Reviews 16
Approval 99%

Soundoffs 82
Album Ratings 450
Objectivity 67%

Last Active 01-25-15 1:00 am
Joined 06-28-13

Forum Posts 13
Review Comments 403

Average Rating: 3.75
Rating Variance: 0.57
Objectivity Score: 67%
(Fairly Balanced)


Sort by: Rating | Release Date | Rating Date | Name

5.0 classic
Aesop Rock Labor Days
Amebix Arise!
American Football American Football
American Football is what I like to call a "cult band", a band which is heavily influential to their respective genre despite only hanging around long enough to release one or two things. American Football undoubtedly had a huge influence on emo and math rock, and their self-titled proves why. From the unmistakeable classic opener known as "Never Meant", to the wonderfully written "Stay Home", American Football is an exercise in emotion and nostalgia. Even the two instrumental tracks, "You Know I Should Be Leaving Soon" and "The One With The Wurlitzer" are emotionally poignant, and that is without Mike Kinsella's angelical voice. The trademark twinkly guitar sound is likely the best we'll ever hear from any band, and the drumming is stellar as well as fun. For every time you have ever reminisced about your past, American Football has created the soundtrack, one that would serve to cement the legacy of the man (rather, the legend) himself, Mike Kinsella.
Atmosphere Overcast! EP
August Burns Red Messengers
August Burns Red Constellations
Here is where the Pennsylvania quintet really started to distance themselves from the rest of modern metalcore scene. While Messengers does have an extreme amount of sentimental value to me, Constellations is objectively a better album. The album does have the technical, fast-paced riffage that August Burns Red is known for with songs such as "Thirty and Seven", "The Escape Artist", and "Meddler", but where the album really shines is the experimentation. Songs like "White Washed" and "Marianas Trench" employ fantastic build-ups not usually seen in metalcore, while other songs have nice acoustic/ambient breaks that provide a rest from the hectic atmosphere. Where the experimentation really comes to a head is "Meridian", a chilling track bordering on post-metal. If there is a better mainstream modern metalcore album, I have yet to hear it.
Avenged Sevenfold Waking the Fallen
People throw the word "sell-out" around a lot these days, but most of that is bull. It's not selling out if the band makes some money and is played on the radio. Selling out is when a band changes their style to get more money and exposure. Before Avenged Sevenfold sold out (Which only worked on "City of Evil"), they made what has to be a metalcore classic. The atmosphere on it is so dark, sometimes in a depressing way ("I won't see you tonight Part 1"), or in an urgent and passionate way ("Second Heartbeat"). Jimmy Sullivan's drumming is fantastic, and the dueling guitars are excellent. Shadows' vocals are decent; singing clean is his strongest point. The songs seem to take on a life of their own in the bleak, black void that is the atmosphere. It's great, and looking at Avenged Sevenfold now, they needed this album.
Botch We Are the Romans
Botch American Nervoso
Burial Untrue
Charles Mingus The Black Saint and the Sinner Lady
Converge You Fail Me
I feel as if there is nothing left to say about Converge. Everything they've done has been documented, explained, reviewed, and loved to high heaven. So all I really have to say is this: I love Converge, and I love You Fail Me. When I listen to it I somehow feel any troubles I may have fade in to the background. And that, at least for me, is the purpose, the reason, the trophy, and the meaning.
Converge Jane Doe
Eminem The Marshall Mathers LP
Eminem The Slim Shady LP
I often ask myself, what tortures a man's soul so that he doesn't want to live? Whatever the reasons, in 1996, Marshall Mathers, an aspiring rapper from Detroit, attempted suicide. From the ashes of the failed attempt, another part of him was born, and he called it Slim Shady. Slim's sole reason for existing? To piss the world off and upset the order. We all know this now, but when this album came out, few had expected anything like it. The angry, tortured, frustrated, sad, and pretty funny songs that appear on this LP are nothing short than the raps of a man who, as one of the classics on the album states, "Just Don't Give A F***"
Explosions in the Sky The Earth is Not a Cold Dead Place
Explosions in the Sky Those Who Tell the Truth...
Since Godspeed was the first post rock band I ever listened to, I assumed other post rock bands would sound similar. They actually play a pretty strange style of post rock, now that I've listened to other bands. Explosions In The Sky, alternatively, are pretty straight-forward with what they do. Whereas Godspeed drops a bomb on you and burns the whole city down, Explosions In The Sky moves by like a forceful hurricane, and "Those Who Tell The Truth..." is a fantastic example of that.
Fleetwood Mac Rumours
Godspeed You! Black Emperor Lift Your Skinny Fists Like Antennas to Heaven
Everything that can be said about how incredible this album is has already be said, so anything from this point on is redundant. You know it, I know it, everyone knows it.
Godspeed You! Black Emperor F#A# (Infinity)
Godspeed You! Black Emperor Slow Riot For New Zero Kanada
Iced Earth Burnt Offerings
Kendrick Lamar good kid, m.A.A.d city
Compton, U.S.A made him an angel on angel's dust.
La Dispute Somewhere at the Bottom of the River...
Linkin Park Hybrid Theory
Lorde Pure Heroine
Neil Young After the Gold Rush
Neil Young Everybody Knows This Is Nowhere
Radiohead Kid A
I think that there isn't much left to say about Kid A. It's just amazing to me, even after hearing the greatness that is OK Computer, that Radiohead could make something equally as ambitious and interesting. Just those two albums alone contain 22 unforgettable songs. The 10 here are often seen as some of the bleakest written by the band, but underneath Kid A's cold exterior lies something truly hopeful and beautiful that never really gets to come out in full until "Motion Picture Soundtrack". I've heard a lot of people say that it grew on them, but this album clicked instantly for me. Kudos, Radiohead, for two unforgettable records.
Radiohead OK Computer
I was hearing this for the first time when LeBron James decided he'd come back to Cleveland. This album now holds a special place in my heart, 5'd so hard for every reason.
Red Hot Chili Peppers By the Way
The Dillinger Escape Plan Calculating Infinity
Good Lord... This album is twisted, unrelenting and punishingly heavy. Way ahead of it's time, a true classic.
The Pogues Rum Sodomy & the Lash
Thee Silver Mt. Zion Memorial Orchestra Born Into Trouble As the Sparks Fly Upward
I've always considered TSMZ to be GY!BE-lite, always sort of hanging in the shadows of a much larger project. While this is by no means a bad thing, it can cause struggles with a bands own identity. That is, if you don't make an ambitious, beautiful record such as this. The follow up to 2000's He Has Left Us Alone..., Born Into Trouble is exactly the type of record TSMZ needed to separate themselves from their parent band, and it is done expertly. This album can certainly get some tears out of the listener with songs like "Sisters! Brothers!..." and "Built Then Burnt", but it also has songs that display a sense of urgency, like "Take These Hands And Throw Them In The River" and "C'mon COME ON". The true highlight is "Could've Moved Mountains", which just may be one of greatest post-rock songs ever made. Though on the whole TSMZ tends to stay in the shadow of GY!BE, this album proves that they are most certainly their own band, and are capable of making fantastic records, too.
Thomas Newman Wall-E
Trophy Scars Darkness, Oh Hell
I feel like Trophy Scars' style of music should not work. A mixture of blues, punk, jazz, and small bits of post-hardcore doesn't really seem like it would sound that good. Yet, it does. I don't really even know why it works, it just does. Every piano note, every guitar lick, every pained lyric, and every throaty croon. And each song flows seamlessly into the next, like we're listening to one twenty-eight minute play. The fact that everything they've done since releasing Bad Luck has been this well-received is really impressive. I mean, it's hard enough to make four straight releases that are acclaimed, but the fact that they've done it using a style all their own is simply astonishing. However, this album is perfect. While Bad Luck suffered from some cringe-worthy lyrics here and there, and Holy Vacants had a few melodramatic moments, everything on Darkness, Oh Hell is done perfectly, down to the last detail. One hell of a release, indeed.
Weezer Weezer

4.5 superb
Wow, did this thing sneak up on me. I don't know why I put off listening to this, but I'm glad I finally did. This is the debut record from A/T/O/S, which stands for "A Taste Of Struggle". The way the group mixes trip-hop and R&B is basically perfect, and though it may run slightly long, this is definitely one of this years chillest releases. The closer, "Variations", could possibly be my favorite song from this year. "What I Need", "Roses", and "No Heart" are also incredibly dope tracks. The chilly atmosphere on here is pretty great too, accompanied by soulful vocals and melancholy lyrics. With a debut like this, A/T/O/S makes me very optimistic for what the future holds for them, and they are certainly a group that people should keep their eyes on.
Aerosmith Toys in the Attic
Aesop Rock Music For Earthworms
Aesop Rock Daylight
Aesop Rock is undoubtedly one of the kings of underground hip-hop, and possibly the biggest reason for that is because his lyricism is second to none. On this EP, Aes reworks his most famous song ("Daylight") on a track called "Night Light", spits wonders over an El-P produced track on "Nickel Plated Pockets", and even shares the spotlight with fellow rapper Blueprint on "Alchemy". But perhaps the greatest moment on this EP is one that isn't even included on the tracklist. A hidden track called "One Of Four" that ends the silence after "Maintenance" is easily Aes' most confessional and heartfelt song. It is a self-produced track that is dedicated to four people that saved his life during a time of depression. It is surely not as lyrical as other Aesop Rock songs, in fact likely being his least lyrical, but nowhere else do we find such a straightforward, personal, and emotional Ian Bavitz. This EP is a must-have for all of Aes' fans, and a rewarding listen for underground hip-hop lovers.
Anberlin Cities
Anberlin has always had a great reputation for being one of the more consistent alt-rock/pop-punk acts of this day and age. Their music is simple, but insanely fun and undeniably catchy. Nowhere is this more apparent than on their third record, Cities. The band gets off to a roaring start with "Godspeed", an absolute romp of a song that sets the tone of the record perfectly. The band tries their hand at some synths on this record, and they actually work very well, like on "Reclusion" and "Hello Alone". The vocalist, Stephen Christian, is at the top of his game here, both in the performance aspect and the lyrics department. The album is absolutely rife with infectious choruses, and they make the album as memorable as it is a good time. The highlight of the album are the two final tracks, "Dismantle. Repair.", and "(*Fin)", the latter of which is the best song Anberlin has ever written. Surely, if you love alternative rock with heavy pop sensibilities, you can never go wrong with Cities.
Arctic Monkeys Whatever People Say I Am, That's What...
It's hard to pin it down, but something about this album screams "nightlife" to me. Maybe it's the guy smoking on the album cover. Maybe it's the riff-driven fun packed in the tracks of this album, which seem as if they're being played inside a smoke-filled bar between drunken bouts. Either way, I'd love to listen to this thing on a night on the town.
Arctic Monkeys Favourite Worst Nightmare
Atmosphere Sad Clown Bad Dub II
August Burns Red Rescue and Restore
Blessthefall His Last Walk
Bob Marley and The Wailers Catch A Fire
Bob Marley and The Wailers The Wailing Wailers
Brian Eno Ambient 1: Music For Airports
Brian Eno Here Come the Warm Jets
Brian Eno, as we know him today, is one of the undisputed kings of electronic music. However, in 1974, it was a bit of a different story. Rather than making fantastic ambient electronic or art-pop, he was creating art-rock with glam rock sensibilities and a bit of an influence from synth-driven electronica. Almost every song on his debut album, Here Come The Warm Jets, is as catchy and as fun as they come. The lyrics on this record are very memorable, and Eno delivers them with an interesting inflection that makes the record sound very unique. The obvious highlight here is "Baby's On Fire", but "Cindy Tells Me", "Some Of Them Are Old", and the title track are also gems that can't be missed. Here Come The Warm Jets is unlike any other album Brian Eno has ever made, and in that regard, any fan of the man should listen to it without delay.
Burial Truant/Rough Sleeper
It speaks volumes about Burial that we expect nothing less than excellence from him every time we listen to one of his new cuts. Many believe that everything he's made is at worst very solid and at best otherworldly. On this EP, that sentiment does not change, and he delivers once again. "Truant" is a pretty sparse and atmospheric track, one that conjures up the feeling of the seedy London underground and its issues, something that Burial has always been able to provide with little trouble. It is messy without feeling completely disjointed, and it's clear a lot of ideas were explored in the creation of this track. "Rough Sleeper" is a bit of different territory for Burial, as there are certain segments during this track where the music is upbeat and hopeful. Overall, it carries a certain charm, with bells coming in that can remind one of a snowy, comfortable Christmas. It's actually pretty interesting to the see the contrast between these two styles put up against each other on a two-track EP. Surely, this is a record that you could show to anyone who wants to get into Burial, or atmospheric garage/dubstep in general.
Caravan In the Land of Grey and Pink
Caravan If I Could Do It All Over Again...
Celtic Frost Morbid Tales
Converge Petitioning the Empty Sky
D'Angelo Black Messiah
Famed neo-soul and R&B artist D'Angelo was beginning to become a bit of an afterthought for a lot of people during his fourteen-year-long hiatus. But, to those who love soul music and R&B, D'Angelo would remain in their hearts for decades. Now, things are starting to change. D'Angelo is now back on the forefront of soul/R&B, titillating dedicated fans, making former fans refocus, and making many new fans in the process. The reason for this refocusing is simple: Black Messiah is one smooth, soulful, and (for some) nostalgic record. From the opening spaceship-like noises on "Ain't That Easy" to the final piano strokes of "Another Life", Black Messiah showcases everything D'Angelo's about. From smooth bass lines, soulful singing, and lyrics that have just as much relevance today as they did when they were written, Black Messiah is a fantastic comeback album. If you're going to listen to one more record in 2014, make it this one.
Del tha Funkee Homosapien Both Sides of the Brain
Possessing an unmistakable voice and a penchant for lyricism, Del Tha Funkee Homosapien is one of the more prominent figures in underground hip-hop. His work with Deltron 3030 is seen as classic, and his debut record established him as a very capable rapper. Both Sides Of The Brain is arguably his best work, featuring his most recognized song in "If You Must", some songs dealing with personal addictions in "BM's" and "Skull & Crossbones", and his affront to "fake rappers", something that has always characterized Del. The production on this record is much more varied than on his previous albums, and the guest appearances on here are excellent as well. Though it drags slightly in the middle, Del manages to put his best foot forward on these tracks, and shouldn't come as a surprise that it ends being a great success.
diSEMBOWELMENT Transcendence into the Peripheral
DjRum Mountains
Earl Sweatshirt EARL
Earth Primitive and Deadly
Earth is considered one of the premier drone metal bands in existence, and with releases like Earth 2, it's easy to see why. While their early work was mainly droning with little percussion and no vocals, on Primitive And Deadly they change this. Cleaner sounding production, airy vocals and slow, methodical drumming combine with the droning riffage that Earth is known for to fantastic effect here. "Torn By The Fox Of The Crescent Moon" and "Even Hell Has Its Heroes" are two instrumental tracks that show a nice psychedelic rock influence. "From The Zodiacal Light" and "Rooks Across The Gate" show the vocal styling of Earth to be an excellent fit with the instrumentals established, and are as ethereal as they are heavy. Altogether, Earth has another excellent release under their belt, and prove that they certainly still have it.
Eminem The Eminem Show
Explosions in the Sky All of a Sudden, I Miss Everyone
I've always been a fan of how Explosions In The Sky do post-rock. While I do love the louder, dronier stuff like Godspeed, there's something to be said for the simple, yet effective way EITS play their music. Unfortunately, this also has garnered them some flak for having a been-there-done-that feel to their music on occasion. While that is true in the case of All Of A Sudden, I Miss Everyone, it never gets to the point where it will bother the listener. In fact, EITS add a different feeling to this record: darkness. This is evident even from the opening notes of "The Birth and Death of the Day". "It's Natural To Be Afraid" adds to this feeling, but it does have an uplifting crescendo the likes of which only EITS can create. "What Did You Go Home To?", with its melancholy piano, does a perfect job of setting up "Catastrophe and the Cure", which might just be the best song on the album, despite not being as dark as the rest of the album. A return to form from the disappointing The Rescue, EITS really deliver on this record, and no fan of post-rock should pass it up.
Fleetwood Mac Fleetwood Mac
Flying Lotus You're Dead!
Flying Lotus, also known as Flylo, has truly made a name for himself in the past eight years. His work, being of the experimental electronic and jazz fusion genres, have garnered a large amount of critical acclaim. In terms of the quality we all expect from him, he delivers once again on You're Dead! The production on this album is stunning, making use of so many different instruments and styles. For instance, on "Tesla", he makes use of very skilled bass, mixing it with xylophone and piano to create a great jazz fusion track. On "Cold Dead", the use of trumpet and electric guitar is seen along with piano. Elsewhere, we find very ethereal and euphoric tracks like "Coronus, The Terminator", "The Boys Who Died In Their Sleep", and "Obligatory Cadence" make this release as fun to listen to as it is ambitious. All I know is, if I'm really dead, at least I've got You're Dead!
Fort Minor The Rising Tied
Frank Ocean Channel Orange
Godspeed You! Black Emperor Yanqui U.X.O.
Gorillaz Demon Days
Green Day Dookie
Here Comes the Kraken Here Comes the Kraken
Horrorshow The Grey Space
Iced Earth Night of the Stormrider
Interpol Turn on the Bright Lights
James Horner Avatar
Johann Sebastian Bach Harpsichord Concerto in D minor BWV 1052
Johnny Cash American Recordings
Kendrick Lamar Section.80
Linkin Park Meteora
Manners Pale Blue Light
This album is one of the most depressing albums I've ever heard. The lyrics are heart-rending and the dissonant guitars are both haunting and sorrowful at the same time. The vocals sound as if the vocalist is pleading with every tormenter he's had to stop his torture. It's a true, soul-bearing melodic hardcore release, that succeeds in all it tries to accomplish. Listen here:
Marxman 33 Revolutions Per Minute
Mayday Parade A Lesson In Romantics
Michael Jackson Thriller
Neil Young Harvest
Neil Young On the Beach
Despite having great financial success with his 1972 album Harvest, Neil Young found himself depressed. One of his best friends, named Danny Whitten, had overdosed on heroin in 1972 after being fired from Young's band, Crazy Horse. And so, in 1974, when On The Beach was released, audiences were met with dreary production and a pessimistic Neil, in stark contrast to Harvest. Lyrically, Neil is at the top of his game, with the hopeful "Walk On" and political "Vampire Blues" as obvious examples. However, it is side B of the album, containing three of his best songs, lyrically and instrumentally, in "On The Beach", "Motion Pictures", and "Ambulance Blues" that cement this record as one of Neil's best. For Neil, this is the fourth record in a row, chronologically speaking I might add, that has been hailed as a classic by critics around the world, something as challenging as it is impressive.
New Order Movement
New Order Blue Monday
There really isn't much left to say about "Blue Monday". It's just one of the greatest dance tracks ever made, no question. It's importance cannot be understated either, as it is often seen as one of the strongest links between the disco of the seventies and the dance/house music that permeated the late eighties. The B-side remix known as "The Beach" is really cool as well, but nothing can compare to the greatness of the original.
Nujabes Metaphorical Music
Oasis (What's the Story) Morning Glory?
Oasis Definitely Maybe
Opeth Still Life
Paramore Riot!
Paramore Brand New Eyes
Pixies Doolittle
Pixies are a band that I had a hard time getting into at first. Surfer Rosa had some of the greatest material ever written in alternative rock, but felt a bit jumbled and messy to me. After getting used to them, I realized how much genius really went in to the Pixies music. Nowhere is this better exemplified than in their magnum opus Doolittle. They turn in their most coherent work here, but also their funnest and most memorable. Songs like "Here Comes Your Man", "Monkey Gone To Heaven", and "No. 13 Baby" are catchy and brilliantly written. Even the shorter songs, which for me were Surfer Rosa's weakness, are much improved this time around with songs like "Mr. Grieves", "There Goes My Gun", and "Crackity Jones". Altogether, Doolittle is a cornerstone of alternative rock that every fan of the genre must have.
Protest the Hero Kezia
Protest the Hero A Calculated Use of Sound
Radiohead The Bends
Red Hot Chili Peppers Blood Sugar Sex Magik
Sadistik Ultraviolet
Social Distortion Social Distortion
Soundtrack (Film) O Brother, Where Art Thou?
System of a Down Toxicity
The Black Crowes Shake Your Money Maker
The Black Keys Rubber Factory
The Dillinger Escape Plan Ire Works
The Dillinger Escape Plan Option Paralysis
Whereas TDEP peaked in intensity on their sonically insane debut Calculating Infinity, they have peaked in creativity on their fourth full-length album, Option Paralysis. Whereas the former of those two can be described as chaos, the latter can more accurately be described as organized chaos. For while their debut was certainly innovative, that innovation took a backseat to the sheer intensity of the record. Here, the intensity is still very much alive, but the spotlight is on the innovation this time around. And with such songs as "Farewell, Mona Lisa", "Gold Teeth On A Bum", and "Widower", it's very easy to see why. This album often feels like a more realized version of Miss Machine, which can only be a good thing in this case. With this release, The Dillinger Escape Plan has certainly cemented themselves as one of the most unique, creative, and interesting bands in the world today.
The Faceless Planetary Duality
The Hotelier Home, Like NoPlace Is There
The Jimi Hendrix Experience Electric Ladyland
The Jimi Hendrix Experience Are You Experienced
The Prodigy Music for the Jilted Generation
The Prodigy Experience
The Sisters of Mercy First and Last and Always
The Strokes Is This It
The War on Drugs Lost in the Dream
My vote made this go from a 4 to a 4.1. Thank me later, Adam Granduciel.
Thee Silver Mt. Zion Memorial Orchestra He Has Left Us Alone But Shafts of Light Sometimes Grace the Corner of Our
Thomas Newman Finding Nemo Soundtrack
Tiny Moving Parts Pleasant Living
One of the best emo/math rock combinations ever put to wax. How has no one 5'd this yet?

EDIT: Well, after repeated listens this has grown off a little bit, but it's still AOTY for me.
Trophy Scars Bad Luck
Trophy Scars Holy Vacants
Weezer Pinkerton
Winter Into Darkness
Wire Pink Flag
Wolves in the Throne Room Celestite

4.0 excellent
A Day to Remember For Those Who Have Heart
A Tribe Called Quest People's Instinctive Travels & The Paths of Rhythm
Aerosmith Rocks
Aerosmith Get Your Wings
Aesop Rock Float
Aesop Rock Appleseed
Why is this record not noticed? Aesop Rock is too dope!
American Football American Football EP
Arctic Monkeys Humbug
Arsonists Get All the Girls Portals
August Burns Red Thrill Seeker
Autechre Garbage
Avenged Sevenfold City of Evil
Baths Cerulean
Will Wiesenfeld has always had a soft spot for his home. Even his stage name is derived from his love of relaxing in his home bathtub. His debut was recorded over a period of two months in 2010 in the bedroom of his house. What came from this is an interesting take on electronic music that features influences from experimental electronic, downtempo, and even small doses of glitch. His chops with faster paced songs are seen on tracks like "Apologetic Shoulder Blades", "Indoorsy", and "Plea", but he is also crafty with the slower songs as seen on "Rain Smell" and "Departure". However, "Maximalist" is the true highlight of this album, combining great atmosphere and skippy samples to create a very fun song. Some of the samples may get a small bit irritating after a while, and a couple of the slower songs overstay their welcome, but this accounts for only a couple songs off the record. All in all, a debut that shouldn't be overlooked by electronic music fans.
Between the Buried and Me The Silent Circus
BTBAM has always been a polarizing band among fans of metal in general. I've never really understood why that is. Sure, Tommy Rogers isn't exactly the most talented vocalist, and there certainly is some guitar wankery, but "faux prog"? Hardly. Taking what made their debut an interesting listen and expanding on it, The Silent Circus is a much more tight, focused, and fun BTBAM. "Camilla Rhodes" and "Mordecai" form a massive one-two punch of progressive metalcore, while the ambient "Reaction" is a nice break from the relentless action. "Ad A Dglgmut" fires the engines right back up from a relatively dull acoustic piece, and "Aesthetic" is quite possibly one of the funnest songs the band have ever made. The lyrics here are pretty interesting as well. Just to list a couple of examples, "Aesthetic" deals with the last moments of the RMS Titanic, and "Mordecai" tells the story of a desensitized man reconnecting with human emotion. Though they'd go on to do bigger and better things, The Silent Circus is an important album in BTBAM's history, and is a great listen even today.
Between the Buried and Me The Parallax: Hypersleep Dialogues
Bob Marley and The Wailers Soul Revolution
Bob Marley and The Wailers Burnin'
Before The Wailers became Bob Marley & The Wailers after founding members Peter Tosh and Bunny Wailer took off for solo careers, they released a sort of last hurrah in the form of 1973's Burnin'. While previous releases focused mainly on laid-back themes, much of what is contained on Burnin' is a call to action. With songs like "Get Up, Stand Up", and a cover of Eric Clapton's "I Shot The Sheriff", the album has a more revolutionary feel than previous albums. Still, songs like "Pass It On" still show the peace-loving, dope-smoking side to The Wailers we all know and love. Some of the best songs they've ever written also appear on the album in the form of "Hallelujah Time" and "Burnin' And Lootin'". Don't pass it up if you're a fan of The Wailers and reggae in general.
Botch An Anthology of Dead Ends
Burial Burial
Burial Street Halo
Cage The Elephant Melophobia
Chevelle Point #1
Chevelle have always been known for their soft-loud dynamics, which has often garnered them comparisons to alternative metal giants Tool and Deftones in this regard. Their humble, yet very solid beginnings are seen here on the Steve Albini produced Point #1, coming on to the scene with a bang. The best work on this record is an exercise in soft-loud dynamics, with "Point #1", "Dos", and "Long" providing excellent examples. They even manage to get some catchy riffing in on "Mia" and "Peer". The louder songs on the record sometimes overstay their welcome, but they are still decent enough to warrant a listen. Though their debut wasn't a commercial success, it did well critically, and is a great starting point for anyone wishing to get into Chevelle's discography.
City and Colour Sometimes
City and Colour Bring Me Your Love
City and Colour Little Hell
Cloakroom Further Out
Cloud Nothings Attack on Memory
Code Orange Cycles
Converge When Forever Comes Crashing
Death Scream Bloody Gore
Death Grips The Powers That B - Part I: Niggas on the Moon
Death Grips Fashion Week (Instrumentals)
I mean yeah Runway E is pretty good, but Runway E is easily the best here. EDIT: After a few listens, it appears to me that this is Death Grips' most accessible release. That is majorly due to the absence of MC Ride, but a few of the beats on here seem a slight bit more accessible than the ones they've done in the past. Take the second "Runway H" and it's oddly upbeat guitar riff for instance. Also, a couple of rtracks on here have a bit of a vaporwave influence. It's not much, but it's noticeable. The rumors are that this is supposed to be the soundtrack to Zach Hill's movie. That movie is going to be an absolute trip if that is truly the case.
Del tha Funkee Homosapien I Wish My Brother George Was Here
Domo Genesis No Idols
Earl Sweatshirt Doris
Earth Earth 2
Earth Extra-Capsular Extraction
Eminem The Slim Shady EP
Enigma MCMXC a.D.
Explosions in the Sky How Strange, Innocence
Fela Kuti Confusion
Frank Ocean Nostalgia, Ultra
From A Second Story Window Not One Word Has Been Omitted
Godspeed You! Black Emperor 'Allelujah! Don't Bend! Ascend!
Gorillaz Gorillaz
Gorillaz Plastic Beach
Have a Nice Life The Unnatural World
Hiatus Kaiyote By Fire
Hiatus Kaiyote is a neo-soul quartet that makes some sublime stuff. If you want to see for yourself what they're all about, then this EP is the perfect thing. The title track is absolutely rife with interesting vocal/synth harmonies, fun drumming, and Nai Palm's wonderful, soulful singing chops. The final track, "Molasses", is a bit slower than the title track, but it is the catchiest song on the record, Palm's vocals are at their best, and the bass makes a more pronounced appearance as well. The song ends with the drums kicking it into high gear, and Palm repeating "Might not get any better..." before a final refrain of the second verse. It's a great showcase of the skills Hiatus Kaiyote possess, and it would be a mistake not to hear it.
Iced Earth The Dark Saga
Iced Earth Something Wicked This Way Comes
About three years removed from their lethal thrash/power metal magnum opus Burnt Offerings, Iced Earth was at an impasse. The direction they went in on 1996's The Dark Saga was to ditch most of the thrash metal and focus on the power metal sound they would soon become known for. The move received mixed reactions, even though The Dark Saga was received decently. On 1998's Something Wicked This Way Comes, they harken back a bit to the older, thrashier days, and to great effect. The three-headed monster that ends the album; "Prophecy", "Born Of The Wicked", and "The Coming Curse" is an obvious highlight, but slower songs like the heartfelt "Watching Over Me" get the job done as well, showcasing that Iced Earth can play all of their styles with professional level skill.
Into the Moat Means By Which The End Is Justified
Jamiroquai Emergency on Planet Earth
John Murphy 28 Days Later Soundtrack
John Williams Saving Private Ryan
Joyce Manor Never Hungover Again
Joyce Manor's new record is pretty much what you would expect from them, just better. They definitely change up their style more often on this record, and though the record is pretty short at 19 minutes long, it is still a satisfying listen. The first four songs on the album are some of the best tracks Joyce Manor has ever written, along with "In The Army Now". Not one song overstays its welcome on this album, and all the ideas presented run their course with smooth quickness. Along with the personal and relatable lyrics, this record is surely one that shouldn't be overlooked this year, and is certainly a worthy addition to Joyce Manor's discography.
Justin Timberlake FutureSex/LoveSounds
Kendrick Lamar Kendrick Lamar
Kraftwerk Autobahn
La Dispute Rooms of the House
Lantlos Melting Sun
Led Zeppelin Led Zeppelin
Macklemore and Ryan Lewis VS.
Macklemore and Ryan Lewis The Heist
Marvin Gaye What's Going On
Miss May I Apologies Are for the Weak
New Order Low-Life
Norma Jean O' God The Aftermath
Of Monsters and Men My Head is an Animal
Opeth Morningrise
Opeth My Arms, Your Hearse
Phantogram Nightlife
Pomegranate Tiger Entities
Protest the Hero Volition
Protest The Hero have always been known for their ability to play their respective instruments at a ridiculous level, even at the young age of sixteen. Whereas when they started, it seemed they always had some sort of political message behind their music, they gradually drifted away from that, in the process losing some of the magic that had captivated listeners on Kezia. 2011's Scurrilous was an admittedly fun record, but it left a lot to be desired. Now, with 2013's Volition, they are still sweeping-picking and shredding away, but this time more urgency and maturity. Walker's vocals have improved, evident even from the first lines of "Clarity". While a bit on the inconsistent side, Volition has some of the best songs Protest The Hero have ever made ("Mist", "Plato's Tripartite", "Skies"), proving that even after eleven years, Protest The Hero still have it, and are still relatively young to boot.
Radiohead Street Spirit (Fade Out)
Rasputina Oh Perilous World
Red Hot Chili Peppers Californication
Rogue Wave Descended Like Vultures
Rogue Wave Out Of The Shadow
Rogue Wave Asleep at Heaven's Gate
Rogue Wave Nightingale Floors
I think the thing I admire most about Rogue Wave is their consistency. Each one of their albums is worth a listen, and they have written some truly great songs throughout the years. Nightingale Floors is no different. Released three years after Permalight, which was a bit rough around the edges, Nightingale Floors is a testament to how consistently great Rogue Wave has been. Although the album gets off to a bit of a slow start, the middle of the record contains some of Rogue Wave's best tracks, and closes on a very strong note on "Everyone Wants To Be You", an excellent combination of indie and post-rock. The album has something for everyone, from acoustic tracks like "The Closer I Get" to the swirling indie-rock they've perfected on songs like "Siren's Song" and "S(a)tan". Altogether, another great release by Rogue Wave, and I certainly did not expect anything less.
Rush 2112
Son Lux At War With Walls And Mazes
Son Lux is quickly becoming recognized as one of the up-and-comers of trip-hop, and his debut, At War With Walls And Mazes gives a perfect example of why. While the album does get off to a bit of a slow start, the middle has some great songs like "Betray", "Stay", and "Raise". "Wither" is without a doubt the catchiest song on the record, but "Stand" really steals the show. Though the song consists of one line being repeated, so many things happen around that line, such as soaring female vocals and whirling violins. The use of strings on this album gives a breath of fresh air to many of the songs, and give it an experimental feel to it on occasion. Though the album suffers on its slower, more subdued tracks, it is incredible everywhere else, and for that, Son Lux's debut surely deserves a listen from trip-hop fans and fans of electronic in general.
Steve Jablonsky Transformers - The Score
Swans Filth
Swans To Be Kind
The Black Dahlia Murder Nocturnal
The Black Keys Thickfreakness
The Contortionist Exoplanet
The Cure Faith
The Dillinger Escape Plan Miss Machine
The Faceless Akeldama
The Internet Feel Good
The Jimi Hendrix Experience Axis: Bold as Love
The Number Twelve Looks Like You Put On Your Rosy Red Glasses
The Prodigy The Fat of the Land
The Specials Specials
The Stone Roses The Stone Roses
The Strokes Room on Fire
The Who My Generation
Thee Silver Mt. Zion Memorial Orchestra Fuck Off Get Free We Pour Light on Everything
Thelonious Monk Monk
Touche Amore ...To the Beat of a Dead Horse
Touche Amore Parting The Sea Between Brightness And Me
Touche Amore have the uncanny ability to condense the emotions they bring across. What might take several minutes to express for other bands usually only take a minute or so for Touche Amore. This formula was extremely calculated and focused on their debut, and for the most part this continues onto this record. While a bit samey in the middle, Touche Amore plays some of their best songs like "~", "The Great Repetition", "Method Act", and "Amends", utilizing their penchant for short, melodic emo breaks within their cathartic hardcore. The drumming is again excellent, and the vocals remain as emotion-infused as ever. While some consider this record to be a step down, I find it to be relatively on par with their debut, and a great album in its own respect.
Tyler the Creator Bastard
This album is, without a doubt, Tyler's most consistent and overall best album he's put out so far. His lyrics are personal without sacrificing wordplay, and the sinister production on this thing is excellent. He lays it all out for you in the form of a therapy session, and is unapologetic about everything he has to say. Granted, it may get a little drawn out towards the end, and thus, loses a bit of steam, but the album is consistent in what it does, which is draw out Tyler's life as it is: Depressing, funny, strange, and eventful.
Washed Out Life of Leisure
Wolves in the Throne Room Diadem of 12 Stars
Something has always turned me off of black metal. I can't quite put my finger on it, it just doesn't sit very well with me. I guess it's just not my style. That being said, I do understand why people appreciate what the genre has to offer and I can't deny the importance of it as a whole. This album, though, as I understand it, is a bit different from traditional black metal in the sense that there are very folk-sounding pieces scattered throughout, as well as some clean vocals too. After one listen, I can safely say I appreciate this folkier style of black metal more than the traditional form. The production is foggy and the sound of it shifts a couple times during songs to accentuate the change from tremolo-picked riffs to acoustic music. There are some droney moments to be found on here as well, and the vocals are distant and full of emotion, focusing lyrically on mankind's lost appreciation of nature. The drumming is actually nicely varied, and the guitar tones fit the atmosphere very well. Wolves In The Throne Room has created quite the album in Diadem Of 12 Stars, and may very well be a stepping stone into faster, murkier, and harsher black metal for many people.

3.5 great
A Breath Before Surfacing Death Is Swallowed In Victory
A.R. Rahman Slumdog Millionaire
It was good, don't get me wrong, but I still don't see how this won the Oscar for best film score over "Wall-E"
Aerosmith Aerosmith
Anberlin Blueprints For the Black Market
Anberlin Never Take Friendship Personal
Animals As Leaders The Joy of Motion
Apocalyptica Worlds Collide
Apparitionist Godspeed
Stuff like this is why I love music, and why I love following it. To see the very beginnings of something that could someday be astonishing, and to watch it grow. Godspeed to you, indeed.
Arctic Monkeys Suck It and See
Arctic Monkeys AM
Arctic Monkeys have always been a band I know to be consistent and, for a time during the beginning of their career, brilliant. With their last couple of albums they've lost some of that brilliance, but still manage to make some good tunes. AM follows suit in this sense, as the first half of this album has some great stuff, but the second tends to drag a bit. Songs like "Do I Wanna Know?", "R U Mine?", and "Arabella" work well as late-night rock jams, but many of the slower songs on the album don't really do anything. They could be played in the background at smoky pubs, as can most of Arctic Monkeys' music, but this time around it seems like that is the only discernible intention of the songs. Simply put, it just doesn't feel as genuine as before. Still, it has enough new things, like the sublime backing vocals, to keep it interesting, and to make it a respectable addition into the Arctic Monkeys' discography.
Arsonists Get All the Girls The Game Of Life
Arsonists Get All the Girls Motherland
As Blood Runs Black Allegiance
Atmosphere Leak At Will
Autechre Anti
Avenged Sevenfold Sounding the Seventh Trumpet
On this interesting little EP, the jazz trio from Toronto put their own spin on songs made by Odd Future's own Tyler The Creator. Tyler has always had a love for jazz and incorporates jazzy influences in some of his music. Naturally, this is a match made in heaven for these artists. Some of the tracks feature Tyler himself rapping over a BBNG rendition of a song he wrote, but where the EP really shines are the two "Session" tracks. Here, it's just BBNG, playing a medley of tracks from Bastard and Goblin. Any fan of jazz will like this, and any Odd Future fan will fall in love with it.
Baths Ocean Death
Between the Buried and Me Between the Buried and Me
Blessthefall Blessthefall
Blessthefall Awakening
Bob Marley and The Wailers Soul Rebels
Born of Osiris The New Reign
Brian Eno Ambient 4: On Land
Brian Eno Apollo: Atmospheres & Soundtracks
Cage The Elephant Cage the Elephant
Carcass Tools of the Trade
Chevelle La Gargola
Cloud Nothings Here and Nowhere Else
Code Orange Love Is Love // Return To Dust
Corelia Nostalgia
Domo Genesis Rolling Papers
I suppose if the term ?Stoner Rap? is acceptable, then Domo Genesis is probably one of the more famous artists within it, and his debut shows why. Domo's ganja-obessed, smooth lyrics combine effortlessly with some cloudy production by fellow Odd Future members Tyler, The Creator, Left Brain, and Syd Tha Kyd. Tyler drops a couple of nice verses as well, best exemplified with Domo in the jab-trading song,?Super Market?. The subject matter is a bit samey, but overall this is a decent release, one that would only be built upon by Domo Genesis.
Domo Genesis Under The Influence
Eminem Straight from the Lab
While not an official EP, this release by Eminem was meant to tide over rabid fans who were eagerly anticipating his fifth album, Encore. What they got was a collection of decent songs, along with some very clever diss responses. A response to Murder Inc. rapper Ja Rule called "Bully" is the best of these, as it not only shows Em's cleverness on the microphone, but also his ability to keep a tune going, as his delivery is half-sung. Another standout is the track "We As Americans", which features likely his most controversial line in his discography. While not a release for someone looking in to Eminem's discography for the first time, it is a great EP for the hardcore fans of the Detroit rapper, one that shouldn't be passed over if you fall into that category.
Emissary Emissary
Enya Watermark
Escape the Fate There's No Sympathy for the Dead
God Is An Astronaut A Moment of Stillness
Haste the Day That They May Know You
Hester Prynne The Goswell Divorce
Hodgy Beats Untitled
Horsepower Productions In Fine Style
I Killed The Prom Queen Beloved
So many breakdowns... So much nostalgia... This brings me back!
Iced Earth Iced Earth
Iced Earth's debut has much more of a thrash metal sound than the power metal sound they are now famous for, but that doesn't make it any less good. The licks by Randall Shawver and Jon Schaffer are really nice, and the album is excellent lyrically despite having two instrumental tracks, which are both good. Gene Adams' vocals are the main detractor, though (They're really bad), and Mike McGill's drumming is nothing to write home about either. Despite that, the album is still able to hold its own pretty well.
Interpol Antics
Intervals In Time
Intervals A Voice Within
Jack The Giant Killer Dead Mans Demo
The crap that is most of deathcore is quite deplorable, but every once and a while a good band will spring up like this one did. The vocalist's high scream is absolutely bone-chilling, and the guitarists are quite technical for deathcore. There's even a solo in the last song, and it's fantastic. Complementing the technical guitars, the drummer's fills really spruce up the tracks as well. The lyrics might be a bit immature, and it's really short, but it makes up for it in this regard.
Jedi Mind Tricks The Psycho-Social
Johnny Cash Johnny Cash With His Hot And Blue Guitar
Kendrick Lamar O(verly) D(edicated)
Knives Exchanging Hands The War Of Speech, The Weapon Of Words
Lorde The Love Club
lovechild demonstration
lovechild In Heaven, Everything is Fine
Manners Apparitions
Meek Mill Dreamchasers
MellowHype Yellowhite
Mike G ALI
Miles Davis Birth of the Cool
Muddy Waters Folk Singer
Municipal Waste Hazardous Mutation
Muse Muse
New Order Power, Corruption and Lies
Opeth Orchid
Paramore All We Know Is Falling
Paramore Paramore
Phantogram Voices
Pixies Surfer Rosa
Primordial A Journey's End
Primordial Imrama
Primordial has a reputation for being one of the most consistent (and occasionally brilliant) Celtic black metal bands in existence. Their debut reflects this very well, even if it might be a bit samey at times. This is more of a black metal release than it is Celtic metal, but there are moments here that show hints of what the band would become. "Beneath A Bronze Sky" is an acoustic piece that also features flutes and clean vocals, and it transitions into an absolute beast of a closer in "Awaiting The Dawn". Other highlights include the passionate "Here I Am King" and the mesmerizing "The Darkest Flame". The vocals on the album are pretty haunting, as Nemtheanga turns in a shrieking, ghoulish performance. With a story regarding soul-searching through Irish mythology, the foundation was set for Primordial to turn in more great albums in the future.
Rogue Wave Permalight
Rush Caress of Steel
Rush Fly by Night
Rush Rush
Rush, at least as we know them today, are one of the most legendary bands to ever play progressive rock. However, their roots are much more simple. Taking a heavy amount of influence from bands like Led Zeppelin and Cream, their debut reflects this sound in a big way. That's not to say that Rush shamelessly ripped their influences off, though. Great songs like "Finding My Way", "Here Again", and "Working Man" prove that even before they became prog legends, Rush could write songs. Though Neil Peart isn't on this album, his predecessor, John Rutsey, is great in his own right on this record. Geddy Lee's vocals are great, his bass audible and is very fun to hear. Still, it is Alex Lifeson that truly makes the record, with his excellent solos and hard rock riffs dominating the album. A great start, indeed.
Sadistik The Balancing Act
No one really knew who Cody Foster, A.K.A Sadistik, was about seven years ago. Now, he's gained a lot of steam very quickly in the underground, in part due to an extremely dedicated fanbase. His beginnings are seen here on The Balancing Act, in which he describes to us how he must balance out his issues and pain with good things in life. As far as the sound of this record goes, there isn't much straying from saddening piano and strings that permeate the beats, and Sadistik himself is very emotionally distraught. Occasionally, this can become melodramatic, but he ends the album on a hopeful note with "The Exception To Everything." Sadistik is very comparable to the sadder raps from Slug (one-half of Atmosphere), both in sound and sometimes in flow. Though the album sounds a bit samey, songs like "Ashes To Ashley", "Absolution", "Murder Of Crows", and "November" are some truly fantastic tracks that shouldn't be missed. Though Sadistik perfected this sound on Flowers For My Father, his debut is certainly good enough to warrant a listen from fans of personal, intimate hip-hop.
Skillet Comatose
Son Lux Alternate Worlds
Structures All of the Above
Tenacious D Tenacious D
TesseracT One
The Black Dahlia Murder Unhallowed
The Black Keys The Big Come Up
The Black Keys Magic Potion
The Contortionist Apparition
The Contortionist Language
The Contortionist has been received as one of the best deathcore bands in recent history. Their debut album, Exoplanet, was a breath of fresh air in a very stale deathcore scene, taking traditional deathcore elements and mixing them with elements of djent, ambient, and progressive metal in the vein of Cynic. They shed most of their deathcore influence on 2011's Intrinsic, which was met with mixed reactions. Now, they have released a more focused and all around better album in Language. The clean vocals employed on Intrinsic make a return here, but they fit much better with the music this time around. The first three tracks are excellent, melding all of their influences into this third of the album, even harkening back to their Exoplanet days on "Language II: Conspire". The middle of the album, though, is a bit of a drag. Songs like "Integration" and "Arise" are sort of just there, not really doing anything. However, the album does close on a strong note with "The Parable", which is entirely indicative of what The Contortionist can, and hopefully will, accomplish in the future.
The Cure Seventeen Seconds
The Devil Wears Prada With Roots Above and Branches Below
The Dillinger Escape Plan The Dillinger Escape Plan
The Faceless Autotheism
The Killers Hot Fuss
The Lonely Island Incredibad
The Number Twelve Looks Like You An Inch of Gold for An Inch of Time
The Panacea Chiropteran
The Prodigy Always Outnumbered, Never Outgunned
The Prodigy has always had a reputation for making massive albums. I don't just mean massive in length, but in sound as well. There is rarely a dull moment to be found with The Prodigy. That again rings true on Always Outnumbered, Never Outgunned. This 2004 release received mixed reviews, but it has aged well a decade later. Some of their best tracks are found on this record in the form of "Spitfire", "Memphis Bells" and "Phoenix". Another interesting song is "Medusa's Path", which is one of the few songs in The Prodigy's discography that does not contain a vocal sample. Though the album drags a bit in the middle, The Prodigy still manage to excite on this record. If this is the worst thing they've made, I'd say they have a collection of albums that they can be proud of.
The War on Drugs Wagonwheel Blues
Since perfecting their sound on Lost In The Dream, The War On Drugs has become one of the more prominent faces in heartland rock nowadays. Their debut, while raw and a bit underwhelming, is more charismatic and fun than the subsequent Slave Ambient and is a solid record as a whole. The first two songs, "Arms Like Boulders" and "Taking The Farm", showcase the catchier, more straightforward side of the band, whereas longer songs like "There Is No Urgency" and "Show Me a The Coast" show the bands penchant for beautifully structured, dreamy-sounding pieces. There is variety on the record, as the plethora of instruments ranging from traditional rock gear to harmonicas and violins will show you, and the band is adept at playing them all. While it does suffer from some songs that go absolutely nowhere, this record has enough great things on it to warrant a listen.
The Who The Who Sell Out
The Who, while one of the more famous bands that've existed, were actually pretty tongue-in-cheek with regards to how their music was advertised back in the mid-sixties. They made this album with a lot of recordings that blatantly advertise real-world products, and surround them with some great original tracks like "I Can See For Miles" and "Sunrise". The irony is that none of the companies to which the products belong to ever mentioned anything to The Who about advertising their products, netting the band a couple of lawsuits. Still, the record did well, with a leaning towards psychedelic pop and power pop rather than the, blues rock, psychedelic rock and hard rock they'd go on to play later. A lot of the music is kind of goofy and jingle-sounding, with a couple of electronic noises coming through on many of the tracks. Though the first half of the album is more miss than hit, the second half makes up for it with songs like "I Can't Reach You", "Relax", and "Rael 1".
The Who A Quick One
The Words We Use Morals
Three 6 Mafia Chapter 2: World Domination
Touche Amore Touche Amore
Trent Reznor and Atticus Ross The Social Network
Tycho Dive
With this release, Tycho takes his skill with ambient electronic soundscapes and mixes them with some chillwave influence reminiscent of Washed Out. Though the album does drag somewhat in the middle, it gets off to a fantastic start with "A Walk", "Daydreams", and the title track being some of the finest songs he has created to date. While the middle songs can sometimes overstay their welcome, they are typically pleasant and easygoing, and the emphasis on that atmosphere is very distinct. The album also closes on a high note with "Elegy", which is perhaps the most contemporary song on the album, consisting of acoustic guitar passages and electric guitar overtones. Overall, a solid album from Tycho, one filled with tracks tailor-made for a walk along the beach.
Tyler the Creator Wolf
Uncle Tupelo No Depression
Within the Ruins Creature
Wolves at the Gate We Are the Ones
Woods of Ypres Pursuit Of The Sun & Allure Of the Earth

3.0 good
808 State Quadrastate
A Day to Remember And Their Name Was Treason
Affiance No Secret Revealed
Arsonists Get All the Girls Hits From the Bow
Atmosphere Lake Nokomis
Atreyu The Curse
August Burns Red Looks Fragile After All
Avenged Sevenfold Nightmare
With this release, Avenged Sevenfold made it known they could still make some decent tunes. Seen by many as a tribute to their late friend and former bandmate Jimmy "The Rev" Sullivan, who tragically overdosed in late 2009, Nightmare is an improvement over their self-titled in many ways. It is more varied than the self-titled and features some of the better slow songs Sevenfold has written, such as the heartfelt "So Far Away" and the surprisingly good "Fiction". "Danger Line" and "Save Me" are another duo of enjoyable songs, but the rest range from listenable to inescapably boring. The album suffers from being very long-winded, and has an unfortunate amount of cringeworthy vocal moments. At best, it was a step in the right direction for the band, which is at least commendable, especially after losing their beloved drummer and friend.
Beneath the Massacre Evidence Of Inequity [EP]
Betraying the Martyrs The Hurt, the Divine, the Light
Blessthefall Witness
Bone Thugs-N-Harmony Creepin On Ah Come Up
Bring Me the Horizon This Is What the Edge of Your Seat Was Made For
Buck Owens I've Got A Tiger By The Tail
Cage The Elephant Thank You Happy Birthday
Circle of Contempt Entwine the Threads
City and Colour The Hurry and the Harm
After three successful albums under his belt with his solo project, Dallas Green chose to quit his post-hardcore band, Alexisonfire. He said that being the band was killing him, and that he wanted to focus more on his solo work. He also stated that he won't ever "find a way home" musically, as he'll always be looking for something new. The record he made after that is a typically pleasant listen, but it also his most long-winded. He adds more instruments on this record, rather than it just being him and his guitar, but they don't do much to hold the listeners interest. It sounds more like a rehashing of previous material, just dressed up a little bit nicer. It is very nice to listen to, but it is just so stagnant and complacent that it becomes boring as a result. Still, "Harder Than Stone" and "Two Coins" are a couple of highlights, and the chances that this album is just a misstep on Green's part are high.
Code Orange I Am King
When "Code Orange Kids" took the last word off of their name and became "Code Orange", it implied a sense of maturity, and hinted that the band was growing up. It's a bit ironic, then, to know that this album represents a regression for the band in many aspects, chief of which is the songwriting. There isn't much variation on this record, as a lot of the hardcore punk riffs that made their debut so fun are replaced by slow, chugging breakdowns that don't exactly do much at all. There are slow, sludgy moments that don't have breakdowns that work just fine without them, like on "Dreams In Inertia". When the band does play faster, there are some great moments like on "Your Body Is Ready" and "Unclean Spirit". The vocals have improved since their debut, and sound punishing along with the dark production. Overall, it's a bit of a drop-off from their debut, but Code Orange is still young and will have plenty of time to tweak their sound for the better.
Decades Of Despair Alive
Earth Phase 3: Thrones and Dominions
Enter Shikari Nodding Acquaintance
Every Time I Die From Parts Unknown
Explosions in the Sky The Rescue
Genghis Tron Board Up the House
Gorillaz G-Sides
Iwrestledabearonce Iwrestledabearonce
Keith Urban Defying Gravity
LCD Soundsystem LCD Soundsystem
Linkin Park A Thousand Suns
Before this album, Linkin Park was not a band you could describe by using the word "experimental", as their style consisted of straightforward Nu-metal with some pop sensibilities. Here, though, Linkin Park rework their entire sound into something much more electronically driven. Sure, this is far from Hybrid Theory and Meteora era Linkin Park, but that does not mean there isn't something here to enjoy. It might be hit-or-miss, but when they hit, they hit right on the money. Some truly excellent songs such as "Iridescent" and "The Catalyst" shine through what is otherwise an underwhelming release, as there is a bit too much filler on this album for it to be considered great. Still, credit is due to them for switching up their entire sound and still putting out a halfway decent album.
Machito Kenya
Make Them Suffer Neverbloom
Miserable Failure Hope
My Chemical Romance I Brought You My Bullets...
Neil Young Neil Young
Norma Jean Bless the Martyr and Kiss the Child
Norma Jean Redeemer
Norma Jean's third studio album is a bit of a departure from the Botch-esque hardcore that got them famous. There are much more conventional song structures on this album, and the relentless intensity has been brought down a bit. The thing that really holds this album back is the lack of a true standout track, which unfortunately results in the songs bleeding together. That being said, songs like "Blueprints For Future Homes", "A Small Spark vs. A Great Forest", "The End Of All Things Will Be Televised", and "The Longest Lasting Statement" are all very solid tracks. It's decent hardcore with more clean vocals than Norma Jean has done before, but it's a step back for the band overall, as it is easily their most homogenous record so far in their discography.
Opeth Apostle in Triumph
At only three-and-a-half minutes, poor recording quality, and no vocals to speak of, these two demo songs represent the humble beginnings of Opeth. Even with these small moments, you can see small hints at what Opeth would soon become. It truly is incredible to hear the first moments of a band that would soon grow to be one of the defining acts in progressive death/black metal, and even metal as a whole.
Paramore Singles Club
Paramore is as Hayley Williams is. That has always rung true, even when the band was stable in its lineup. Still, that is probably for the best, as Williams has always been adept at getting everything out of catchy hooks and energetic vocal performances. 2011 EP The Singles Club reaffirms this through its short runtime, with "Monster" being a great highlight. Other than that, the songs range from decent to boring. "In The Mourning" sounds far too similar to Fleetwood Mac's "Landslide" to grab any attention, and "Hello Cold World" adds nothing new to the table. "Renegade" is decent enough, but is heavily out-shined by "Monster". All in all, it is a solid showing from Paramore, but it's nothing we haven't seen before.
Primordial The Burning Season
Protest the Hero Fortress
Protest the Hero Scurrilous
Red Hot Chili Peppers One Hot Minute
The more I listen to the Chili Peppers, the more I appreciate John Frusciante's influence on them. It's a shame he wasn't on board for 1995's One Hot Minute. The follow-up to the 1991 classic Blood Sugar Sex Magik is a bit of an underwhelming release, but it has flashes of brilliance that warrant it a listen. It is a funky album, but it has heavier riffs than it's predecessor. However, some of the softer songs on the album, like "My Friends" and "Tearjerker" are the best featured. It drags heavily in the middle, but it is bookended by a couple of great songs in "Warped" and "Transcending". Though Frusciante was missed, One Hot Minute is not without substance, even if it is spread out over the album. Also, for you Flea fans, he has a solo song called "Pea" that is kind of humorous.
Seether Disclaimer
Set Your Goals Mutiny!
Stan Getz Getz/Gilberto
Suicide Silence The Cleansing
Talking Heads Talking Heads: 77
The Beatles Long Tall Sally
The Black Dahlia Murder Miasma
The Black Dahlia Murder A Cold-Blooded Epitaph
The Black Keys Attack & Release
The Black Keys have a reputation for playing no-frills, raw blues rock. So what exactly happens when you sprinkle some electronic noises on top of the slowest album the Keys had made at the time? Not a whole lot as it turns out. The album truly shines for the first five tracks (not counting the opener), but tails off into uninspired and underwhelming territory in the middle. Though it does close on a good note with "Things Ain't Like They Used To Be", there is simply too much filler on here for it to be great. It is nice that the Keys chose to experiment a bit, but it doesn't really pan out. The electronics are oddly placed and for the most part unnecessary. There are good tracks to be found, but overall Attack & Release doesn't do much, and is likely the worst album in The Black Keys' discography.
The Contortionist Intrinsic
The Devil Wears Prada Zombie
The Internet Purple Naked Ladies
The Red Shore Unconsecrated
The Red Shore The Avarice Of Man
The War on Drugs Slave Ambient
Thirty Seconds to Mars 30 Seconds to Mars
Tool Undertow
Tycho Adrift From Home
Tycho Awake
Tyler the Creator Goblin
Washed Out Within and Without

2.5 average
A Day to Remember Homesick
A Day to Remember What Separates Me From You
Arsonists Get All the Girls Listen to the Color
The first self-released record by experimental deathcore band Arsonists Get All The Girls is their most grind-influenced release, but is also their most unvaried. Many of the shorter songs bleed together and sound very similar, and the electronics that the band is famous for are at a creative low here, despite the all-electronic "Balloon Battle". Still, the album does have some bright spots in "Watchers" and "MK DELTA: Glorified Killers", which are coincidentally the two longest songs on the record. The return of Remi Rodburg is a decent touch, but his vocals have become rougher since The Game Of Life. The song remains the same, though: if you like Arsonists Get All The Girls in all of their off-kilter humor, you'll like this record. If you don't like Arsonists Get All The Girls, you will have a hard time getting into this.r
Asking Alexandria Stand Up and Scream
Atreyu Suicide Notes and Butterfly Kisses
Atreyu A Death-Grip on Yesterday
Avenged Sevenfold Avenged Sevenfold
Blessthefall Hollow Bodies
Chelsea Grin Desolation of Eden
Chelsea Grin Evolve
Every Time I Die The Burial Plot Bidding War
Every Time I Die has been one of the better metalcore bands in the past decade or so, with releases like Hot Damn! and New Junk Aesthetic. During their roots, it was clear they listened to good metalcore, namely Botch, but on their debut EP, they stick a little too close to their influences. That being said, opener "The Emperor's New Clothes" is actually a really good song. Elsewhere, though, they sound so much like their influences that it becomes boring, and with the awful vocal quality, it doesn't translate into good metalcore. Fans of ETID will appreciate this, but if you're just starting to get into them, start elsewhere.
Hester Prynne Black Heart Market
Hoobastank Hoobastank
Izmo Early Night
Linkin Park Hybrid Theory EP
Linkin Park Minutes to Midnight
OFWGKTA The OF Tape Vol. 2
Periphery Icarus
Pixies EP2
Skrillex My Name Is Skrillex
Sky Eats Airplane The Sound of Symmetry
Structures Life Through a Window
Suicide Silence You Can't Stop Me
To say that Suicide Silence lost a key member in vocalist Mitch Lucker is a massive understatement. The man was the face of deathcore, for better or worse, and his death has affected millions of fans around the world. So when Eddie Hermida, ex-vocalist of All Shall Perish, joined up with Suicide Silence after Mitch's untimely death, would the band form a new identity? Not quite. Hermida turns in a fantastic vocal performance on the record, but aside from that it does not stray from the path Suicide Silence has followed all along. That is not to say there aren't moments where genuine improvement shines through ("Ouroboros", "We Have All Had Enough"), but for the most part the album is a mish-mosh of everything they've done up until this point, albeit sounding more lively than they have in a while. Suicide Silence have improved a bit, but they will need much more improvement if they are going to make a great album in the future.
Taylor Swift Beautiful Eyes
The Black Dahlia Murder Deflorate
The Black Dahlia Murder is nothing if not consistent. They churn out respectable melodic death metal and have made some excellent songs in the past. They added ex-Arsis guitarist Ryan Knight for this release, so how does it stack up? Well, Knight does help out in the solo department, and Shannon Lucas is still a beast on the kit, but this release stagnates a bit too much to truly be a great one. Many of the songs overstay their welcome, and tend to bleed together in this regard. It doesn't really present an idea that The Black Dahlia Murder haven't tried before, rather being a rehashing of their previous work. That being said, the album does end on a strong note with "I Will Return", which is easily the best on the record. If you're a fan of The Black Dahlia Murder, you should enjoy this. If you want to get into The Black Dahlia Murder, I suggest starting elsewhere in their discography.
The Contortionist Shapeshifter
The Devil Wears Prada Dear Love: A Beautiful Discord
The Devil Wears Prada Dead Throne
Though TDWP seems to have matured from their early days on this album, they also lose part of themselves in the process. Sure, there aren't as many meet-headed breakdowns, but there is a distinct lack of the infectious choruses that made WRAABB such a fun album. It also stands to mention that Mike Hranica's vocals have gotten rougher this time around. And while there are some good songs on here in the form of "My Questions", "Born To Lose", and "Holdfast", the majority of the songs are too boring to have any effect. Still, the improvement in the songwriting is apparent, and if they can keep that up while also regaining their penchant for catchy choruses, they may be able to make a great album sometime in the future.
Thirty Seconds to Mars A Beautiful Lie
Tool Opiate

2.0 poor
A Plea for Purging A Plea For Purging
Chelsea Grin My Damnation
Chelsea Grin Ashes to Ashes
I think that at least some improvement was seen in Chelsea Grin when ex-Born Of Osiris guitarist Jason Richardson joined them on their 2012 EP, Evolve. How much, though, would he help them on this album? Not that much as it turns out. The formula for this album seems to be to play the painfully generic deathcore they're known for, but then adding a piano interlude in the song, or an acoustic part in the beginning. The guitar work is the same chugging, but maybe with a sweep or a melodic break every coupleminutes, lasting about 3-10 seconds each. This continues for an hour. There are more shouted vocals on this record, and less of the screeches Koehler employs, and they generally sound acceptable. The album does however have a bright spot in the form of the last four songs, which show some genuine improvement, and are likely the best songs Chelsea Grin have written. However, this improvement is diluted by the first eleven songs and their unimaginative, long-winded feel. Overall, a step down, but the last four songs on the record give a little hope for the future.
Gorillaz The Fall
I'm sure I'm not the only one who believes that Gorillaz had a very anticlimactic end to their storied career. It's not even that The Fall is that bad of an album, but it's just so pedestrian. It feels so uninspired, uninterested even. There are no tracks on the album that are really hate-able, but only a few that are enjoyable. It's just there, just kind of in the background not really doing or saying anything. It reeks of wasted potential, as we all know they're capable of much better. It doesn't even feel like a Gorillaz record, because whereas Demon Days and their self-titled were as innovative as they were fun, The Fall is neither of them, just banal and boring. It almost makes me wish that Damon Albarn would resurrect the project just to give it the ending it truly deserved.
Red Hot Chili Peppers The Red Hot Chili Peppers
Suicide Silence No Time to Bleed
Suicide Silence The Black Crown
The Devil Wears Prada Plagues

1.5 very poor
Annotations Of An Autopsy Welcome To Sludge City
Chelsea Grin Chelsea Grin
Suicide Silence Suicide Silence

1.0 awful
brokeNCYDE BC 13 EP
Waking the Cadaver Demo

Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Site Copyright 2005-2014
All Album Reviews Displayed With Permission of Authors | Privacy Policy