| 4.5 superb |
| AFI All Hallow's E.P. |
| Against Me! Reinventing Axl Rose |
| Alkaline Trio Good Mourning |
| ALL Mass Nerder |
| Baths Cerulean |
| Between the Buried and Me The Silent Circus |
| Blue Sky Black Death Late Night Cinema |
| Bon Iver Bon Iver, Bon Iver |
| This is one of my top albums of the year. Makes For Emma look like the livejournal poetry it always was. |
| Cave In Jupiter |
| Charles Mingus Mingus Mingus Mingus Mingus Mingus |
| Circle Takes the Square Rites of Initiation |
| Clint Mansell, Kronos Quartet and Mogwai The Fountain |
| The Fountain's soundtrack is a wonderful amalgam of post-rock, minimalism, and modern classical music. Composed by Clint Mansell and performed by Kronos Quartet and Mogwai, this soundtrack can simultaneously deploy touching piano, pounding strings, and powerful rock music all at once. Overall, it has a majestic, celestial feel that perfectly suits the film, and beyond that, the music is awesome independent of the movie. |
| Coheed and Cambria The Second Stage Turbine Blade |
| Cursive Domestica |
| Damien Rice O |
| The more and more I listen to Damien Rice, the more I realize that there is no way to dislike his music. It may be sentimental and sappy, but there is a tangible yet inexplicable honesty and softness to every performance of his that validates any amount of sappiness he slops onto his songs. The end result is beautiful, wonderful balladry. He's not a bad storyteller either. |
| De La Soul The Grind Date |
| Deftones Saturday Night Wrist |
Saturday Night Wrist features a new Deftones. Here, instead of emulating past nu-metal success, or completely
lapsing in a post-Team Sleep paralysis, Deftones hit hard somewhere between the two, leading to an album that is
strangely beautiful. Nine of the twelve songs are immaculate and powerful. |
| Deltron 3030 Deltron 3030 |
| This is probably my favorite hip hop album of all time. The production feels incredibly organic and compelling and complements the nerdy rap of Del tha Funkee Homosapien, who's distinctive voice feels especially at home with the overall aesthetic and flavor of the album. My only gripe is the presence of skits, which are much more funny, musical, and satisfying than skits on other rap albums. |
| dredg Catch Without Arms |
| Flying Lotus Cosmogramma |
| Frank Zappa Hot Rats |
| Gatsby's American Dream Ribbons and Sugar |
| Giles Corey Giles Corey |
| It is imperative that you get this album and its accompanying booklet. Immense. |
| Girl Talk Night Ripper |
| Girl Talk Feed the Animals |
| Feed the Animals picks up where Night Ripper leaves off, but is much more than a deflated, lackluster sequel. Gillis is all over the board with his influences, dipping his quill into a wide variety of rock (Thin Lizzie, Radiohead, The Band, Nirvana), trip hop (Aphex Twin), and even slow-burning crooners (Sinead O'Connor). Despite, or maybe thanks to, all of these new opportunities for sampling, there is no loss of danceability or catchiness. Girl Talk, nothing compares 2 u. |
| Glassjaw Everything You Ever Wanted to Know About Silence |
| Glassjaw El Mark |
| Gold Panda Lucky Shiner |
| Grade Under the Radar |
| Have a Nice Life Deathconsciousness |
| Equal parts post-rock, dark ambient, and industrial, but mostly shoegaze, Have a Nice Life's debut album Deathconsciousness is a double-disc concept album of epic proportions but without pretention. Throughout the course of its 85-minute run time, the album treats the listener to a varied collection of songs; there are slow-burners, there are epics, there are anthems. This album is so packed with different ideas that they all blend beautifully into the reverby, distorted soundscape that defines this album's aesthetic. All of this is topped off by the fact that the concept is wonderfully executed and supported by a 70+ page booklet that charts the life and works of a near mythical religious figure from the 13th century named Antiochus. Though Deathconsciousness is an intense listen, and not for the weak-eared, it is ultimately a very likable and human album, never forgetting shoegaze's pop roots. There are moments on Deathconsciousness that are grating and dissonant, but there are far more that are beautiful and even catchy. At its core, it's an album that is very intimate with all of its ideas and soundscapes. |
| Herbie Hancock Maiden Voyage |
| Hopesfall No Wings To Speak Of |
| HORSE the band The Mechanical Hand |
| HORSE the band Desperate Living |
| Hot Cross Fair Trades and Farewells |
| In Pieces Learning to Accept Silence |
| James Blake James Blake |
| Jedi Mind Tricks Violent by Design |
| Justice †|
| Justice's † is the best mainstream pop/dance album since Daft Punk's Discovery. Though at moments it rips off Discovery's catchiest moments, Justice find their own niche in the grimier and more aggressive moments found throughout the album. Though pop tracks like "D.A.N.C.E." and "Phantom pt. I & 2" are perfectly sweet, tracks like "Genesis," Let There Be Light" and "Waters of Nazareth" steal the show with their immaculate sampling, sandpaper synths, and relentlessly catchy and pulsing beats. |
| Kayo Dot Dowsing Anemone With Copper Tongue |
| Lagwagon Let's Talk About Feelings |
| maudlin of the Well Bath |
| Memoryhouse The Years |
| Moderat Moderat |
| Murder by Death Who Will Survive and What Will Be Left of Them? |
| NOFX Punk in Drublic |
| NOFX So Long and Thanks for All the Shoes |
| NOFX/Rancid BYO Split Series Vol. 3 |
| Passion Pit Manners |
| Sailors With Wax Wings Sailors With Wax Wings |
| Shai Hulud That Within Blood Ill-Tempered |
| Son Lux At War With Walls And Mazes |
Our top album here at Sputnikmusic was Burial's Untrue. That album had a distinctively sparse, brittle tone to its atmosphere. Other than that though I found the album almost unlistenably boring. Imagine taking that one cool aspect of that album and fleshing it out in all regards. Then you'd have Son Lux's At War With Walls & Mazes, an album that blends a variety of genres and production techniques to create a glitchy, high personalized, trip hop masterpiece. At War With Walls & Mazes is a strong contender for album of the year. It is the best electronic release since Venetian Snares' Rossz Csillag Allat Szuletett. It is nearly flawless, and the scary thing about all of this praise is that it's only Son Lux's debut album.
|
| Strung Out An American Paradox |
| Tera Melos Untitled |
| Tera Melos Patagonian Rats |
| The Dillinger Escape Plan Irony Is a Dead Scene |
| The Fall of Troy The Fall of Troy |
| The Mars Volta Frances the Mute |
| The Microphones The Glow Pt. 2 |
| The Pax Cecilia Blessed Are The Bonds |
| The Pax Cecilia's second LP Blessed Are the Bonds is forged from the same fires that gave listeners Circle Takes the Square's As the Roots Undo and Dredg's El Cielo. It is epic, original, heavy, pensive, and savagely compelling music. It is transcendent. It taps into something above normal perception and does this with a strange lack of pretention. The sound is a mix of post-rock (Engine Down), alternative (Dredg), metal (Isis), and screamo (City of Caterpillar). The musicianship and songwriting are beautiful and the emotional weight of the album is relentless. And to top it all off, the album is free (www.paxcecilia.com contacts.html). |
| The Smashing Pumpkins Mellon Collie and the Infinite Sadness |
| The Smashing Pumpkins Siamese Dream |
| Thrice Identity Crisis |
| Thrice The Artist in the Ambulance |
| Thrice If We Could Only See Us Now |
| Thrice Vheissu |
| Thrice The Alchemy Index Vols. I & II |
| In general, the first half of The Alchemy Index points to success. There are questionable aspects to both discs, but in general the cons are vastly outweighed by the pros. The Fire disc is a great exploration of the heavier moments on Vheissu. The album is explosive and intense, with Dustin ripping his vocal cords to pieces while the rest of the band unleashes their heaviest material yet. Songs like "The Flame Deluge" act as the most brutal work Thrice has ever created. Songs like "The Messenger" and "Backdrift" are surprisingly the weirdest, blending together electronic influences into heavy, harmonic minor chord progressions. The Water disc, excepting its opening track, is nearly flawless. Interestingly, it also continues a strand that was started on Vheissu's slower, more pensive tracks like "Atlantic." It's a collection of beautiful and wistful songs that all have lush and stunning arrangements. The Water disc feels exactly like it was recorded underwater. As a collection of songs, this album is amazing for nine out of the twelve tracks. As a concept album, it's halfway to becoming an amazing cycle. There are a few flaws and the second half of the collection to worry about, but so far Thrice has produced another stunner. |
| Thursday Full Collapse |
| Toby Driver In the L..L..Library Loft |
| In the newfound popularity of Kayo Dot, it may be easy to miss Toby Driver's debut solo LP. This album contains some of Toby's compositions that he considered too weird and off the wall for Kayo Dot. Despite the inherent quirkiness implied by that premise, Driver delivers some fairly interesting and palatable pieces just left of his stuff on Dowsing Anemone With Copper Tongue. Read the full review to check out the cool techniques he used to compose and record each song. |
| Venetian Snares Rossz Csillag Allat Szuletett |
| Venetian Snares, aka Aaron Funk, embarked on a Bartokian journey to Hungary to collect modern classical, jazz, pop, and other local music to create his own electronic reinvention of folk music. This album features these carefully chosen samples against Funk's progressive breakbeat and happy hardcore beats. The resulting sound is grandiose, epic, intelligent, and forward-thinking, all while remaining much more palatable than the typical schizophrenia and claustrophobia of the usual Venetian Snares sound. Rossz Csillag Allat Szuletett may be the most intelligent electronic album of all time. |
| With Honor With Honor |
| With Honor Heart Means Everything |
| Yasunori Mitsuda Chrono Cross Original Soundtrack |
| You and I The Curtain Falls |
| 4.0 excellent |
| A Day In Black And White My Heroes Have Always Killed Cowboys |
| AFI The Art of Drowning |
| AFI Black Sails in the Sunset |
| Against Me! As the Eternal Cowboy |
| Alien Ant Farm ANThology |
| ALL Problematic |
| Aphex Twin Drukqs |
| At the Drive-In Relationship of Command |
| At the Drive-In Vaya |
| At the Drive-In In/Casino/Out |
| Bear vs. Shark Right Now You're in the Best of Hands |
| Between the Buried and Me Between the Buried and Me |
| Between the Buried and Me Colors |
| Burton Wagner In the Realms of the Unreal |
| Burton Wagner A Sentinel's Eyes |
| Cave In Antenna |
| Circle Takes the Square Circle Takes the Square |
| Coheed and Cambria In Keeping Secrets of Silent Earth: 3 |
| Cursive The Ugly Organ |
| Cursive Mama, I'm Swollen |
| Daitro Laisser Vivre Les Squelettes |
| Dan Deacon Bromst |
| Dead to Me Cuban Ballerina |
| Deftones Around the Fur |
| Dela Changes of Atmosphere |
| Destroyer Kaputt |
| DJ Shadow Endtroducing..... |
| Do Make Say Think You, You're a History in Rust |
| Dolcim We Carry the Fire |
| dredg Leitmotif |
| Drowning With Our Anchors Demo |
| 3 tracks. 22 minutes. Below average quality recording. Sometimes it seems like that's all it takes to make a powerful emo album. Drowning With Our Anchors' Demo feels like a wonderful trip through both post-rock and melodic post-hardcore and emo. The songs are expansive and long featuring large instrumental breaks between the vocals. The most quiet and pensive portions of the album are both beautiful and eerie. There are faint voices in the background that set a ghostly mood that is complemented by the somber instrumental passages. When they hit hard, Drowning With Our Anchors crescendos are gorgeous and don't use the dissonance and distortion of other emo bands to get the point across. They seem content to push the point across melodically, using touching and simple guitar lines. Also, the vocals shredddddd. This album, while obviously not a full release, feels like a full gesture. Hopefully Drowning With Our Anchors will put out a more complete release in the future to capitalize on this initial promise. |
| Engine Down Demure |
| Engine Down To Bury Within the Sound |
| Feral Children Second to the Last Frontier |
| fordirelifesake Breathing in Is Only Half the Function |
| Frank Zappa Strictly Commercial |
| Frank Zappa Zappa In New York |
| Frodus And We Washed Our Weapons In The Sea |
| Funeral Diner The Underdark |
| Further Seems Forever How to Start a Fire |
| Future Islands In Evening Air |
| Gatsby's American Dream Volcano |
| Genghis Tron Cloak of Love |
| Ghastly City Sleep Ghastly City Sleep |
| Ghastly City Sleep Moondrifts |
| Ghostlimb Ghostlimb |
Sometimes I listen to hardcore bands and they just throw around a bunch of dissonant notes and make super sparse
but beefy breakdowns. Ghostlimb is heavy as fuck at all times without sacrificing melody or succumbing to typical
hardcore fare. The album has 11 songs and is 15 minutes long. "Palimpsest" is a perfectly complete 55 second
hardcore nugget. These guys also don't take themselves completely seriously with deions of their music on myspace
being "Influences: none, traffic; Sounds Like: unreasonably mad" unlike other similar sounding artists. The result is a
hardcore album that understands that brevity and brutality can coexist with melody and sensibility. |
| Ghostlimb Bearing & Distance |
| Godspeed You! Black Emperor F♯ A♯ ∞ |
| Grails Red Light |
| Instead of having huge climaxes, bright major keys, and max e-bow action, Grails chooses to withdraw a little more, focusing on modal tonalities, very natural instrumentation and more subtle dynamic swells. The end result is incredibly compelling, if goofy on some tracks. The middle portion of this album has some truly beautiful songs. |
| Heiruspecs A Tiger Dancing |
| Hopesfall The Satellite Years |
| Hopesfall A Types |
| HORSE the band R. Borlax |
| Hot Cross Risk Revival |
| Hot Cross stuns again, but this time the instrumentals are slightly stripped down and rugged while the vocals are the haymaker. Overall, the album has a much more youthful, straight-forward sound, which is likely the result of losing a guitarist, Josh. There's only one lame song ("Cardiac Silence") and a handful of godly ones ("Turncoat Revolution" and "Blame Truth" being among them). Even if it doesn't challenge as much as Fair Trades and Farewells, Risk Revival finds its niche and shreds away all the same. |
| Hot Water Music A Flight and a Crash |
| Incubus (USA-CA) S.C.I.E.N.C.E. |
| ISIS Oceanic |
| ISIS Panopticon |
| Jaga Jazzist One-Armed Bandit |
| Jeff Buckley Grace |
| Karate Unsolved |
| Lagwagon Double Plaidinum |
| Life at These Speeds Life at These Speeds |
| Maybe it's because I've seen them live but I seem to have an inflated opinion of Life at These Speeds. They play a brand of punk that seems to be quite unpretentious and fun but still maintains emotional gravity. Their live show also embraces this notion as there's joking around and good energy but the band and audience sometimes can lose it and go crazy at the crescendos. Their best songs are their epic crushers like "Knives" and "Ground Gives Out" but there isn't a weak track on this album. This album is also slightly better than their 2006 album To Your Health. |
| Loma Prieta Last City |
| Maps and Atlases Tree, Swallows, Houses |
Imagine the songwriting of a Midwest-Emo-influenced band like Don Cabellero or Denver in Dallas crossed with the
indie of My Morning Jacket. But that's just the surface. There's the crazed rhythms and tapping guitar of Tera Melos
and Hella, and riffs sweeter and smoother than ones heard from Minus the Bear. It seems like a freaky hybrid of styles,
but Maps and Atlases pull it off well, never becoming too relentlessly mathy or too ironically indie for their own good.
There are a few moments of incongruity and awkwardness, but overall this album is a wonderful example of genre-
bending. |
| maudlin of the Well Leaving Your Body Map |
| maudlin of the Well Part the Second |
| Mesa Verde The Old Road |
| Metaform Standing on the Shoulders of Giants |
| Millencolin Home From Home |
| Millencolin Life On A Plate |
| Million Dead A Song to Ruin |
| Minus the Bear Planet of Ice |
| Minus the Bear's Planet of Ice is an unwelcome yet surpringly impressive departure from their patented hammer-on clean tone style. Here, the guitar riffs are not repeated as background music but are much more of a driving force in the songwriting. The synth is a presence as well and make the songs feel like prog anthems, big guitar and all, instead of sensitive indie songs. There are throwback moments, but most of this album is inventive and new. I like the old Minus the Bear and I like the new Minus the Bear. If only they could combine the emotion and songwriting of the old with the progression and production of the new; then we'd have something a classic. |
| Misery Signals Mirrors |
| My Morning Jacket Evil Urges |
| No Use for a Name Hard Rock Bottom |
| Nobuo Uematsu Final Fantasy VIII: Original Soundtrack |
| NOFX The Greatest Songs Ever Written (By Us) |
| NOFX Pump Up the Valuum |
| NOFX White Trash, Two Heebs and a Bean |
| Off Minor The Heat Death of the Universe |
| Omar Rodriguez-Lopez A Manual Dexterity: Soundtrack Vol. 1 |
| Portrait Discography |
| PSY/OPSogist Suffused With Static |
| PSY/OPSogist Souls Touch EP |
| PSY/OPSogist Mining The Valleys |
| PSY/OPSogist Kings Of Sleep |
| Quiet Steps Think Aloud |
| Radiohead OK Computer |
| Radiohead In Rainbows |
| Rage Against the Machine Evil Empire |
| Rancid Rancid (2000) |
| Red Sparowes At The Soundless Dawn |
| Refused The Shape Of Punk To Come |
| Rise Against Revolutions per Minute |
| Rockets and Bluelights A Smashed City with Flames and Music in the Air |
| Saosin Translating the Name |
| Set It Straight My Favourite Words |
| Set Your Goals Demo 2004 |
| Shearwater The Golden Archipelago |
| Sholi Sholi |
| Soli i Sombra The Armadillo EP |
| Starkey Ear Drums and Black Holes |
| Strung Out Live in a Dive |
| System of a Down System of a Down |
| System of a Down Toxicity |
| Tera Melos Drugs to the Dear Youth |
| Say what you will about the technicality of bands like Dillinger Escape Plan, Meshuggah, and Psyopus, but Tera Melos is there and they don't sacrifice any listenability for technicality. They have moved slightly away from their Braid/Denver in Dallas-type style and more towards oddball progressive stuff, but overall, this album feels more like a continuation of their last album than anything else, however they seem to be one guitarist fewer than last album. If anything that absence has made the rest of the band more inventive with its playing. This album is the first great release of 2007. |
| The Blood Brothers ...Burn, Piano Island, Burn |
| The Dillinger Escape Plan Calculating Infinity |
| The Dillinger Escape Plan Miss Machine |
| The Faint Blank-Wave Arcade |
| The Gaslight Anthem The '59 Sound |
| The Lawrence Arms Apathy and Exhaustion |
| The Loved Ones (USA-PA) Build & Burn |
| The Mars Volta De-Loused in the Comatorium |
| The Pax Cecilia Nouveau |
| The Program Artifical Unintelligence |
| Thrice Red Sky |
| Thrice The Alchemy Index Vols. III & IV |
| Thursday War All the Time |
| Thursday A City By the Light Divided |
| Trash Talk Plagues |
| Trophy Scars Darts to the Sea |
| Venetian Snares Cavalcade of Glee and Dadaist Happy Pom Poms |
| Venetian Snares Detrimentalist |
| Wait What the notorious xx |
| Xiu Xiu Fabulous Muscles |
| 3.5 great |
| ...Who Calls So Loud ...Who Calls So Loud |
| A Wilhelm Scream Career Suicide |
| AFI Sing the Sorrow |
| AFI Shut Your Mouth and Open Your Eyes |
| AFI Very Proud of Ya |
| Against Me! The Disco Before the Breakdown |
| Alexander Scriabin Preparation for the Final Mystery |
| Alexisonfire Alexisonfire |
| Alkaline Trio From Here to Infirmary |
| Alkaline Trio Alkaline Trio |
| American Steel Jagged Thoughts |
| American Steel American Steel |
| American Steel Destroy Their Future |
| Ampere All Our Tomorrows End Today |
| Antigua y Barbuda Try Future |
| Aphex Twin Richard D. James Album |
| Aussitot Mort Montuenga |
| Beach House Teen Dream |
| Belle Epoque A La Derive |
| Between the Buried and Me Alaska |
| Blue Sky Black Death Jean Grae: The Evil Jeanius |
| It's a strange thing that such a good album could come out of such unofficial collaborative circumstances. Jean Grae, rapper with a dark, subdued style, and Blue Sky Black Death, trip hop gone post-rock producers from San Francisco, are releasing this album outside of their authorized canon (BSBD's Late Night Cinema and Jean Grae's Jeanius were both "official" releases earlier this year) but don't have some catchy name to acknowledge the team they've created (e.g. Deltron3030). The resulting music finds Blue Sky Black Death producing music that is notably truncated, chill, and reserved, which puts it at odds with the cathartic and epic content of Late Night Cinema. The production sounds like it's been reduced to complement Jean Grae's coy but depressed flow and lyrics. The sound slays on the lighter, placid tracks like "Take It Back" and "Lights Out," and only falters on the bombastic opening track, "Shadows Forever." |
| Bon Iver For Emma, Forever Ago |
| Burton Wagner 21 |
| By The End Of Tonight/Tera Melos Complex Full of Phantoms |
| Calexico Feast of Wire |
| Comadre The Youth |
| Comadre/Trainwreck Split |
| Comeback Kid Wake the Dead |
| Converge Jane Doe |
| Covenant Northern Light |
| Cymbals Eat Guitars Why There Are Mountains |
| Danger Mouse and Sparklehorse Dark Night of the Soul |
| Dangers Messy, Isn't It? |
| David Gilmour On An Island |
| De La Soul Stakes Is High |
| Dead to Me African Elephants |
| Deftones Deftones |
| Dirty Projectors Rise Above |
| Dirty Projectors Bitte Orca |
| dredg The Pariah, The Parrot, The Delusion |
| Efterklang Tripper |
| Envy Insomniac Doze |
| Every Time I Die Hot Damn! |
| Extra Life Secular Works |
| Face to Face How to Ruin Everything |
| Fang Island Fang Island |
| Flying Lotus 1983 |
| Flying Lotus Los Angeles |
| Four Tet Rounds |
| Frank Zappa Zoot Allures |
| Fugazi The Argument |
| Ganon As Above, So Below |
| Giraffes? Giraffes! More Skin With Milk-Mouth |
| Girl Talk All Day |
| Godspeed You! Black Emperor Lift Your Skinny Fists Like Antennas to Heaven |
| Gorilla Biscuits Start Today |
| Grails Doomsdayer's Holiday |
| Group Bombino Guitars from Agadez, Vol. 2 |
| Hella Hold Your Horse Is |
| Hopesfall Magnetic North |
| Hopesfall has written an album that exists as an extension of their 2004 album A Types. The taut songwriting and amazing vocals are back, and sometimes even better. The production is awesome and every song is packed with wonderful ideas. Hopesfall are essentially the best band to mix pop-punk and post-hardcore still actively working on that amalgam today. However, Magnetic North has too many unfortunate moments like the cheesy chorus on "Paisley" or the occasional nu-metal breakdowns to let it eat at the big kid's table with their previous two LPs A Types and The Satellite Years. Keep in mind though that that isn't stopping awesome songs like "I Can Do This on an Island" from picking up 40+ plays in just over a week. |
| HORSE the band Pizza |
| Hot Cross A New Set of Lungs |
| Ishmaël Ishmaël |
| ISIS Celestial |
| Jedi Mind Tricks Visions of Gandhi |
| Jneiro Jarel Fauna |
| Kayo Dot Blue Lambency Downward |
| Kidcrash Snacks |
| La Cosa Nostra Demo EP |
| Lagwagon Hoss |
| Lagwagon Trashed |
| Life at These Speeds To Your Health |
| Life in Your Way The Sun Rises and the Sun Sets... |
| Lifetime Jersey's Best Dancers |
| Light This City Remains Of The Gods |
| Light This City Facing The Thousand |
| Loma Prieta Dark Mountain |
| Love Like... Electrocution Love Like... Electrocution |
| Mamaleek Kurdaitcha |
| Me First and the Gimme Gimmes Are a Drag |
| Meet Me in St. Louis Variations on Swing |
| Meneguar Strangers in Our House |
| Miles Davis Bitches Brew |
| Millencolin Pennybridge Pioneers |
| Modern Life Is War Witness |
| Modern Life Is War Midnight in America |
| Native Wrestling Moves |
| Nervous Light of Sunday 弱心光景 |
| No Doubt Tragic Kingdom |
| NOFX 45 or 46 Songs That Weren't Good Enough |
| NOFX Surfer |
| North What You Were |
| Off Minor Problematic Courtship |
| Opeth Damnation |
| Phaseone Thanks But No Thanks |
| Planets Planets |
| Portraits Of Past Discography |
| Propagandhi Supporting Caste |
| Pulley Together Again For The First Time |
| Pygmy Lush Mount Hope |
| Pyramids (PA) Following the Tracks, Forcing Motion Thr |
| Radiohead Amnesiac |
| Rage Against the Machine Rage Against the Machine |
| Rise Against Siren Song of the Counter Culture |
| Saetia A Retrospective |
| Samiam Astray |
| Silversun Pickups Swoon |
| Solar Bears She Was Coloured In |
| Sparta Wiretap Scars |
| Sparta Porcelain |
| Team Sleep Team Sleep |
| The Cape May Glass Mountain Roads |
| The Faint Danse Macabre |
| The Fall of Troy Doppelganger |
| The Flashbulb Soundtrack to a Vacant Life |
| The Sainte Catherines Dancing for Decadence |
| The Temper Trap Conditions |
| The Walls You've Built The Definition of Friendship |
| These Arms Are Snakes Oxeneers or the Lion Sleeps When Its Antelope Go Home |
| These Arms Are Snakes Easter |
| Thin Lizzy Jailbreak |
| Thrice Beggars |
| Thursday Five Stories Falling |
| Tool Lateralus |
| Toro Y Moi Causers of This |
| Touche Amore ...To the Beat of a Dead Horse |
| Trash Talk Trash Talk |
| Trophy Scars Goodnight Alchemy |
| Trophy Scars Bad Luck |
| Twain Harte A Sunny Place for Shady People |
| Weather Report Heavy Weather |
| With Honor This Is Our Revenge |
| Xiu Xiu A Promise |
| You and I Discography |
