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Last Active 06-16-16 4:20 pm
Joined 08-11-12

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Buckethead Six String Giant
A Buckethead bootleg containing two live sets: one at The Palace in Japan, from 1992, and one at New York's Electric Church, from 2000. The Palace set, despite poor recording quality, is absolutely fascinating for a fan of early Buckethead. Movie themes (including 'Halloween' and 'The Terminator') are featured, as well as some stuff off Bucketheadland ("Skids Looking Where," "Nosin"). The Electric Church set is slightly better quality-wise, and is a more typical, but still entertaining, set ("Jowls," "Jump Man"). Big B fans would do well to scour the web for this one; the playing is astounding.
John Zorn Masada Anniversary Edition, Volume 5: Masada Rock
Not a lot of this really 'rocks' ("Arad" aside), but that doesn't mean it's bad. A nice variety of quiet and loud, solid performances; mildly misleading title aside, it's a good record.
John Zorn Lemma
Three violin-only pieces. The first, "Apophthegms," is split into twelve very short segments; the second, "Passagen," is a fourteen minute solo work; and the third, "Ceremonial Magic," is a four-parter. There's lots of squawking and squealing, as is to be expected from a Zorn classical record, but it isn't particularly engaging. It's well-performed, but the pieces themselves are rather sparse and unremarkable.
John Zorn Enigmata
Twelve horrendous improvisations between Marc Ribot, who sticks entirely to distorted guitar, and bassist Trevor Dunn. There are moments of interest across these twelve nameless tunes, but they are few and far between; all of this material runs together in a noisy, atonal blur. Most perplexing of all are the conditions of the record's release: so Zorn gets two guys to improvise in a studio, then releases it under his own name and calls himself the 'composer?' That maneuver is empty-headed at best, malicious at worst.
John Zorn Nova Express
This is like The Dreamers on acid. A quartet of bass, drums, vibraphone, and piano gallop and guffaw through ten mostly wild instrumental cuts featuring speedy ride cymbal work, disorienting note choices, and the usually languid vibraphone played more aggressively than I have ever heard before. It's a mostly engaging exercise, though ironically the record's best track is the comparatively simplistic and relaxed closer, "Between Two Worlds."
John Zorn New Traditions in East Asian Bar Bands
Asian female spoken word atop mostly sparse instrumental arrangements. Despite the fact that I have no idea what's being said, I find this enjoyable: it's meditative and mollifying; easy to get lost in. The track times are long (there are three songs ranging from sixteen minutes to half an hour), but the only one that drags (and even then, it only drags a little) is the closer. Try it: you'll be surprised how much you like it.
John Zorn 50th Birthday Celebration, Volume 9
A follow-up to volumes one and two of The Classic Guide to Strategy, released almost 20 years to the day after those records were recorded. This is much better than its two predecessors: it's not so long, and being that it's a live show, there is more energy to the proceedings. Zorn is one of the best saxophone players in the world, and the assortment of incredible, bizarre noises he gets out of his instrument here are proof of that. This is almost like an encyclopedia of sax techniques. At any rate, this is mightily impressive, and absolutely astounding for the adventurous ear. A must-listen for Zorn fans.

shoutbox » all posts 
  • Jasdevi087 np and thnx
    July 11 10:54 PM
  • Jasdevi087 Isn't there a button right next to the edit one for soundoffs?
    July 8 04:20 AM
  • danielcardoso oh thanks buddy :]
    June 11 03:54 PM
  • danielcardoso hey buddy do you know where i can find acoustic shards on the internet? i don't remember it being on youtube last time i looked for it, and i couldn't find a decent download too.
    June 10 02:44 AM
  • Britch2tiger Greetings fellow account! I noticed how you have a high percentage of jazz under your profile. From an account w/ a tuned ear, what are some qualities that differ "good" jazz as opposed to "bad" jazz? Any help would be appreciated. Have a glorious evening!
    February 5 02:13 AM

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