Darkocean's Best And Worst Of 2013|
Well, I decided to finally finish this, even though I haven't listened to
everything I wanted to from last year. Between the proliferation of music
on the Internet, working at a radio station, going to school and doing
homework, not to mention having a social life, there's no way I could
fulfill my "yearly quota", as I like to call it.
Anywho, here are my top and bottom albums of 2013. Top 32 are best of
the year ranked, and 33-71 are all the other records I heard this year,
ranked from best to worst. (Meaning that 33 may not be a "bad" album
per se). Here's to a great 2014 for music! Enjoy! :)
Do you really need to ask?
LP?s first truly bad album, if you can call it that. All of their previous stuff had at
least one song for lovers and haters alike, this...this is a monstrosity.
|69||Bullet for My Valentine|
It?s almost painful how bland this is.
|68||Falling in Reverse|
lol Ronnie Radke. No, seriously, I appreciate the attempt at merging multiple
genres in this, but this is pretty badly executed.
The first track has Infected Mushroom. That?s all you need from this. ?Do what you
want with my body...?... so it?s OK if I rape you? Didn?t think so.
|66||We Came as Romans|
Tracing Back Roots
Like blessthefall, it seemed like they were going somewhere with their last album.
Not this poppy stuff.
|65||Born of Osiris|
Tomorrow We Die Alive
Talk about a leap of quality from album to album.
Release the Panic
Red gets Howard Benson-ized in their first truly lame album.
|63||Sleeping with Sirens|
Crap compared to their earlier stuff. Kellin?s voice is the only thing worth mentioning.
And I thought they were actually going somewhere with Awakening. Oh well.
These guys actually may have talent, but they don?t really show it through this
monotonous deathcore tripe.
Night Time, My Time
I have a review, go look it up, I'm not pasting my link, I'm lazy. :)
Issues does this sound much, much better. Hence (Hance?) why the track with
Tyler Carter?s the best one here.
|57||Close Your Eyes|
Line in the Sand
|56||Hands Like Houses|
More inconsequential indie-folk-dubstep-island-blurredgenre music.
|54||Chunk! No, Captain Chunk!|
Pardon My French
Fun, but mostly bland.
Pretty inoffensive, and that?s the problem with it. I love you, Paul, but stick to touring.
Not a ?bad? release per se, just aggressively mediocre. That?s what you get with a
Caleb Shomo album, though (or sometimes much worse)
|51||A Day to Remember|
A few quirks here and there, but their pop-punk meets metalcore style is so played
out by now.
|50||The Flaming Lips|
For the first time in their careers, the Lips, once the poster children for alternative-
inspired sonic inventiveness, have made their first truly boring album. Soundscapes
drone on, songs become mere vessels for deadening ambience, and
frontman/lyricist Wayne Coyne steps over the line seperating cryptic and
nonsensical. You've had your fun guys, but let's hope your next album is back-to-
Loud City Song
I can appreciate the artistry behind what?s trying to be achieved here, but this
record is so emotionally distant upon first listen that any chance of it growing on
me is slim to none. Confounding that this is sputnik?s #1.
Modern Vampires of the City
While I appreciate the recording techniques that went into this record (like pitch-
shifting and unconventional mic setups), the end result is another bland indie-pop
record from this most inoffensive of bands.
The Monkeys lean heavily on garage-rock shenanigans that have become cliche
since The Black Keys' meteoric rise to fame.
Decently-played, just another power metal album.
Sure, Yeezy continues his tradition of sonic experimentation, and when it
hits, it really hits, but he never makes it gel together quite as cohesively as he'd
like. Plus, politically uncouth lyrics like "Put my fist in her like a civil rights sign" and
"Get this bitch shakin' like Parkinson's" aren't winning him any favors. Many people
complain about people who can't separate an artist from his personal life or politics,
and that may have been true for him in the past, but Yeezus makes clear that
Kanye doesn't want you to divide the two, which makes listening to the record
inherently problematic. The rushed release of this record should sound obvious to
anyone who enjoyed My Beautiful Dark Twisted Fantasy (which greatly deserved its
acclaim). Moments such as Justin Vernon's ending to "I Am a God" or the too-short
length of "On Sight" reveal that more time should have been spent on this project.
And yet, critics keep piling on the accolades to the finished product. Spin, The A.V.
Club, Time, Entertainment Weekly and Complex have all named it their album of
the year, while Rolling Stone and NME place it at number 2. Lou Reed's praise of
the album before his death (in which he called it "majestic and inspiring") should
not be taken seriously, since...come on, the dude was recently responsible
for Lulu (R.I.P. Mr. Reed). I guess dick jokes and political incorrectness are the
norm for rap now. All of Ye's previous material had something to
say. Yeezus simply lacks insight.
|44||The Devil Wears Prada|
The band have both progressed and regressed musically, but one point remains
clear: Mike?s voice is gone. (Don?t give me that bullshit about ?it was intentional?)
Live at Luna Park
It?s fun to hear the band play live, but they?ve had better live material than this. As
always, the solos are what keep the audiences at home truly entertained.
|42|| ||ASAP Rocky|
Long. Live. ASAP
Best tracks here are the singles. Otherwise mediocre rap album with spacey
Odd-sounding, and not always in the best of ways. What do the lyrics to ?Birds?
mean? No one but oltnabrick knows.
The Next Day
This has a few greatly enjoyable songs (particularly "If You Can See Me"), but the
album is hampered by pure muzak ("Where Are We Now?") and bland disco-
inspired indie (the last three tracks). Calling it Bowie's best since Heroes seems a
|39|| ||Justin Timberlake|
The 20/20 Experience (2 of 2)
The 20/20 Experience (2 of 2) - Definitely not as good as the first volume, it only
really starts to fall off during the second half.
Crazy production, not entirely consistent. I don?t think she?ll ever top Kala, but this
was a fun listen nonetheless.
High-quality metalcore release, it?s just the band?s vague lyricism don?t do the
music any favors.
Being someone who thought A Dramatic Turn of Events represented some of the
band?s best work in their career, I was slightly disappointed when I heard this in
full. By now, in 2013, they really are just churning out the same old stuff over and
over again. And don?t get me started on that snare drum tone...what were they
Instead of just being a pop-punk band, Hayley Williams and co. are now playing
with multiple genres. I appreciate the audacity, even if sometimes the experiments
don?t always work. (Chan, please don't kill me...)
Black metal for people who don't like black metal. I'm not the biggest fan of black
metal tho. "Dream House" is gorgeous.
|33||Queens of the Stone Age|
I want to love this album, and while the first half is chock full of memorable tunes,
my attention starts to waver during the latter half. The production is not friendly to
my eardrums, either, but then again, neither is any QotSA album (which makes it
hard for me to like these guys in general).
I was one of the few who really liked In Waves, and while this album isn?t quite as
good as that one (nor is it their best), it still provides enough riffage and poppy
choruses to make it one of the bands? better releases.
|31||The Color Morale|
Above-average post-hardcore release.
Days Are Gone
The new Fleetwood Mac? No, not even close. But still a damn fine indie-pop album.
Even my mom likes it.
|29||After the Burial|
Out of all the bands who overuse Axe FX these days, these guys seem to get it
right. Catchy and fairly well-written, though the production needs proper balancing.
Forget the blandness that was Reign of Terror. This is the album that should have
been the follow-up to Rivals. Expands and experiments with their sound while
keeping the ear-bleeding noise fans love to hear.
Free Your Mind
A fun throwback to the early 90's Madchester scene: think Primal Scream and The
KLF sent through a 70's psychedelic processor and thrown in a vat of contemporary
Now THIS is how you do a classic metal sound/comeback album. If this album only
consisted of intro ?1985?, I would be just as happy...but then it proceeds to gut
your ear canals and intestines for the entire rest of the record (in the best possible
|25||Until the Ribbon Breaks|
A Taste of Silver
My indie find for the year. If you don?t listen to any other track on this album (and,
trust me, they?re all good), at least check ?Perspective?. When dat beat drops, oh
man. Props to a certain Mr. Robinson for alerting me ;)
|24||Sound City Players|
Sound City: Real to Reel
Awesome to hear all these artists on one disc. While it?s unfortunate that Dave has
to resort to the Loudness War when mastering a highly touted analog album like
this, the music and passion still bleeds through.
One of the more enjoyable industrial rock albums as of late. Then again, I'm a fan
of Disturbed, so I'll follow David Draiman wherever he goes.
|22||Scale the Summit|
Another fine instrumental release from the cream of the crop of modern
|21||The Dillinger Escape Plan|
One of Us is the Killer
After coming back with the near math-terpiece (get it?) that was Option Paralysis,
DEP combine all of their previous albums to create a summation of their sound.
Great for newcomers getting into the band while serving up plenty for seasoned
Blake takes all that he learned from his debut, smooths out the edges and expands
his sound to include hip-hop ("Take a Fall for Me") and gurgling industrial ambience
("Digital Lion") while simultaneously deepening his love for R&B, soul and of course
dubstep. Overgrown? Try perfectly kept.
|19||How to Destroy Angels|
Reznor's side project with his wife, Mariqueen Maandig, and studio collaborators
Atticus Ross and Rob Sheridan goes further into chilly industrial beats and haunting
vocals than NIN ever has.
Because the Internet
No, seriously, read the screenplay attached to this thing. It all makes sense now.
The album Yeezus wishes it was.
Atmospheric doesn't begin to describe this release. Epic in scope and the drumming
in particular is exceptional. Like flying above mountainous wintry landscapes like
those on the cover.
|16||The Joy Formidable|
More massive-sounding than the first record, the instrumentation and vocals are
suitably more grand as well.
Rises and falls in dramatic intensity and pure dynamics like the debris storm that
comes back to stalk Sandra Bullock again and again.
An exploration of the current technological age, a disco party inside the castles of
Haiti, a love letter to indie rock. Bowie and Byrne would be proud.
A psychedelic head-trip. Some sonic fireworks going on here. Plus, who can resist
"Your Life is a Lie?"
Very fun mix of power metal, melodic death and metalcore with synths and electro
textures galore. Exceptionally clean production certainly doesn't hurt.
|11||Nine Inch Nails|
A comeback for Mr. Reznor after the ambient and alt rock excursions of his
previous two records. At least as good as Year Zero, and similar in its tense
Whoa, it seems like these guys came out of nowhere. Absolutely intense, a little
harrowing and hopeful at the end. Just how I like my metal albums.
|9||Protest the Hero|
Thought-prov0king lyrics and a sense of self-awareness guide PtH through some of
their craziest musical passages and shredfests. This record is pure energy.
The Blackest Beautiful
More pop than Fake History, yet every bit as lethal. As mentioned before, the
production needs some work, but that doesn?t deter from one of the best post-
hardcore bands out there right now.
|7||Bring Me the Horizon|
BMTH's new inclusion of keyboardist Jordan Fish and improved, more-pop
influenced songwriting allows them to play with more spacious ambient
arrangements, that is, until the guitars come crashing in and vocalist Oli Sykes
screams his lungs out about depression and thoughts on religion. I'm excited to see
where this band goes next.
If anyone ever had any doubts about the validity of "djent" as a genre, this album
will silence the naysayers. An emotional roller-coaster, to say the least.
Talk about mashing up styles to create something new. All hail the Cockroach King.
The Raven That Refused to Sing
Wilson once again proves his mastery of musicianship and outside influences. The
tracks here never feel as long as they are, making the songs propulsive and full of
For the third album in a row, these guys have demonstrated prog songcraft in an
The 20/20 Experience
Although the sequel fell a bit short of expectations, this is still the most daring pop
album of the year. Flavorful production courtesy of Timbaland, longer track lengths
that develop the beats and reveal new intricacies with each listen and Mr.
Timberlake's swagger all combine into one cohesive piece of work. "Blue Ocean
Floor" is simply beautiful.
Random Access Memories
Instead of embracing the samey textures of much of the EDM scene today, these
two famous Frenchmen, with a host of collaborators, reject big beats and over-the-
top sonics in favor of subtle funk, disco, prog and old-school electro. The results
are thrilling and dynamic (which also describes the sound engineering).