AtavanHalen
David James Young
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Reviews 123
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News Articles 34
Approval 91%
Site Rank 24

Album Ratings 947
Objectivity 76%

Last Active 11-15-09 2:30 am
Joined 01-18-07

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Average Rating: 3.60
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Objectivity Score: 76%
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5 classic
Animal Collective Merriweather Post Pavilion
Beach Boys Pet Sounds
Sometimes, albums are regarded as "classics" by absolutely every music fan, critic, lover, etc. And you don't get it at first. Pet Sounds is one of those records. Initially, you will be misunderstanding and interpret this record as a boppy, clever pop record. More listens, however, establish it as far more than simply this.
It will hit you eventually, but you will learn over time that this is one THE most immense, delicate and truly beautiful works of music history, let alone pop music. Pet Sounds is evidence alone of claiming Brian Wilson as a genius.
Ben Lee Breathing Tornadoes
Three albums in, pop whizkid Ben Lee created his masterpiece. A well-produced and impeccably written left-of-centre pop gem filled with samples, diverse arrangements and an eye for lyrics and melody well beyond his years. This still continues to amaze, intrigue and impress after all these years. It's something very few Australian musicians, let alone Ben himself, can one-up.
Black Sabbath Paranoid
Rock music needed Black Sabbath. Sure, there was great music around before and beyond them, but it seems that rock was not truly evil until Ozzy, Tony, Geezer and Bill delivered a wild, confident and solid mixture of rock and roll, blues, heavy metal and pop ("Paranoid" and "Iron Man", regardless of what you may think, are pop songs through and through, albeit very heavy ones).
From the mammoth E chord that signals the arrival of "War Pigs", to Ozzy's confession that fairies do, indeed, wear boots, this album effortlessly turned the musical world on its head. It remains the Sabbath magnum opus, and an album that few others could have even attempted to pull off.
Bloc Party Silent Alarm
Bloc Party A Weekend in the City
Bruce Springsteen Born In The USA
Burial Untrue
One of the most amazing records I have experienced in a long time. This wasn't even a slow-burner- the impact was hard, fast and truly remarkable. Whoever the person behind this is a true master of beats, samples and creating atmosphere with limited material to do it with. The minimalism is the key to the triumphs here- the beats go on and on, but not once do they become repetitive. It's all a part of this record's journey. If you like Unkle, Massive Attack and Thom Yorke's solo album, then this record is for you. Hell, if you like melodic death metal, this record is for you- it needs to be heard to be believed.
Cog The New Normal
Cynic Traced In Air
Well, there's no use fighting it - Traced in Air is the best metal album of the decade. Every twist and sharp movement is an exciting joy; the shifts between the sweet vocoder harmonies and the guttural, piercing growls an initially shocking but ultimately rewarding display of versatility. Your attention seldom wanes across eight engaging, intricately-arranged works of dense modern art - "The Space for This" and "King of Those Who Know" the best examples one can provide.
This is an essential listen. No, we're not even talking genres any more. You'll be hard pressed to find a stronger, more forward-thinking and overall brilliant album from recent years.
Death Cab For Cutie Transatlanticism
Fleetwood Mac Rumours
An essential listen for pop and rock fans of every generation. If you have ever experienced the demise of a relationship, then there is plenty on this album to connect with - from the female perspective (Stevie Nicks), the gorgeous "Dreams"; from the male perspective (Lindsey Buckingham), the anthemic "Go Your Own Way" - to just give two examples. Brilliantly produced and masterfully created in a time of great tension between band members, Rumours may just be the best thing you'll find in your parent's music collection.
Geoffrey Gurrumul Yunupingu Gurrumul
The language is not yours- the man sings in his native Aboriginal Australian language. And still, one feels a strong, purposeful connection with this man and his music. A voice that soars with true emphasis and stunning imagery (even when the words are not understood) leads these twelve incredible creations of music as a reclusive, quiet, blind man opens his heart and mind for the world to see.
A truly breathtaking album.
george Polyserena
Incubus Make Yourself
Kanye West The College Dropout
Kasey Chambers and Shane Nicholson Rattlin' Bones
The joining of these two singers, both in holy matrimony and in music, wasn't just luck - this kind of connectivity has destiny written all over it. Chambers and Nicholson have created one of the landmark Australian releases of the decade - perfectly harmonious, melodic, powerfully emotional and instantly lovable. From the nomad blues of the title track to the cold, fragile acoustic numbers such as "Adeline" and "One More Year", the couple bring to life tales of love, loss, travel and new life. Essential listening for fans of country, bluegrass and folk from all walks of life.
Lightspeed Champion Falling Off The Lavender Bridge
Michael Jackson Thriller
My Chemical Romance The Black Parade
In a year of "Laffy Taffy", "Promiscuous" and "London Bridge", it was the most unlikely of bands to make rock music relevant to the kids once again- My Chemical Romance, the same band that had been building a cult following just a few years before. With this unique rock opera, the band catapulted themselves to superstardom on the back of the best songs they had ever written- the rambunctious "House of Wolves", the stirring "I Don't Love You" and the unforgettable anthems that were released as singles- "Welcome to the Black Parade", "Famous Last Words" and "Teenagers".
This record has had a massive impact on the music industry, proving that one must always expect the unexpected. The Black Parade is a standard-setting, perfectly executed rock album- hands down one of the more important records of this century thus far. Here's to the future.
Nick Drake Pink Moon
Panic! At the Disco A Fever You Can't Sweat Out
Hands down one of the most genuinely excellent works in mainstream pop music since the turn of the century. Your attention does not wane from start to finish as two acts of fantastically written and performed rock operas- the first a synth-laden electropop adventure, the second a stark contrast with flamenco guitar, a horn section and a string quartet (amongst many others). What makes this so important a record is the fact that not a single album is quite like it, no matter how many Fall Out Boy comparisons you may choose to make. Combining this and Pretty.Odd., it's plain to see this band as one for the history books if their track record continues with huge successes such as this.
Paul Kelly Songs From The South
R.E.M. Automatic For the People
R.E.M. Green
Sigur Ros með suð í eyrum við spilum endalaust
Silverchair Neon Ballroom
Silverchair Diorama
Diorama has seen a lot of praise in the six years since its release. It has been praised as a great Australian album, Silverchair's best and even a masterpiece. Whilst all these are certainly true, there's more to it than simply this.
This album has evolved into a cornerstone of modern Australian culture.
Encompassing nearly every imaginable emotion and establishing the full-album experience that songwriters twice the age still struggle to achieve, the disturbed genius of Daniel Johns created a visionary technicolour dream. With his two best friends by his side, Silverchair created not only a timeless work, but an album that every Australian album since would be compared and contrasted.
As it stands, no album stands greater in Australian music history than Diorama.
Silversun Pickups Carnavas
Few albums of recent years have managed to create so much with so little surrounding it. After only one EP, Silversun Pickups were just another American rock band making their way amongst the alternative rock circuit. How it was even fathomable for them to create such a beautiful work of art is beyond comprehension. It all just doesn't make sense...and then you listen to the record itself. The music itself- a sparkling yet hard-hitting daydream, a sunlight-infested room of buzzes and brilliant shine. On showcase throughout, Brian Aubert's penetrating howls and helium rasps make for one of the most unique and genuinely interesting voices in rock music today. The four musicians that comprise Silversun tesellate in exceptional style, consistently contrasting energy levels and developing a sound that recalls shoegaze, industrial, indie rock, grunge and the nineties movement of rock (no, not the goddamn Pumpkins); yet at the same time is a movement and creation on its own level. The layered meanderings of "Future Foe Scenarios", the steady rise and culminate explosion of "Lazy Eye" and the jazz-like "Waste it On" all present a listener with an amazing array of versatile rock songs that are amongst the best of the decade, let alone its year of release. And that is just the beginning.
Forget Whatever People Say I Am...- as far as overall quality is concerned, this is one of the best debut albums of all time. There is much to come of this. We shall just have to wait and see.
Soundtrack Avenue Q - Original Broadway Cast
South Park South Park: Bigger, Longer, and Uncut OS
The Beatles Rubber Soul
The Beatles Abbey Road
The Drones Gala Mill
A raw, unabashed vision of a poet, a madman and, first and foremost, a musician - Gareth Liddiard, and his band The Drones. Gala Mill is a collection of consistently outstanding, ingeniously written and, frankly, quite frightening songs. Based around tales of shattering loss, human demise and the life of early convicts and settlers in Australian history, this music will often leave you feeling threatened and short of breath. From the opening mammoth, "Jezebel" to the quiet, subtly heartbreaking tale of "Sixteen Straws", this is an album that needs to be experienced from start to finish as a landmark of 00s Australian music. You won't be the same after it clicks.
The Forest The Forest EP
The Format Dog Problems
The White Stripes Elephant
It's still interesting to figure out just how the hell they pulled it off. A tumbleweed of dirty delta blues, DIY ethics, primal drumming, commanding, eccentric vocals and one flaming red guitar created, ultimately, a summation of everything that is good about rock music in the twenty-first century. "There's No Home For You Here" nails seventies rock with layered harmony, "Ball and Biscuit" is arguably the best jam track since "If Six Was Nine", "Little Acorns" still remains the most bizarre introduction of a song ever and "You've Got Her In Your Pocket" is beautifully delivered by a pensive Mr. White on his lonesome.
Yes, we know Meg isn't a brilliant drummer. We know that Jack's solos aren't thought out and meander far too much for their own good. We know how sick you are of hearing every school band cover Seven Nation Army. But the fact that this record still holds up in such impressive manner, five years after its conception, whilst many of its peers fell off the face of the earth, speaks volumes about these addictive, intense, diverse and more-than-excellent songs.
TV on the Radio Desperate Youth, Blood Thirsty Babes
William Shatner Has Been

4.5 superb
A Perfect Circle Mer de Noms
AFI Sing the Sorrow
Alexisonfire Crisis
Amanda Palmer Who Killed Amanda Palmer?
Amy Winehouse Back To Black
How could something so polished still maintain such grit? On her breakaway sophomore, Winehouse delivers eleven heartfelt and dark tales of lust, addiction and need that encompasses both classic soul and modern pop in a damn-near-perfect amalgamation. You can also thank this record for making Mark Ronson an international star - his work here is flawless.
Amy Winehouse Frank
Angels and Airwaves I-Empire
Antony and the Johnsons I Am A Bird Now
Arcade Fire Funeral
Arctic Monkeys Whatever People Say I Am....
At the Drive-In Relationship of Command
Atmosphere When Life Gives You Lemons, You...
Battles Mirrored
Beastie Boys The Sounds of Science (Anthology
Ben Harper and Relentless7 White Lies for Dark Times
Bertie Blackman Secrets and Lies
Blackalicious Blazing Arrow
Gift of Gab and Chief Xcel present listeners here with an eclectic, left-of-centre collection of exceptionally well-executed hip-hop. Sliding effortlessly from roller-disco grooves to keyboard-lead slow jams, the album displays an impressive array of beats and fantastic bass lines. Standouts include the stripped-back "Make You Feel That Way" and the nine-minute hip-hop epic "Release", which features the genius poetry of the visionary Saul Williams and the hands-up-in-the-air feelgood flows of Lyrics Born.
Blaqk Audio CexCells
blink-182 blink-182
The defining moment of the careers of DeLonge, Hoppus and Barker at the time of its release. The band had always shown a flash of their serious sides on previous albums (Stay Together For The Kids, Adam's Song, etc), and they were the highlights of those records; but could never keep it consistent. What this album did was keep consistent, not indulging on fart jokes- and the result was brilliant. The darker side of blink-182 (I Miss You, The Fallen Interlude, All Of This, to name a few), in the end, brought out the best in them.
It's a relief to think that the band ceased to exist after this, in a way- it's unlikely they could have ever topped it.
Bloc Party Intimacy
Bob Dylan Bob Dylan
Bon Iver For Emma, Forever Ago
Brand New Daisy
Daisy is just as good as people believe. At times, even better.
Anyone that knows something about music besides this decade knows that Brand New is more like Brand New right now than ever before. This is Brand New’s troubled-mind record with some gritty emotion throw in the mix, but different than their previous records – where The Smiths/Morrissey influences work beautifully – it’s no longer really present to me: I can’t help but think about how good Brand New are while listening. And how they’ve done before and only once have they made a record as good as this (The Devil and God).
People saying that this is better than Thrice’s Beggars or any of Brand New’s previous are right.
In short: Brilliant record is brilliant. Epic win, Brand New, way to go. Now Jesse, start working on a solo record asap and blow us away, will ya?
Brand New The Devil And God Are Raging Inside Me
The late comedian Bill Hicks once said of what made great music- "I want someone who plays from his fucking heart." With this definition in mind, one would be hard pressed to find one more fitting than singer-songwriter Jesse Lacey.

Alongside his band, Brand New, Lacey presents the listener with a defining album, complete with vented frustrations, paranoid questionings of faith, showing of scars and both the light and the dark of what a human can feel. Despite a slightly lacking second half and a superfluous reprise of highlight "Luca", this album's quality is at times overwhelming- this is some of the best music to be released in years.
Bright Yellow Clean EP
Buck 65 Secret House Against The World
How do you describe the beauty of an album that leaves you completely lost for words? An album of defiant art that redefines alternative hip-hop for a new generation.
Butterfingers Breakfast at Fatboys
City And Colour Bring Me Your Love
Cog Sharing Space
Coldplay Viva La Vida
Copeland You Are My Sunshine
There's not a great deal of context or deeper purpose to You Are My Sunshine. This is simply a collection of bright, emotive and pensive shoegaze pop, rich in harmony and soaring vocals. For fans of Silversun Pickups and Frou Frou.
Cradle of Filth Damnation and a Day
Crowded House Woodface
Dead Letter Circus Dead Letter Circus
Death Cab For Cutie We Have The Facts And We\'re Voting Yes
Death Cab For Cutie Directions
"I think that this is a beautiful experiment", says guitarist Chris Walla.
One cannot help but agree as you watch the eleven truly brilliant videos made for each of the outstanding songs on Death Cab For Cutie's major-label debut. Highlights include "What Sarah Said", "Summer Skin" and the touching "Stable Song".
Death Cab For Cutie Plans
Death Cab For Cutie The Photo Album
Death Cab For Cutie Forbidden Love (EP)
Death From Above 1979 You're a Woman, I'm a Machine
DJ Danger Mouse The Grey Album
A groundbreaking, revolutionary release which took the concept of illegal art to the next level. What we have here is a collision course between two defining acts of their times, The Beatles and Jay-Z, who prove the diversity of defining genius. The newfound contexts of Jigga's lyrics not only work in a shockingly seamless fashion, but leave the listener wondering why on earth hip-hop producers hadn't looked into the Lennon/McCartney catalogue for samples before- "What More Can I Say" and "December 4" are especially brilliant creations. In terms of not only hip-hop, but sampling, mash-ups and recomposition, this is a triumphant release.
Dream Theater Metropolis Part 2: Scenes From a Memory
Dresden Dolls Yes Virginia
Eagles Very Best Of The Eagles 1972 - 1979
Eagles Farewell 1 Tour DVD
Eels Beautiful Freak
Elvis Presley Elvis: 30 #1 Hits
Eminem The Eminem Show
Eminem The Marshall Mathers LP
On "If I Had", from the Slim Shady LP, Eminem began the song with the phrase "Life, by Marshall Mathers". Unfortunately, that record proved to be more about his maniacal alter-ego, Slim Shady, as the title would suggest. This record, however, is truly Marshall Mathers- an essay on hate, love, confrontation, family, the media and the hypocritical way of things in the modern world. This is truly "Life, by Marshall Mathers".
Call it disgusting, as "Zoe" did on the Slim Shady LP. Call it misogynistic, as many amongst the pop music community and mainstream media chose to do. Honestly, call it whatever the hell you like- just don't try to pass this off as anything short of a milestone in popular music.
Eskimo Joe Girl
Fall Out Boy From Under The Cork Tree
Foo Fighters The Colour And The Shape
Foo Fighters Skin And Bones
Foo Fighters The Colour and The Shape (10th Anniversary Edition
Frou Frou Details
As far as the poppier side of electronica goes, this is the best thing you are going to find. A courageously varied, gorgeously arranged and masterfully executed collection of songs that stand not only head and shoulders above its contemporaries, but managed to set a standard that not even Imogen Heap herself has managed to top. Highlights of the record include the one-two introduction of Let Go and Breathe In, songs I regard as some of my all-time favourites, as well as Pyschobabble, Only Got One and The Dumbing Down of Love.
Highly recommended, no matter what your preferred field of music.
Gallows Grey Britain
Girl Talk Feed the Animals
Music is evolving at a ridiculously rapid rate. If you'd have said a few years ago that just one man with a knack for sampling and a few good programs on his laptop could create not only one of the best records of the year, but one of the most critically-acclaimed live shows on the planet, then you'd probably get the shit kicked out of you. Thankfully, today's world and technology in particular allows this to happen. Greg Gillis slams together odd couples better than Gnarls Barkley AND Jack Lemmon and Walter Mattheau put together. Lil Mama, Metallica, Lil Wayne, the Chili Peppers, T.I. and Sinead O'Connor...the list only gets better from there. Hugely exciting, hugely danceable, hugely unique- this is what party albums should be.
Girl Talk Night Ripper
Gnarls Barkley St. Elsewhere
Goo Goo Dolls Dizzy Up The Girl
Gorillaz Demon Days
Gorillaz Gorillaz
Green Day American Idiot
Hilltop Hoods The Calling
Incubus Alive at Red Rocks (DVD + CD)
Incubus Morning View
Jackson Browne Solo Acoustic, Vol. 1
Jackson Browne Solo Acoustic, Vol. 2
Jimi Hendrix Experience Hendrix: The Best of Hendrix
Jimmy Eat World Clarity
Joanna Newsom Ys
John Mayer Continuum
Johnny Cash American IV: The Man Comes Around
Johnny Cash The Essential Johnny Cash
Jose Gonzalez Veneer
Jose Gonzalez In Our Nature
Kanye West Late Registration
Kanye West 808s And Heartbreak
I had my doubts. So did you. The second that Mr. West announced his next record would be entirely sung, as opposed to his normal rapping, teeth were grit and lips were bitten. A disaster was predicted.
And then?a miracle occurred.
808s and Heartbreak is a brilliant album. No longer does his cocky, self-assured side take prominence in his music as it has so frequently done in the past. There?s certainly no ?Good Life? to be found on 808s- this is an album of frustration, distance, loss, anxiety and a life in lethargy.
West risked commercial and critical success in favour of creating something completely on his own terms- and if songs like Say You Will, Robocop and Street Lights are anything to go by, perhaps his risks are worth taking more often.
Karnivool Sound Awake
Kate Nash Made of Bricks
If there's one album I never expected to be brilliant, it was Kate Nash's. The single was a sugary treat, but what from there? Many more simplistically beautiful pop numbers was the answer- the adorably silly metaphor of Birds, the fast-paced hyperactivity of Mariella and the Octopus' Garden bop of Merry Happy all made for some quality listening and some good old singalongs.
But it didn't stop there.
There is a genuine sense of sincere and even autobiographical mannerisms throughout the music- from the lyrics, to the childlike piano right down to Nash's unforced accent. And when the music isn't joking around, we get incredibly honest and moving songs such as Nicest Thing and Little Red. Let's forget about any inch of hype or promotion surrounding this young lady here- this is true talent, true emotion and an exceptional, underrated album.
Keane Under The Iron Sea
Very special indeed. In our last encounter with the band, they were making glorious, uplifting piano rock. This time, however, it's quite the different story- a melancholic and sombre collection of electronic delicacies with a distinctively dark underbelly. "Try Again" is a late-night daze, "Broken Toy" is a jazzy portrayal of a broken heart and "Hamburg Song" is a genuinely beautiful composition which depicts the demise of frontman Tom Chaplin. The most alarming thing about that, however, is that it is Chaplin singing these words about himself from the perspective of another- pianist Tim Rice-Oxley. These were dark and tumultuous times for the band, and this is reflected throughout the album in a layered and honest way. With a new record on the way, it seems almost Mission: Impossible that the band will better this record. If they do, however, we'll be experiencing something remarkable.
Keane Hopes & Fears
The British trio came out of practically nowhere and released the best debut album of the year. Amazing vocals, soaring atmospherics, tight drumming and beautiful piano work made this an all-round winner.
Kings of Leon Youth and Young Manhood
La Dispute Somewhere at the Bottom of the River...
La Roux La Roux
Led Zeppelin Led Zeppelin IV
Leonard Cohen Songs Of Love And Hate
Manchester Orchestra Mean Everything To Nothing
Mattafix Sign Of A Struggle
One of the best debuts of 2005. Some exceptional production, excellent lyrics and a powerful message of racial inequalities in the U.K. The group are releasing a new record in a matter of months; and indeed it will be interesting to see if this album will be topped.
Maximo Park Our Earthly Pleasures
MC Lars This Gigantic Robot Kills
Metric Fantasies
Mew And the Glass Handed Kites
Minus The Bear Highly Refined Pirates
Moby Play
Motion City Soundtrack Commit This To Memory
Muse Origin of Symmetry
Nas Hip Hop Is Dead
Almost criminally underrated, this is Nasir Jones' concept album in which modern technology is embraced in the beats, often with brilliant results (the uplifting "Blunt Ashes" and the hard-hitting title track as examples). Lyrically on fire, Nas is loaded with accusations, anger, reflections on life and even a bizarre change of character on "Who Killed It?". Even when former rival Jay-Z briefly steals the show on the excellent "Black Republican", this is a shining point in the fruitful yet occasionally hit-and-miss career of Nas. Arguably his best since Illmatic, and certainly his best this century.
Nas Illmatic
Neil Young Harvest
Newton Faulkner Hand Built By Robots
Nick Drake Five Leaves Left
Ahead of its time, delicate and an outright powerful record, Nick Drake surrounds his quaint fingerpicking with piano tinkering and gorgeously arranged sections that enhance the music that much further. Songs such as River Man and Day Is Done will haunt you for many moons to pass. As the vocals linger and sting with such conviction and emotion, you cannot help but wonder exactly how this phenomenal performer went so unnoticed in life.
Nine Black Alps Everything Is
Nine Inch Nails The Downward Spiral
Nirvana MTV Unplugged in New York
Nirvana In Utero
Nirvana Greatest Hits
Nirvana Nevermind
Noah and the Whale The First Days of Spring
Outkast Speakerboxxx/The Love Below
Panic! At the Disco Pretty. Odd.
I get really frustrated when Silversun Pickups get compared to Smashing Pumpkins, or when Mika gets compared to Queen. Similarly, I really don't appreciate all the Beatles comparisons that have gone into Pretty. Odd. It's as if that's the only possible comparison to be made to a collection of classically-influenced guitar pop songs. There's a lot more to it than that, and herein lies the album's appeal. Urie's voice has flexibility and a much warmer tone, many new avenues of the band's overall sound were explored and it's another fun and layered adventure in music, much like Fever was. This album needs time- Lord knows I had to give it plenty- but the reward is more than worth it.
Paul Kelly Stolen Apples
Paul Kelly So Much Water So Close To Home
Pearl Jam Yield
Pearl Jam Ten
Person L Initial
Portishead Dummy
Portugal. The Man Censored Colors
R. Kelly Trapped in the Closet (Chapters 1-12)
R.E.M. Dead Letter Office
R.E.M. Document
R.E.M. In Time: The Best Of REM (1988-2003)
Rage Against the Machine The Battle Of Los Angeles
Rage Against the Machine Rage Against the Machine
Red Hot Chili Peppers Greatest Hits And Videos
Red Hot Chili Peppers Live At Slane Castle DVD
Regurgitator Unit
Rise Against Siren Song Of The Counter Culture
Sam Cooke Portrait Of A Legend 1951-1964
Soul

Function:
noun

1: the immaterial essence, animating principle, or actuating cause of an individual life
2: the spiritual principle embodied in human beings, all rational and spiritual beings, or the universe bcapitalized Christian Science
3: a person's total self
4: an active or essential part
5: the moral and emotional nature of human beings
6: person
7: personification
8: a: a strong positive feeling (as of intense sensitivity and emotional fervor)
9: Sam Cooke
Saul Williams The Inevitable Rise and Liberation of Ni
Seether Karma and Effect
Have you ever enjoyed an album in ridiculous amounts and have never been able to properly explain just why? In a way, that's me and this record right here.
What makes Karma and Effect so damn listenable? Could it be the irresistible accessibility of the mix of downtuned Cobain-isms and guitar pop hooks? Perhaps Shaun Morgan's ear for a tight song structure and big choruses? Maybe even the fact that you're drawn back to each and every song for a variety of different reasons? Whatever it is, Karma and Effect is a triumphant album- it soars where most of its contemporaries plod, and (in a shocking turn for a post-grunge record) manages to get everything right for once.
Let's rock.
Silversun Pickups Swoon
Slipknot Vol. 3: (The Subliminal Verses)
Soundtrack O Brother, Where Art Thou?
Spiderbait Grand Slam
Sufjan Stevens Illinois
Switchfoot Nothing is Sound
System of a Down Toxicity
This is the record that broke System Of A Down into the mainstream, and it couldn't have come at a better time. The best way to describe this sound is to take the genre of "nu-metal" at the time and arm it with literacy skills, leftist opinions and, surprisingly enough, pop sensiblities. It may sound awkward on paper but this album just WORKS. There is a wide array of music here, from the ridiculously outspoken (Prison Song), the ridiculously catchy (Forest), the ridiculous angsty (Needles) to the just plain ridiculous (Bounce). Sure, there are tracks better than others here. But there isn't a terrible or even bad song present on Toxicity; and this is why SOAD broke and became so popular. An excellent record that has stood the test of time.
Tegan and Sara The Con
Tenacious D Tenacious D
The Beatles Revolver
The Blues Brothers Music From The Soundtrack
The Cure Seventeen Seconds
The Dear Hunter The Lake South, The River North EP
The Dissociatives The Dissociatives
The Drones Havilah
If you're into Australian music at all, no doubt you've heard great things about the Drones. Just in case you've never listened...they're all true.
With their fourth record, the Drones continue on the warpath with a passive-aggressive undercurrent omnipresent throughout the album's entirety. From the electric alt-country stomp of opener "Nail it Down" or the emotional shipwreck of "Careful as You Go", the raw howls of frontman Gareth Liddiard accompany his magnificent lyrical imagery to a t. It's very difficult to pinpoint exactly what drives the band musically, but there is no doubt that the band are already off to a flying start in becoming one of the greatest Australian bands of all time.
The End Elementary
The Flaming Lips Yoshimi Battles the Pink Robots
The Format Interventions and Lullabies
The Go-Betweens Before Hollywood
The Gossip Music For Men
The Killers Hot Fuss
The Living End The Living End
The Mars Volta De-Loused in the Comatorium
The Mars Volta The Bedlam In Goliath
The National Boxer
If you haven't heard Boxer yet, chances are one of the magazines you read put it in its top ten list of last year. And why not? Chilling low key vocals in the spirit of the late Johnny Cash or a young Paul Banks tell masterful tales of how a globalized lifestyle has infected ways of being, accompanied by excellently toned guitar and thudding drums. There are moments on the record, such as "Mistaken For Strangers" or "Apartment Story", where you may come to the conclusion that music should not be allowed to be this good- a world of emotion, pain and isolation never sounded as fantastic in terms of indie rock. Far surpassing the band's previous effort, Alligator, this is a record that you must own.
The Postal Service Give Up
The Shins Chutes Too Narrow
The Smiths Meat is Murder
The Smiths Louder Than Bombs
The Starting Line Based on a True Story
Pop-punk, as a whole, isn't exactly the kind of genre that breeds masterpieces. The closest it will ever get is From Under The Cork Tree. Oh, and this.
Based On A True Story is a diverse, witty, energetic and genuine body of work. Its genius lies in the fact the lyrics and concept of the overall album, the work of one Kenny Vasoli, is obviously very personal and introspective; and yet manages to be universal enough that it can connect with many...certainly when I first heard this album in 2005, it became the soundtrack to my life. So many years on, the album still has life and a connectivity to growing up in this day and age- and it nails it far greater than any other of their contemporaries.
The Streets Original Pirate Material
The Streets A Grand Don't Come For Free
The Used The Used
The Vines Highly Evolved
The Whitlams Eternal Nightcap
A landmark Australian release. Tim Freedman's unmistakable songwriting and subtly piercing vocals give a poignancy and genuine emotion that few other songwriters in Australia can really take on properly. Highlights include the beautiful Charlie trilogy, "Up Against The Wall"'s spiraling tirade against a former lover, and the undeniable modern classic that is No Aphrodisiac.
Simply, the band's best release and for you, dear reader, an undiscovered gem. Discover it.
Tim Minchin Ready For This? [DVD]
Trial Kennedy New Manic Art
TV on the Radio Dear Science
U2 Go Home, Live From Slane Castle
U2 The Best Of 1980-1990
Underoath Define the Great Line
Ween Chocolate and Cheese
Yeah Yeah Yeahs Show Your Bones

4 excellent
30 Seconds to Mars 30 Seconds to Mars
A Perfect Circle Thirteenth Step
AC/DC Back in Black
AC/DC High Voltage
AC/DC Live At Donington
Ahh, Acca Dacca. In the studio, they haven't been relevant in the slightest since 1980. Live, however, they remain one of the most exciting and enjoyable acts around. This massive performance is no exception to this rule- even the mediocre tracks from their Johnson-era records rock and roll with the best of their classic tracks. The highlight here, however, is a ten-minute plus rendition of "Jailbreak", with an intense breakdown that the highly enthusiastic crowd laps up. With "Black Ice" on the horizon, expect a few last shows out of this rock and roll beast. Even if the new record sucks, you know you're in for a treat if you get to see them live.
AC/DC T.N.T.
AFI Decemberunderground
AFI Crash Love
Against Me! New Wave
Alexisonfire Watch Out!
Anberlin Cities
Animal Collective Feels
Animal Collective Strawberry Jam
Annie Don't Stop
Arch Enemy Doomsday Machine
Arctic Monkeys Favourite Worst Nightmare
Arctic Monkeys Humbug
Audioslave Audioslave
Ben Folds Five Ben Folds Five
Ben Harper Diamonds on the Inside
Ben Lee Awake Is The New Sleep
Biffy Clyro Only Revolutions
Billy Talent Billy Talent II
Billy Talent Billy Talent
Black Sabbath Master of Reality
blink-182 Take Off Your Pants and Jacket (Bonus Tracks)
Bluejuice Head of The Hawk
Bob Dylan Another Side of Bob Dylan
Bon Iver Blood Bank
Brand New Deja Entendu
Bright Eyes I'm Wide Awake, It's Morning
Conor Oberst is a unique individual, that's a certainty. Always finding intriguing and important ways of expressing his views through the majesty of song. Here is no exception- I'm Wide Awake is a collection of mostly intimate, raw acoustic observation of the world around. The only exception to this rule, ironically, is the album highlight- album closer Road to Joy is a brilliant, layered jam session with erratic guitar and wild blurts of trumpet.
Also worth checking out is the pensive First Day of My Life, the soaring Landlocked Blues and the quiet-is-the-new-loud glory of Lua.
Britney Spears Circus
Bruce Springsteen Magic
Bruce Springsteen Devils & Dust
Burial Burial
Cannibal Corpse Evisceration Plague
Cap'n Jazz Analphabetapolothology
Captain Kickarse and the Awesomes Falsimilies from the Facts Machine EP
Cat Power The Greatest
City And Colour The MySpace Transmissions EP
City And Colour Sometimes
Coheed and Cambria Good Apollo, I'm Burning Star IV...
Coldplay LeftRightLeftRightLeft
Cradle of Filth Nymphetamine
Cradle of Filth Thornography
Cream Disraeli Gears
Crowded House Time on Earth
Crystal Castles Crystal Castles
D12 Devil's Night
Daft Punk Alive 2007
Daft Punk Discovery
Dananananaykroyd Hey Everyone
David Bazan Curse Your Branches
Dead Letter Circus Next In Line - EP
Death Cab For Cutie The Stability E.P
Death Cab For Cutie Something About Airplanes
Death Cab For Cutie Narrow Stairs
After the modern classic that was Transatlanticism, Death Cab for Cutie decided quiet was the new loud on Plans. This time, however, on their second album for a major label, they just weren't sure where to go. Fuelled by Jack Kerouac and Can, the band decided to delve both into the past ("No Sunlight", "Cath..." and "Long Division" all could have been on their Architecture era records) and into the future ("Bixby Canyon Bridge" and the immense "I Will Possess Your Heart" show promise for a complete band progression). It doesn't always work, let alone flow, but it is a strong release nonetheless.
Deftones Deftones
Divine Heresy Bringer of Plagues
Dizzee Rascal Showtime
dredg El Cielo
Drowning Pool Sinner
Eagles Hell Freezes Over
Eddie Vedder Into The Wild [Music For The Motion Picture]
Editors An End Has A Start
Emery ...In Shallow Seas We Sail
Eminem The Slim Shady LP
Eminem Curtain Call: The Hits
Enslaved Vertebrae
Yes, it's a little samey in parts. Yes, it takes itself far too seriously. Yes, this is black metal. Having said that, this is still by far one of the best metal releases of the year- consistent, flowing, energetic and just a little bit ridiculous.
Enter Shikari Take To The Skies
Amongst a plethora of bands on the hardcore scene in Britain caring more about what they're wearing than what they're playing, it has been hugely depressing seeing bands like Bring Me The Horizon explode worldwide. One band amongst the community, however, stood out, to use some British slang, like dog's bollocks. Enter Shikari didn't so much arrive as stagedive headfirst into it- and if their debut is anything to go by, then they're here to stay.
Two things set them apart. The first is the inclusion of some highly danceable and well-executed synth and electronic drum patterns- of course, they're not the first to pull such a thing off, but I'm strained to think of one that's done it better in recent years. The second is the genuine sense of fun about their music- the energy levels are always high, and even when vocalist Rou Reynolds is screaming to the point where it is noticeably straining his voice, the music never seems angry or overly aggressive. From the insistent catchiness of "Sorry You're Not A Winner", the anthemic self-titled track and the sentimental ballad "Adieu", Enter Shikari cover a lot of ground. They show a lot of promise for the future- and I can't wait to see just where they go from here.
Envy on the Coast Lucy Gray
Epitomes Demo.
Eric Clapton Unplugged
Erin McCarley Love, Save the Empty
Eskimo Joe Black Fingernails, Red Wine
Evanescence Fallen
Fall Out Boy Folie a Deux
Flight of the Conchords Flight Of The Conchords
Florence and the Machine Lungs
Foo Fighters In Your Honor
Foo Fighters Greatest Hits
Franz Ferdinand Franz Ferdinand
Gallows Orchestra Of Wolves
This is as raw and real as hardcore music has been in the past few years. Vocalist Frank Carter howls, seeths and screams through an epic, solid hardcore punk record that anyone who is truly into the "punk" scene should appreciate. A real breath of fresh air on a scene taken over by bands who care more about what they wear than what they play.
Gin Wigmore Holy Smoke
Gnarls Barkley The Odd Couple
Goo Goo Dolls Jed
Gorilla Biscuits Start Today
Classic hardcore. Loud, fast, thrashing and angry as hell...yet with a strong, positive and meaningful message? Damn, who'd have thunk it? Highlights include New Direction, Two Sides and Start Today, which is quite possibly my favourite hardcore song of all time.
Green Day International Superhits
Green Day Dookie
Grizzly Bear Veckatimest
Dammit, once you eliminate the hype and begin to cut to the core of Veckatimest, you've got yourself a fucking good record. At first, the album will seem boring and difficult to take in. Following this will be a development of interest in particular tracks - the swaying "Cheerleader", the chiming and harmonious "Two Weeks" and the divine "Foreground" just a few examples. Finally, you will find yourself immersed in the entire record as a listening experience. And by this point, you're soaked head to toe in charming, soulful and heartfelt indie-leaning pop. Very much worth the effort.
Guns N' Roses Appetite For Destruction
Gwen Stefani Love. Angel. Music. Baby.
Hanson Middle of Nowhere
Hole Celebrity Skin
Howling Bells s/t
Imogen Heap Ellipse
Incubus S.C.I.E.N.C.E.
INXS Kick
Iron Maiden Somewhere Back In Time: The Best Of 1980 - 1989
Isis Wavering Radiant
Jackson Browne Looking East
Jackson Browne Time the Conqueror
Jaguar Love Take Me to the Sea
Jet Shine On
Jimmy Eat World Chase This Light
Once again, Jimmy Eat World have delivered another great pop record that worms its way into your head with hook after hook after hook. Adkins is a smart and intriguing lyricist and can still hold a tune as well as he could in the Clarity days, if not more so now. Highlights include Big Casino, Electable, Gotta Be Somebody's Blues and Dizzy. Probably won't win any new fans, but will most certainly please current ones.
Joanna Newsom The Milk-Eyed Mender
John Mayer Room For Squares
Johnny Cash American III: Solitary Man
Justin Timberlake FutureSex/LoveSounds
A pop juggernaut. A dancefloor anthem. A Prince tribute album. A sex-obsessed concept album. Thriller for the 21st century. A hell of a good time. The crown jewel atop the head of the new king of pop. FutureSex/LoveSounds was all of these things upon its release. And still is.
Justin Timberlake FutureSex/LoveSounds: Deluxe Edition
Kaiser Chiefs Employment
Kanye West Graduation
Karnivool Themata
Kate Miller-Heidke Curiouser
Keane Perfect Symmetry
Keating! Company B 2007 Original Cast Recording
Killing Heidi Reflector
In context, this was the creative explosion of the Hooper siblings that they had worked so very hard to finally create and release after catching their big break from Triple J's Unearthed competition. The result was an enthusiastic and infectious collection of spaced-out pop that's rough around the edges whilst still maintaining rock music roots. Lead single "Weir" has stood the test of time as one of the great modern works of Australian pop music, but this record holds so much more instore for its listeners: the slow-burning "A Jar Labelled Small", the twirling "Leave Me Alone" and the gorgeous "Black Sheep" are just a handful of examples.
They never matched the greatness of this record ever again, but Reflector still remains a solid release.
Kings of Leon Because Of The Times
Kings of Leon Aha Shake Heartbreak
Kings of Leon Only By The Night
Kisschasy United Paper People
Korn Untitled
KT Tunstall Eye To The Telescope
Lady GaGa The Fame
Liam Finn I'll Be Lightning
Liam Finn Champagne in Seashells (with Eliza Jane)
Lily Allen It's Not Me, It's You
Linkin Park Minutes to Midnight
With Rick "God" Rubin on their side, Linkin Park created a whole new demon and will arguably be viewed retrospectively as their best work to date in Minutes To Midnight. The old methods are practically gone, but with their departure has come an arrival of a new, professional sound that thrives on hooks and pop-is-not-a-dirty-word energy. Highlights include Bleed It Out, Shadow Of The Day and THE song of their careers, The Little Things Give You Away.
Linkin Park Hybrid Theory
One of the more impressive debut albums of its time, here the band took the "teen angst" module to a new generation. "Shut up while I'm talking to you" replaced "fuck you, I won't do what you tell me", and the kids were hooked. As cliche-ridden as it all sounds, Hybrid Theory still contains some excellent pop songs with catchy hooks and riffs, and turntablist Joe Hahn lets loose (unfortunately not as present on their other two records), bringing a new dimension to the songs.
Lisa Mitchell Wonder
M.I.A. Kala
Macromantics Moments In Movement
Mammal Mammal EP
Maroon 5 It Won't Be Soon Before Long
Mastodon Crack the Skye
Matisyahu Live At Stubb's
MC Lars The Graduate
Metallica Death Magnetic
And they're back. A lot can change in five years (I was in year seven when St. Anger came out, and am about to finish school this year, as an example), but this has given Metallica ample breathing space to focus on getting back to what they do best- making great, loud, fast and thrashing music.
Essentially, Death Magnetic takes the band out of the ditch they found themselves in because of drop-C and tin cans, and position themselves for a ride down easy street. Everything you hear on this record, 'Tallica have done before (and, in some cases, done better). For what it's worth, though, this is a hell of a fun listen- big choruses, a triumphant return of Kirk Hammett's skillful solos, an obsession with having EVERY song in the key of E, exciting bridges and a completion of the "Unforgiven" saga with unexpectedly brilliant results. This isn't Metallica's best, nor is it a revolution of sound. But it is proof enough that the legends aren't ready to nail in that coffin just yet. Now shut up and get your air guitar or Guitar Hero- Lars and co. are waiting.
Metallica Master of Puppets
Mew No More Stories
Micachu Jewellery
A polarising album, that's for sure. But once this record clicks, you're looking at one of the most impressive albums of the year- infectious, offbeat and creative music that can truly be defined as original. "Vulture", "Eat Your Heart", "Just in Case" and "Worst Bastard" are the highest recommended out of the batch, but it's all worth a listen.
Mike Hale Lives Like Mine
Minty Fresh Beats Jaydiohead
Minus The Bear Planet Of Ice
Muse H.A.A.R.P
Muse Showbiz
My Chemical Romance Three Cheers For Sweet Revenge
After a raw, uneasy introduction to the band on I Brought You My Bullets, this is a far more focused and energetic release from My Chemical Romance. A melodramatic, hyperactive and thoroughly enjoyable rock album that flaunts both melody and intensity in its thirteen tracks, although not entirely on a consistent basis.
My Morning Jacket Okonokos
N.E.R.D. Seeing Sounds
Neil Young On the Beach
Neil Young After the Gold Rush
Neutral Milk Hotel In the Aeroplane Over the Sea
Newton Faulkner Rebuilt by Humans
Nick Cave and The Bad Seeds Abattoir Blues/The Lyre of Orpheus
Nick Drake Way to Blue: An Introduction to Nick Drake
Nine Inch Nails With Teeth
Nine Inch Nails The Slip
Nine Inch Nails Every Day Is Exactly The Same
Nirvana Live! Tonight! Sold Out!
Operator Please Cement Cement EP
Operator Please On The Prowl EP
Operator Please Yes Yes Vindictive
Paramore Riot!
Paul Dempsey Everything Is True
Paul Kelly ...nothing but a dream
Paul Kelly Foggy Highway
Pavement Crooked Rain, Crooked Rain
Pearl Jam rearviewmirror (Greatest Hits 1991-2003)
Pearl Jam Vs.
With Vs., Pearl Jam began to wane the "grunge" tag and expand their sound to include influence of everything from heartland rock to early funk. Whilst slightly lacking the spark of Ten, the album is still home to some of the band's defining songs: Animal, Daughter and Elderly Woman Behind the Counter in a Small Town are the strongest examples of this. Not their finest hour, but invariably an essential addition to your Pearl Jam collection.
Phrase Clockwork
Placebo Once More With Feeling
Placebo Without You I'm Nothing
Portraits Of Past 0100101110100011100100100
Powderfinger Odyssey Number Five
Powderfinger Fingerprints
Queens Of The Stone Age Songs For The Deaf
Queens Of The Stone Age Lullabies to Paralyze
R.E.M. Up
R.E.M. Reveal
R.E.M. Lifes Rich Pageant
R.E.M. Out Of Time
R.E.M. R.E.M. Live
R.E.M. Accelerate
R.E.M. Chronic Town
Radiohead OK Computer
Radiohead In Rainbows
Radiohead Amnesiac
Rage Against the Machine Evil Empire
Rammstein Volkerball
Ramones The Anthology
Ramones End of the Century
Ramones Ramones
Red Hot Chili Peppers Stadium Arcadium
Red Hot Chili Peppers Californication
Red Hot Chili Peppers Live At Hyde Park
Red Riders Drown in Colour
Regina Spektor Begin To Hope
Regurgitator Tu Plang
Rihanna Good Girl Gone Bad
Rihanna Good Girl Gone Bad: Reloaded
Rise Against The Sufferer and the Witness
Santogold Santogold
Saosin Saosin
Scissor Sisters Scissor Sisters
Seether Disclaimer II
Shai Hulud Misanthropy Pure
Sia Some People Have Real Problems
Sigur Ros Takk
Silverchair Frogstomp
Silverchair Young Modern
Sleep Station Blood of Our Fathers
Slipknot 9.0: Live
Slipknot All Hope is Gone
Smashing Pumpkins Zeitgeist
Snob Scrilla Day One
Something For Kate The Official Fiction
Something With Numbers Perfect Distraction
Soundtrack Team America: World Police
Soundtrack Dr. Horrible's Sing-Along Blog
Soundtrack The Spongebob Squarepants Movie - Music
Soundtrack Garden State
Spice Girls Greatest Hits
Spiderbait Greatest Hits
St. Vincent Actor
Sunny Day Real Estate Diary
System of a Down Mezmerize
Taking Back Sunday Where You Want To Be
Tegan and Sara So Jealous
The Beatles Love
The Beatles 1
The Beatles 1962-1966
The Beatles The Beatles - 1967-1970
The Beatles With The Beatles
The Beatles Sgt. Peppers Lonely Hearts Club Band
The Butterfly Effect Begins Here
The Cure Three Imaginary Boys
The Darkness Permission to Land
The Decemberists The Hazards Of Love
The Doors The Doors
The Fall Of Troy Doppelganger
The Flaming Lips The Soft Bulletin
The Flaming Lips Embryonic
The Gossip Standing In The Way Of Control
The John Butler Trio Grand National
The Killers Sam's Town
The Living End State Of Emergency
The Lonely Island Incredibad
The Mars Volta Amputechture
The Mars Volta Frances the Mute
The Mars Volta Octahedron
The Mountain Goats The Sunset Tree
The New Pornographers Twin Cinema
The Offspring Americana
The Presets Apocalypso
The Red Paintings Feed the Wolf [EP]
The Shins Oh, Inverted World
The Smiths The Very Best Of The Smiths
The Smiths Rank
The Smiths The Smiths
The Smiths The Queen Is Dead
The Vines Melodia
The White Stripes Get Behind Me Satan
The White Stripes White Blood Cells
The Whitlams Truth, Beauty and a Picture of You: The Best Of
The Who Tommy
Thursday War All The Time
Tiger Army Music From Regions Beyond
Timbaland Shock Value
Tool 10,000 Days
TV on the Radio Return to Cookie Mountain
TV on the Radio Young Liars EP
U2 How to Dismantle an Atomic Bomb
Underoath Survive Kaleidoscope
Underoath Lost In The Sound Of Separation
Van Halen 5150
Various Artists (Hip Hop) 8 Mile OST
Wolfmother Wolfmother
Yeah Yeah Yeahs Fever To Tell

3.5 great
30 Seconds to Mars A Beautiful Lie
36 Crazyfists The Tide And Its Takers
AC/DC AC/DC Live Disc 1 (Collectors Edition)
Albert Hammond Jr Yours To Keep
Albert Hammond Jr ¿Cómo Te Llama?
Alien Ant Farm ANThology
All-American Rejects Move Along
All-Time Quarterback All-Time Quarterback!
Amplive Rainydayz Remixes
An Horse Rearrange Beds
Anberlin Never Take Friendship Personal
Anberlin New Surrender
Annie Anniemal
Atreyu Lead Sails Paper Anchor
Making a change for the better from their metalcore chuggery, Atreyu have released their most accessible, and in turn most enjoyable record to date. The vocals (even the god-awful screams) have made a huge improvement here, and even the more generic tracks have good hooks and tighter musicianship. They're never going to make truly great music, or be a truly great band. But dammit, kudos to them for trying.
Atreyu A Death-Grip On Yesterday
Audioslave Out Of Exile
Avril Lavigne Let Go
Certainly she's reached new levels of slutdom now, but back in the day Miss Avril Lavigne Whibley was everybody's guilty pleasure. A star cast of writers and producers make the sugar-sweet guitar pop that much more accessible and enjoyable, but Lavigne's biting accent and high-note hairbrush singing define these songs. "I'd rather be anything but ordinary, please!" she moans halfway through the album. She delivers for the most part on this wish- see the angsty "Losing Grip" and "Unwanted", the little-girl-lost ballads of "I'm With You" and "Naked" and the undeniably catchy "Sk8er Boi"- but a lot of the non-single territory seems far too forced, and things really didn't get that much better for Avril from here. Oh well. Everybody with me: "Why'd you have to go and make things so complicaaaatedd..."
Bad Lieutenant Never Cry Another Tear
Be Your Own Pet Be Your Own Pet
Beck Midnite Vultures
Beck Guero
Beck Modern Guilt
Ben Kweller On My Way
Ben Lee Ben Lee Sings Against Me! - New Wave
Ben Lee The Rebirth of Venus
Birds Of Tokyo Universes
Bjork Volta
Black Eyed Peas Elephunk
blink-182 Take Off Your Pants and Jacket
blink-182 Blink 182 Greatest Hits
blink-182 The Mark, Tom, And Travis Show
blink-182 Enema Of The State
Bloc Party Silent Alarm Remixed
Bob Dylan New Morning
Britney Spears Blackout
It's ironic that this album is my most enjoyed Britney Spears album and Britney herself is arguably the least important part of it. The production on the album is exceptional, the beats catchy and addictive, the choruses repetitive but effective. Even while we try to figure out just what "cold as fire, hot as ice" means. "Blackout" has already gone platinum here in Australia and will probably do so again. Are people buying this just because it's Britney (bitch)? Probably. If anyone else was in charge of this record, would it suck? Again, probably- but the point here is that Danja has climbed another rung of the ladder to becoming the next Timbaland, and if he keeps this quality work up then his rise shall be much, much quicker than usual.
Carra Borderline
Cassie Davis Differently
Children Collide The Long Now
Ciara Fantasy Ride
Circa Survive On Letting Go
Clap Your Hands Say Yeah Clap Your Hands Say Yeah
Closure in Moscow First Temple
Clutch Strange Cousins From The West
Coldplay A Rush Of Blood To The Head
Converge Axe To Fall
Cradle of Filth Lovecraft & Witch Hearts
Cradle of Filth Godspeed on the Devil's Thunder
Darkest Hour Undoing Ruin
Death Cab For Cutie You Can Play These Songs With Chords
Death Cab For Cutie The John Byrd EP
Deicide The Stench of Redemption
Glen Benton and his posse of grumpy devil-worshippers came back with a punch on this record, the first featuring their two new guitarists. The guitar work is exceptional, with riffs as hooky as death metal will get anytime soon and some blazing solos for good measure. Sure Benton hasn't changed his lyrical content since...well, ever- but it's still a solid release from a veteran metal band.
Dennis Wilson Pacific Ocean Blue
Devendra Banhart Nino Rojo
Dido Life For Rent
Dinosaur Jr. You're Living All Over Me
Dizzee Rascal Maths and English
Doves Some Cities
Doves Kingdom of Rust
Eagles Long Road Out Of Eden
Bad news first, I guess- the record could have easily been one disc and the bad songs here are really, really bad. A lot of the songwriting is either tacky or just plain obvious here, as well. But if you're an Eagles fan, this just doesn't matter, as the band have made a record faithful to their roots- still the same old fantastic harmonies, some good guitar work (it's Joe Walsh, people- you can't go wrong!) and a title track that can proudly be shelved alongside some of the other truly great Eagles songs of yesteryear.
Editors The Back Room
Eminem Relapse
Eminem Infinite
Eminem The Slim Shady EP
Empire Of The Sun Walking On A Dream
Enter Shikari Common Dreads
Eric's Trip Love Tara
Eskimo Joe A Song Is A City
Evol Intent Era of Diversion
Fall Out Boy Infinity On High
Fall Out Boy My Heart Will Always Be The B-Side...
Fall Out Boy Take This To Your Grave
Final Fantasy He Poos Clouds
Flight of the Conchords I Told You I Was Freaky
Foo Fighters One By One
Foo Fighters Echoes, Silence, Patience & Grace
The Fooeys, as they're affectionately known here in Australia, sucessfully bridged the gap of the heavy rock of their early records with the acoustic meanderings of In Your Honor. Top musicianship is especially present in Ballad Of The Beaconsfield Miners, with some hugely impressive guitar work in accompaniment with the gorgeous Kaki King. One can also count The Pretender and Let It Die as some of the strongest singles the band has ever released. Overall, this is a solid rock record that should not dissapoint any long-serving fans.
Franz Ferdinand You Could Have It So Much Better
fun. Aim and Ignite
Green Day Bullet in a Bible
Green Day Warning
Guy Sebastian Like It Like That
Gyroscope Sound Shattering Sound
Gyroscope Breed Obsession
Hawthorne Heights If Only You Were Lonely
You all know those five mopey kids who called out "cut my wrists and black my eyes". But what became of them after that? A few things- firstly, they learned how to create some great guitar pop songs. Secondly, they discovered the joys of melody and catchy hooks, improving drastically from their previous record. Lastly, they started enjoying themselves. Sure, the themes are similarly bleak, and they haven't become genius songwriters overnight. But the Hawthorne Heights that we find on this album are far smarter, far more skilled at their art and genuinely more exciting than before. And the beauty of this is the fact their best work is still ahead of them.
Hilltop Hoods The Hard Road
HORSE The Band Desperate Living
Hot Hot Heat Make up the Breakdown
I Heart Hiroshima The Rip
Incubus A Crow Left Of The Murder
Incubus Enjoy Incubus E.P
Jack Johnson On and On
James Blunt All the Lost Souls
Jay-Z American Gangster
Jet Get Born
Job for a Cowboy Genesis
John Lee Hooker Mr. Lucky
John Mayer Heavier Things
Julian Casablancas Phrazes for the Young
Kaiser Chiefs Yours Truly, Angry Mob
Katy Perry One Of The Boys (Platinum Australian Tour Edition)
Kelly Clarkson All I Ever Wanted
Killswitch Engage The End of Heartache
Lady Sovereign Public Warning
Lamb of God Wrath
Lenka Lenka
Lily Allen Alright, Still
Little Boots Hands
Manchester Orchestra I'm Like A Virgin Losing A Child
Marilyn Manson The Golden Age Of Grotesque
Matisyahu Youth
Maximo Park Quicken The Heart
Michael Jackson Number Ones
Moby Hotel
Mudvayne L.D. 50
Muse Black Holes and Revelations
Muse Absolution
N.E.R.D. Fly Or Die
Nas Untitled
Nine Inch Nails Ghosts I-IV
Nirvana Incesticide
Nizlopi Half These Songs Are About You
Norma Jean Redeemer
Off Minor Some Blood
Paolo Nutini Sunny Side Up
Paramore Brand New Eyes
Parkway Drive Horizons
Passion Pit Chunk of Change
Paul Kelly Songs From The South Volume 2
Paul McCartney Memory Almost Full
Pearl Jam Pearl Jam
Pearl Jam Backspacer
It'd be easy to just release lethargic, excuse-to-tour records for a band like Pearl Jam. But in my mind, this is a group that keeps on giving. This is every bit as gentle as it is rocking, as cynical as it is hopeful...a very balanced and focused album. Some are calling it their best since Yield. I'm not sure if I'd hand that to them just yet, but for what it's worth this is a great album.
Phantom Planet The Guest
Pixies Doolittle
PJ Harvey Rid Of Me
Horrible recording and production quality are the main detractor from the record. Whilst we currently face a loudness war, this record suffers its antithesis- you actually have to turn it up a great deal to hear anything. Having said that, there is some excellent, dirty blues to be found here once you have achieved the correct volume- the highlight, naturally, being the filthy "Fifty Foot Queenie". Predominanty a hardcore-fans-only affair, but the best thing to take from the record is that things only got better from here.
Placebo Sleeping With Ghosts
Plus 44 When Your Heart Stops Beating
Powderfinger Vulture Street
Protest the Hero Fortress
R.E.M. Murmur
R.E.M. New Adventures In Hi - Fi
Radiohead The Best of
Rage Against the Machine Renegades
Rammstein Reise, Reise
Ramones We're Outta Here
Red Hot Chili Peppers Freaky Styley
Rise Against The Unraveling
Saliva Back Into your System
Saliva Cinco Diablo
Saosin Saosin EP/Warped Tour EP
Saosin Come Close
Satyricon Now, Diabolical
Say Anything In Defense of the Genre
Scary Kids Scaring Kids The City Sleeps In Flames
Scum Gospels For The Sick
Serj Tankian Elect the Dead
Silverback Bigger Than Beijing EP
Silverchair The Best Of: Vol. 1
Simon and Garfunkel Wednesday Morning 3AM
Sloan Never Hear The End Of It
Snow Patrol Final Straw
Sonic Youth Dirty
Soundtrack Ghost World
Sparta Porcelain
Spice Girls Spiceworld
Spice Girls Spice
Spiderbait Tonight Alright
Staind Break the Cycle
Strung Out Exile In Oblivion
Switchfoot The Beautiful Letdown
Taking Back Sunday Louder Now
Tenacious D Tenacious D: The Pick of Destiny
The Beatles Anthology 1
The Beatles A Hard Day's Night
The Beatles Please Please Me
The Butterfly Effect Imago
The Cure Disintegration
The Fratellis Costello Music
The Offspring Conspiracy Of One
The Offspring The Offspring
The Presets Beams
The Rasmus Dead Letters
The Shins Wincing the Night Away
The Temper Trap Conditions
The Used Lies for the Liars
The View Which Bitch?
The Vines Winning Days
The White Stripes De Stijl
Tinted Windows Tinted Windows
Tokyo Police Club Elephant Shell
Trivium Shogun
TV on the Radio OK Calculator
TV on the Radio New Health Rock EP
Tzar Bomber Melt On Like This EP
U2 No Line On The Horizon
Underoath They're Only Chasing Safety
Van Halen Diver Down
Van She V
Walls of Jericho With Devils Amongst Us All
Women can be scary sometimes, but not even your manipulative ex can hold a candle to a woman brave enough to front a metal band. Whilst Candace Kucsulain doesn't have the borderline-demonic grit of Angela Gossow, she still commands with brutal, tirade-spouting vocals which are backed perfectly by howling guitars and unrelenting blasts of drums.
Of course, many of the breakdowns are ill-fitting, and their movement into ballad territory most probably should have been avoided. What's good on here, however, is simply exceptional. A diverse, unapologetic and apocalyptic release from a band that can only get better.
Weezer The Red Album
Wolfmother Wolfmother (US Version)
Yeah Yeah Yeahs Is Is [EP]
Yo La Tengo Popular Songs
You Am I #4 Record

3 good
50 Cent Get Rich or Die Tryin'
AFI Answer That And Stay Fashionable
AFI The Art of Drowning
Akercocke Words That Go Unspoken, Deeds That Go...
Andrew Bird Armchair Apocrypha
Architecture In Helsinki Places Like This
At the Drive-In El Gran Orgo
Augie March Strange Bird
August Burns Red Constellations
Avenged Sevenfold City of Evil
Avril Lavigne Under My Skin
Backstreet Boys Backstreet's Back
Beastie Boys To the 5 Boroughs
Bernard Fanning Tea & Sympathy
Beyonce B'Day
Bridezilla The First Dance
Circle Takes The Square As The Roots Undo
First things first- this is not a user friendly record. Chances are you'll be like myself and have an initial bad reaction to the album. Most, however, have gone on to speak godlike praises of it.
Certainly, there is evidence of a band with a lot of potential here- "An Interview At The Ruins" is a particularly great display of what the band can do, featuring emphatic guitar, loud erratic drums and unexpected shifts in tone. The build-ups, changes in tempo and sudden explosions of full-band accompaniment makes for very interesting listening, certainly assisting it in standing out amongst their contemporaries. It is a redundant argument to oppose the genuine passion that has gone into this release, as well- despite the awful mix and production, this is certainly a finished product constructed with a lot of heart.
With this in mind, there is still undoubtedly a lot here that simply does not work- "Same Shade As Concrete" is decidedly awful and unlistenable for the most part, and both "Kill The Switch" and "A Crater to Cough In" are ridiculously overlong and pointlessly stretched, despite having some interesting sections.
The vocalists, too, have much room for improvement- not even gargantuan truckloads of emotion can stop the screams from predominantly sounding thin, uncomfortable and ugly, occasionally spoiling the song.
Without a doubt, As The Roots Undo is NOT a classic, hyperbole-inducing release that many build it up to be. Having said that, it's not as awful as I once thought it to be.
City And Colour City and Colour LIVE
After witnessing Dallas Green in concert earlier in the year, both by himself and with Alexisonfire, I am more than aware of his amazing talents as both a vocalist and a guitarist. This is more than present here as he belts out the bulk of his album, Sometimes. As an overall performance, however, far too much time is spent on (very) small talk and tuning of his guitar. Also, the release of the product also feels like a bit of a cash cow. Still, for what's on offer here, it's not half bad.
Coldplay X&Y
Cradle of Filth Midian
Cut Copy In Ghost Colours
Cynic Focus
Daft Punk Human After All
Dash and Will Up in Something
Dimmu Borgir Stormblåst MMV
Dr. Dre 2001
DragonForce Inhuman Rampage
Eminem Encore
Eminem Eminem Presents: The Re-Up
Evanescence The Open Door
Evermore Truth of the World: Welcome to the Show
Ezekiel Ox Winter In Suburbia
Five 5ive
Foo Fighters There Is Nothing Left To Lose
From First to Last From First To Last
Grinspoon Alibis & Other Lies
Gwen Stefani The Sweet Escape
Hot Hot Heat Elevator
I Killed The Prom Queen Music for the Recently Deceased
Incubus Fungus Amongus
Incubus Light Grenades
Incubus When Incubus Attacks, Vol. I
Jack Johnson Sing-A-Longs and Lullabies for Curious George
Jack Johnson In Between Dreams
Jay-Z The Blueprint 3
Jonsi and Alex Riceboy Sleeps
Justin Timberlake Justified
Katy Perry One of the Boys
You can get angry at this record all you like. And rightly so- the Avril tomboy antics of "One of the Boys", the whiny and immature "Ur So Gay" and the lame man-hating "Mannequin" are all bland, strained in its attempts to be unique and generally irritating. At times, I'd even give this record less than one star. But, then, it happens: the "Rock and Roll Part 2" drums kick in, the swinging guitars and stomping bass follows..."I Kissed A Girl" is the synth-pop hit of the year, regardless of what interpretation one makes of the song's lyrics. With singles like this, along with her drop-dead-gorgeous looks and musical ability, One of the Boys certainly shows plenty of potential. Here's hoping...
Kelly Clarkson Breakaway
Leonard Cohen Various Positions
Les Claypool Of Fungi and Foe
Limp Bizkit Chocolate Starfish...
Linkin Park Meteora
Linkin Park/Jay Z Collision Course (The Ulitmate Mash-Up)
I ordered a frappucino! Where's my fucking frappucino?
Matt and Kim Grand
Mindless Self Indulgence If
Murderdolls Beyond The Valley Of The Murderdolls
Neil Young Fork In The Road
Nickelback Silver Side Up
No Age Nouns
It's a very noisy, very lo-fi record. You could honestly just leave it there; the main issue to be had with Nouns is its distinct lack of highlights and continuous struggle to evidence truly quality songsmanship. When a good tune emerges out of the distortion, however rare it may be, one begins to get a better comprehension of just why people enjoy this band so much. Mostly, however, Nouns leaves you in the dark in terms of the band's critical success. It's just noisy lo-fi.
P.O.D. Satellite
Papa Roach The Paramour Sessions
Pearl Jam Riot Act
Pendulum Hold Your Colour
Pink M!ssundaztood
Placebo Meds
Powderfinger Dream Days At The Hotel Existence
Puddle Of Mudd Come Clean
Puscifer V Is For Vagina
R.E.M. Around The Sun
Radiohead Hail To The Thief
Rammstein Live aus Berlin
Ramones It's Alive!
Red Hot Chili Peppers The Red Hot Chili Peppers
Regurgitator Mish Mash!
Rise Against Appeal To Reason
Scissor Sisters Ta-Dah
Seether Finding Beauty in Negative Spaces
The South African nu-metallers ride again. Ho hum.
It was going to be a real task bettering the excellent Karma and Effect- quite evidently one that the band could not do. The solution was certainly not attempting to recreate the record in a half-baked and uninspired way, as the bulk of this record is. They were certainly on the right track with the sensational single "Fake It" and the thundering jam of "No Jesus Christ", however.
Better luck next time.
Sex Pistols Never Mind the Bollocks, Here's The Sex
Sparta Wiretap Scars
Sugar Army The Parallels Amongst Ourselves
Sum 41 Does This Look Infected
Switchfoot Oh! (EP)
System of a Down Hypnotize
T-Pain Thr33 Ringz
t.A.T.u. 200 km/H In The Wrong Lane
Taylor Swift Fearless
The Academy Is... Almost Here
The Academy Is... Santi
The Butterfly Effect Final Conversation of Kings
The Carnage Visors Midnight Curfew [EP]
The Cat Empire Two Shoes
The Fratellis Here We Stand
The Horrors Strange House
The Living End Roll On
The Mars Volta Scab Dates [Live]
The National Alligator
The Offspring Splinter
The Rasmus Hide from the Sun
The Starting Line Direction
The Thrills Teenager
Irish quintet The Thrills have brought out their third album quietly and with little promotion. While there are some fantastic tunes on here, and Connor Deasy still knows how to write and sing a good tune, you can't help but feel that something is missing in this album. The band seem out of inspiration at times, and a little tired. Give this album a go, by all means, but for the most part it's fans only.
The Used In Love and Death
The Vines Vision Valley
The White Stripes Icky Thump
The White Stripes The White Stripes
Thursday Common Existence
Tom Morello: The Nightwatchman One Man Revolution
Trivium The Crusade
U2 U218 Singles + DVD
Usher Here I Stand
Weezer Green Album
WWE Forceable Entry
You Am I Convicts

2.5 average
AC/DC The Razor's Edge
Atreyu The Curse
Augie March Moo, You Bloody Choir
Beastie Boys Solid Gold Hits
Ben Kweller Ben Kweller
So Ben Kweller has made himself a record all by himself, playing all the instruments. This is all well and good, but here's the problem- nearly half the tracks here are just...dull. There's no life, no spiteful energy that charged his earlier records- just some cruisy old-time pop music. There are some lovely tunes here- Sundress and Nothing Happening are highlights- and closing track "This Is War" brings the record a jolt of electricity. But ultimately, Kweller plays it too safe, and too many niceties have made for his worst album. Sorry, Ben. Better luck next time!
Beyonce I Am... Sasha Fierce
Black Eyed Peas Monkey Business
Black Kids Partie Traumatic
British India Guillotine
Christina Aguilera Stripped
Darkest Hour The Eternal Return
Disturbed Indestructible
DragonForce Sonic Firestorm
Eagles Very Best Of
There's no denying the impact the Eagles have had on rock music, particularly throughout the seventies with classic records like Desperado and the brilliant Hotel California. There's also no denying that the classic rock radio staples that are their singles collection is also fairly impressive.
So why, pray tell, do we need "all the hits" repackaged for us once again? Other Eagles compilations are far more detailed, and often with a better song selection. This, however, is a hugely predictable affair, badly tracklisted and ignoring some of the lesser commercial successes (but genuinely better songs). If you're after a real Eagles collection, you cannot go past the 2003 double disc "The Very Best of The Eagles" anthology. This, however, is best left on the shelf for completists and those who aren't sure where to start with the band (for the record, it's got to be Hotel California).
Eiffel 65 Europop
Eric Clapton Clapton Chronicles: The Best of Eric Clapton
Fall Out Boy Fall Out Boy's Evening Out With Your Girlfriend
G-Unit Beg For Mercy
Good Charlotte The Young And The Hopeless
Green Day 21st Century Breakdown
Hawthorne Heights The Silence In Black And White
Interpol Our Love To Admire
James Blunt Back To Bedlam
Kaiser Chiefs Off With Their Heads
Killswitch Engage Killswitch Engage [II]
Little Birdy Confetti
Marilyn Manson Eat Me, Drink Me
Metallica St. Anger
Moby Wait for Me
Muse The Resistance
MMMMYEAHHH WE'RE IN A WARRRR AND THEYYYY WON'TTT WINNNN BECAUSEE I'M A WIZZZARDDD AND I'M IN LOOOOOVE AND LOOOOOVE CONQUERS ALLLL SO LET'S FIIIIIIIIIIGHTTTT MMMMYEAHHHH fin.
My Chemical Romance I Brought You My Bullets, You Brought...
Neil Young Everybody's Rockin'
Nelly Furtado Mi Plan
Nickelback All the Right Reasons
The infamous Canadians were battling slightly poorer sales after the dismal Silver Side Up sequel, The Long Road. Within a few hit singles from this record, however, the band were right back on track as soulless stadium fillers. Sure, the production is tight as ever, it's a complete improvement from The Long Road and it even features some of the band's best songs ("If Everyone Cared", "Savin' Me"). Having said that, there's still not nearly enough on this record that makes it worth a start-to-finish listen: "Animals" is laughably un-subtle, "Far Away" is thickly layered with cheese and the irony of "Rockstar" is completely lost when you think that Chad Kroger most probably does all the things he mentions in the song. Keep a few songs for your guilty pleasures iTunes playlist, but the rest is not worth your time.
Oasis Don't Believe The Truth
Powderfinger Golden Rule
Queen and Paul Rodgers The Cosmos Rocks
Rammstein Rosenrot
Rihanna A Girl Like Me
Robbie Williams Greatest Hits
Sam Sparro Sam Sparro
Scars on Broadway Scars On Broadway
Soundtrack Moulin Rouge! - Music From Baz Luhrmann's Film
Switchfoot Oh! Gravity.
An unfortunately huge dissapointment given the top quality record that was Nothing Is Sound. The band sound tired and out of ideas, and only a few songs actually go anywhere. The track "Circles" describes more than it means to with its chorus: "Spinning...in circles...in circles...in circles".
Taking Back Sunday New Again
Taking Back Sunday aren't new again. New implies freshness, uniqueness, originality. Practically everything that New Again is not - despite a catchy hook or two thrown in every now and then, Adam Lazzara and co. sound tired, almost lethargic - a shadow of their former selves; a rock band capable of pop perfection. For the diehard fans of the band only, this album shall most probably be perceived retrospectively as another nail in the Taking Back Sunday coffin.
The Answer Everyday Demons
The Flaming Lips At War With The Mystics
The Hold Steady Stay Positive
The Veronicas Hook Me Up
The Wiggles Yummy Yummy
Three Days Grace One-X
Underoath 777 (DVD)
Weezer Raditude

2 poor
AC/DC Stiff Upper Lip
All Time Low So Wrong, It's Right
One thing I cannot comprehend is the success of so many pop punk bands that have follow the exact same formula. Such a band is All Time Low. Given, you can sing along happily to the chorus of Six Feet Under The Stars, and the band have a little more heart than, say, Cute is What We Aim For. But catchiness alone cannot save an entire record of the same kind of song; and having more heart than CIWWAF isn't exactly a huge feat. Perhaps when they've cut their teeth a little more over the course of a bit more touring and recording, we'll see All Time Low reach higher potential. Until then, we're stuck with this dross. Ho hum.
All-American Rejects When the World Comes Down
Atreyu Suicide Notes And Butterfly Kisses
Atreyu Best of Atreyu
Audioslave Revelations
You could go on about how soulless and hollow Revelations sounds. You could rant about how bored Morello sounds with sports-montage guitar rock, how tired and forced Cornell sounds in his vocal delivery and the dire attempts at stadium rock (only coming slightly close with "Original Fire" and the title track). But really, everything about this record, as we would eventually find out, can be summed up with one song title: Nothing Left To Say But Goodbye.
Thanks for the memories, Audioslave. Now let's just forget this ever happened.
Ben Folds Way To Normal
Ben Lee Ripe
Congrats, Mr. Lee- you have officially taken out the title of The Biggest Dissapointment of The Year. The songs have become bland, the lyrics uninspired and starkly in contrast to his former records, and not even a couple of good singles (Love Me Like The World Is Ending and Numb) can save this. It's a step backwards from the already mainstream-leaning Awake Is The New Sleep when it could have been something so great in terms of pop music. I usually hate elitists who only like the "old school" music- but in this case, I am more than happy to make an exception. Oh, to think I used to hold you in such high regard...
Carpathian Isolation
Christina Aguilera Christina Aguilera
Circa Survive Juturna
Disturbed The Sickness
This album is fairly generic, looking at it now. But when it first came out, as a kid I loved it; especially "Down With The Sickness".
Their lead singer still has a good voice on him, and the cover of "Shout" is excellent.
DragonForce Ultra Beatdown
Eskimo Joe Inshalla
Evermore Dreams
Good Charlotte Good Charlotte
Harvey Milk Life... The Best Game in Town
Hawthorne Heights Fragile Future
House Vs. Hurricane Forfeiture
Kram Mix Tape
Lady Sovereign Jigsaw
Mika Life in Cartoon Motion
Miley Cyrus Breakout
Nickelback The Long Road
Nine Black Alps Love/Hate
Outkast Idlewild
P.O.D. Payable on Death
Pendulum In Silico
Rick Astley Whenever You Need Somebody
Robbie Williams Sing When You're Winning
Saosin Translating The Name (Death Do Us Part)
Secret And Whisper Great White Whale
Set Your Goals Mutiny!
There was hype and worship behind THIS? Sure, they're unique in the fact they have two vocalists- but this is quickly discarded when the only time you can tell the two apart is when they speak on the title track. Without direction (do they want to be pop-punk? Rock? Punk rock? Hardcore?), without any real talent at their instruments (typical guitar, inaudible bass, typical 4/4 rawk beats) and without anything relevant to say, Set Your Goals really need to do just that. And this time, achieve them.
Spice Girls Forever
The Used Artwork
The Veronicas The Secret Life Of...

1.5 very poor
Airbourne Runnin' Wild
Avril Lavigne The Best Damn Thing
Behind Crimson Eyes A Revelation For Despair
Few records give out an immediately negative response. But upon hearing this album, the first words I said? "Are you fucking serious?".
To put it lightly, this band is a joke- everything from the black-clad desperate fashion to the hugely irritating vocals. Even when they try and get quasi-political on "The Bonesman", it again results in the band embarrassing themselves. A very poor release from five sadly-potential-filled young men with dollar signs in their eyes.
Billy Talent Billy Talent III
Problem: Have made two respectable, catchy, well-produced and very energetic pop-punk records with a rock edge.
Solution: Make a third that completely drains all life and energy out of the music that made you popular to begin with.
Bon Jovi Crossroad
Boys Like Girls Boys Like Girls
British India Thieves
Bullet For My Valentine The Poison-Live At Brixton Academy (DVD)
From the opening shots of the plethora of black-clad scenesters, we know we're in for something terrible. As the four members of Bullet for my Valentine take the stage, this is only confirmed even more. Like a poor man's Trivium, they generically "rock" the crowd, "shred" on their guitars and "thrash" like only a metalcore-by-numbers band can. Matt Tuck howls excitedly throughout, overwhelmed that people actually enjoy this t(h)rash- hell, I'm amazed myself.
Def Leppard Hysteria
Eric Hutchinson Sounds Like This
Escape the Fate This War Is Ours
Evermore Real Life
Five Invincible
Good Charlotte The Chronicles of Life and Death
INXS Switch
Jason Mraz We Sing, We Dance, We Steal Things
Jenny Wilson Hardships!
Jonas Brothers Lines, Vines and Trying Times
Marilyn Manson The High End of Low
Metro Station Metro Station
OneRepublic Dreaming Out Loud
Puddle Of Mudd Famous
Robbie Williams Swing When You're Winning
Saliva Survival of the Sickest
AHHM A ROLLAH AHHM A RIDAHHH A NUMBAHH ONEE MUTHHA FUKKN SURVIVAAHHHH YEHYEHYEHHHHHHHHHH
Enjoy that? No?
Then don't get this album.
Soulja Boy Souljaboytellem.com

1 awful
AC/DC Black Ice
Black ice is ice frozen without many air bubbles trapped inside, making it transparent. Black ice takes the color of the material it lies on top of, often wet asphalt or a darkened pond. Its difficult-to-detect nature makes it a significant hazard to drivers, pedestrians, and sailors.
Anyway, album sucks.
Aiden Nightmare Anatomy
Billy Ray Cyrus Some Gave All
Christina Aguilera My Kind of Christmas
Cute Is What We Aim For Same Old Blood Rush With A New Touch
Why, oh why, does this band exist? Surely the latest in a long line of clean-cut and positive-thinking pop-punk kids could have simply admired the work of their superiors (The Starting Line, Motion City Soundtrack, Fall Out Boy) from afar without feeling the need to pick up some instruments and veinly attempting to mimick them.
Everything about this band, you've heard and scene (pun intended) elsewhere. Whiny, incessant and repetitive vocals? Check. Lame song titles? Check. Unexciting and uninspired guitar? Check. Practically inaubible basslines that are most probably following the guitar? Check. You get the idea.
If you're looking for an inoffensive guitar pop singalong, then you're on the ball. For the rest of us, it's just the first two words of the album title, over and over and over.
Escape the Fate Dying Is Your Latest Fashion
From First to Last Heroine
Good Charlotte Good Morning Revival
Goodnight Nurse Always and Never
High School Musical High School Musical
High School Musical High School Musical 2
Hillsong United United we Stand
Kasabian Empire
Whilst this gang of trendy British geezers were never creating anything excellent in their early input, there were still a couple of catchy tracks here and there. Not so here - Kasabian has devolved into self-centred, plodding yeah-yeah-rock-n-roll. If the appalling title track doesn't deter you completely, try experiencing Shoot the Runner when you're not smashed in an indie nightclub. Pass.
Liars Drum's Not Dead
Half-baked ideas from a completely baked trio of droning, incoherent stoner hipsters. If you shed the New York "cool" image and focus on the songs themselves, you'll be left with nothing but boredom and quite possibly a strong migraine. This doesn't even have anything to do with the fact the main bastard used to date Karen O - it's just poorly arranged drivel; almost anti-music. Pass.
Lordi The Arockalypse
Hands down, this is one of the most embarrassing pieces of music ever recorded in history. If I personally had any part to do with the writing, recording, production, mastering, manufacturing or subsequent commercial release of this album, I would kill myself. No two ways about it.
Robbie Williams Rudebox
Rogue Traders Here Come The Drums
Saliva Blood Stained Love Story
I envy the man who makes it through this record start to finish more than twice. Given this band were responsible for the excellent Back Into Your System, it's almost depressing to see that this is what they spiralled into. Absolutely everything on this album has been done better, catchier and more efficiently- not just by other bands, but by Saliva themselves. Hearing Josey Scott drawl about how he's "The black sheep of the family" insinuates here that the rest of his family actually know how to write interesting songs.
Short Stack Stack is the New Black
With thick fringes and little girls' clothing, this trio from coastal New South Wales, Australia, give off a pretty good idea of what they do from their aesthetic get-go. However, things get far worse from this point. The greatest challenge the listeners of Stack is the New Black face is surviving for longer than ninety seconds on each song. You have been warned.
Simple Plan No Helmets, No Pads... Just Balls
Simple Plan Still Not Getting Any...
Story of the Year Page Avenue
Story of the Year are the musical equivalent of a brick wall. Lumbering, dull and often unnecessary, they will never serve any greater purpose - no matter how many kids graffiti upon it. Page Avenue epitomizes exactly why this band are awful - amateurish songwriting, uninspired riffing, whining vocals and the most cliched lyrics you'll find this side of a burning city for your heart.
Not recommended for persons over fifteen years.
The Audition Self-Titled Album
The Fray The Fray
To truly appreciate the lifelessness of this record, get yourself a copy. Then, buy a bucket of paint and a brush.
Find something to paint. Once you're done, put on the CD.
See where you last longer - watching and waiting for the paint to dry, or listening to The Fray.
The Galvatrons Laser Graffiti
On the level with Short Stack as being one of the worst acts Australia has produced this century, this retro-mongling gang of arsewipe poseurs put together shitty pop hooks with Van Halen-lite riffage with laughable results. Perhaps if more time was spent actually focusing on creating real music than clenching their fists and thrusting in the name of RAWK N ROLLLLLL there might be a chance for the Galvatrons.
Shyeah, and monkeys might fly out of my butt.

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