| 2010 |
| Silverstein Transitions | 3.5 |
| Though they retread old ground, I found it affective. Better than recent efforts, minus the BADDDD NIN cover. But I'm willing to forgive. Lets hope the next LP has some evolution and maturity, in the same manner that some good canadian bands do (Alexisonfire, Protest The Hero). |
| Amia Venera Landscape The Long Procession | 4.0 |
| The Contortionist Exoplanet | 4.0 |
| Taking Back Sunday Live from Orensanz | 3.5 |
One listen in... sometimes the vox are too twangy for my liking, but still has some of my fav's done moderately well.
Potential 4.0 after multiple listens.
I hope this is a teaser for the much awaited reunion LP. |
| Called to Arms Peril and the Patient | 3.0 |
| Deftones Diamond Eyes | 4.0 |
still in meh mode, prolly because i listened to it in the car with my 3 yr old. riffs are good, but vox feel uninspired. which is wierd because chino usually is pretty into what he's "singing."
STILL WAITING FOR EROS! |
| Periphery Periphery | 4.0 |
| Great!rBut isn't it really nu-metalcore-prog?rSOOOOOOOO FUN TO LISTEN TO! |
| Coheed and Cambria Year of the Black Rainbow | 4.0 |
Maybe it's the lack of production, or at least the sound of a lacking production. Maybe it's
the fact that Claudio sounds like Claudio singing. Maybe it's the dark, spacey feel. But to
sum it up, this album delivers on most levels.
BTW! Stop with the Pennie is god shit! He wrote drum parts and played them well. He
completed the rhythm section. I'm pretty sure Travis and Claudio deserve the brunt of the
credit here.
Claudio/Travis' vox/guitar melodies>Pennie's Synth-ing? |
| Jamie's Elsewhere They Said a Storm Was Coming | 4.0 |
| with the exception of 1-2 songs it goes from meh to rising stars. best effort yet, by a landslide. |
