Reviews 4
Approval 100%

Soundoffs 523
Album Ratings 1204
Objectivity 74%

Last Active 12-13-15 4:40 pm
Joined 01-01-12

Forum Posts 2
Review Comments 14

musical taste

Seratones Get Gone
When it comes to ruckus-rock that would read well in either a roadside blues-bar full-a boogieing+swaying or a packed-tight garage full-a shoving+sudor, constitutionally they're a bit by-the-numbers -- they get dirty but never filthy in spite of the initial allusion to choking on spit, instances of xtra zing and memorability are seldom compared to ones that kinda just blur on by. But they don't quite tread into Dullsville either, the couple of calm-downs are convincing and exhibit ambidexterity, and if all else fails frontwoman AJ Haynes always manages to grab ears a la bestowal of earnest-n-elastic spunk; or for the calm-downs, a bonus side
Aesop Rock The Impossible Kid
Elvis Presley Elvis: 30 #1 Hits
The Avalanches Wildflower
16 years since they left us and a copious amount of copycats later, this anxiously anticipated followup is less of the wild "what's next?!" ride from their first and more of a strikingly insouciant+sunny daydream; swimmingly fluxing from festival traffic to a bounce-house to the skies to the sea to a bit of the sublime beyond. Whimsy and frolic and psychedelia are in full effect -- and though it's not without its overly mild moments and middling disco-leans, the flow+detail+amazingly affable aura beg for basking; not to mention fashion a universe where getting pulled over with prohibited paraphernalia is nothin' but an amusing aside. Lighter
Kaytranada 99.9%
A qualified and versatile enough house-hop-r&b producer undoubtedly -- exceptional kindler and sparer of guest-extent overkill, however, I've got my doubts. Cuz for a beat-master's beat-boaster bevy there's quite the heap of ho-hum, then there's the many-an instance of unnecessary track-protraction and marring by means of bass muddlement. And the visitors ain't much help neither, oft-opting for the sterile or obnoxious ("The young girls wanna love me long time / But then you gotta listen to 'em talk", laments Phonte). Good for moderate funky groovin' and and occasional instrumental notables, but beyond that perhaps the sampled interviewee wi
Peder Mannerfelt Controlling Body
Exploiter of euphonious voice-drones and a speech-repeater button, Mannerfelt's yak-mods manage to both spellbind and assault: "Limits to Growth" starts like an art-installation cliche and but literally seems to "cr-cr-create bre-bre-breath" as it builds into the fascinating fixedness of something akin to a cyborg-brought-to-life simulation, "Perspectives" revels in turning "subject" into "sub-ject", "Her Move" gradually dwindles "crucified" into "fine art" into "er", the first one just kinda goes "eeee". For the instrumentals flip-side he's commonly creepin' on the cryptic-electro DL, which makes for some welcome caesural contrast but more-o
Audio Push The Stone Junction
This fleeting hip-hop forest-footslog forks over its fair share of solid verses+hooks+beats+inflections; which amid the condensed kinda-conceptual venture-flow/occasional compositional curveballs/allegiance to vigor makes for a proficient and pithy project. Personas+motifs ain't particularly distinct, it routinely gratifies but nothin' quite wows, super-chorus of choice is served via Bmacthequeen on "Servin'", too-easy chorus of choice is obv-hit "Vamonos", compositional curveball of choice is when "Hard" goes soft.

shoutbox » all posts 
  • YetAnotherBrick really great soundoff for Exmilitary, man.
    December 9 11:45 PM
  • cjbizzlebizzle Oh shiiiiii
    November 7 11:18 AM
  • qwe3 you really manage to capture the essence of albums in them mate, so if you could translate that to reviews i'm sure you'd be one of the better reviewers on the site. which i'm told is a big deal.
    October 18 10:14 AM
  • qwe3 great soundoffs, i prefer them to your reviews, as you obv do.
    October 16 06:25 AM
  • PappyMason Nice sound-off for that Miguel album man. Despite its flaws, it's a great listen!
    September 2 06:27 PM

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