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Review Summary: You and I are gonna live forever… Oasis burst onto the scene with Definitely Maybe in 1994 with all the confidence of a band that had been dominating British rock ‘n’ roll for years. They had perhaps the two most arrogantly assured frontmen in pop history with brothers Noel and Liam; the former writing the lyrics, the latter doing most of the singing and generally portraying all the clichés of a ‘rock star’ in his public behaviour. They emerged from a Manchester scene that had begun to dry up after the Happy Mondays had bummed out and the Stone Roses failed amongst personal and legal troubles to release a second LP quick enough to enable ‘Madchester’ to flourish for any longer. Oasis, or The Rain as they were previously, were dithering Stone Roses wannabes before the elder Gallagher joined and soon became ringleader, whipping the lads into shape with his experience and wealth of songs built up from his time working as a roadie for Inspiral Carpets.
Their practice sessions and extensive touring became regimented and Oasis quickly began gathering a fan base with their powerful live shows featuring walls of guitar noise cranked to 11 and an unforgettable front man. They eventually captured the attention of Alan McGee who signed the boys to Creation Records, sent them to record their debut, and the second attempt at such an endeavour led to Definitely Maybe. The album roars out from the speakers with massive walls of guitars demolishing anything in its way including the bass and drums, a production choice which works well for the band’s sound. ‘Rock ‘n’ Roll Star’ could not be a more appropriate opener, with cannonballing guitars and the sneering vocals of a working class lout believing his dream of becoming a rock star, at least for a night. In many ways it encapsulates all the best of Oasis – cocksure attitude, life affirming urban lyrics and massive guitars. ‘Cigarettes and Alcohol’ works in much the same way, with its pilfered T-Rex riff and wonderfully snotty vocals about succumbing to intoxication because there is apparently little else worth doing if your life is centred around finding a life-sapping dead end job. It is utter confidence, and if Liam’s vocals do not sweep you up then its punk-does-glam-rock fizz and walls of guitar surely will.
The much derided point of Noel Gallagher’s ‘borrowing’ of riffs and ideas, to put it politely, is certainly a tangible claim, yet it only ends up making Oasis a sharper and more instantly powerful band. For example, if Noel never decided to twist ‘I’d Like to Teach the World to Sing’ into the lyrically demented rock ‘n’ roll funfair of ‘ShakerMaker’ then a great song would be denied the right to life due to some skewed vision of how rock and pop works. Each generation of musicians is inspired by and takes things from the past, it is how music pushes ever forward, and no one knows this better than Noel Gallagher; his band may be Beatles rip-offs but what pop group isn’t in some derivative way or another? Oasis wear the badge of British rock history proudly and cockily shrug off any criticisms with titanium-clad rock songs that captured a mass audience’s attention and ensured they wouldn’t be forgotten soon.
The likes of ‘Live Forever’ and ‘Cigarettes & Alcohol’ instantly became written into the British pop psyche because the lyrics connected with the listeners lives and the music was unforgiving. 20 years on the album still sounds powerful and timeless – such are the benefits of ruthlessly plucking the best bits from many great British bands such as the Sex Pistols, Rolling Stones, Slade, The Smiths, and of course, The Beatles. ‘Live Forever’ is still as life-affirming and lush as it was in 1994; ‘Supersonic’ and ‘ShakerMaker’ are still nonsensically fun; ‘Rock ‘n’ Roll Star’ and ‘Cigarettes & Alcohol’ still fire up drunken northern dance floors with their rollicking guitars; and ‘Slide Away’ is still a soaring gem. Definitely Maybe is Oasis at their best: raw rock and roll power, life affirming lyrics, and perhaps for the first and last time in their career, not a single duff track, even if the comical outtake ‘Digsy’s Dinner’ or the slightly less memorable ‘Bring It On Down’ don’t shine quite as bright because the tracks that surround them are so colossal in sound and impact – so they were in 1994, so they still are today.
other reviews of this album |
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Album Rating: 5.0
I'm gonna be reviewing the Oasis discography, seems like a good time to do so with it being 20 years
since their debut.
Feedback welcome : )
| | | Album Rating: 5.0
20 years! Weep.
Good review dude but I'm sure I've seen it somewhere before.
| | | Album Rating: 5.0
Thanks but i wrote the review the other day and posted it here and nowhere else so i'm pretty sure it's mine!
| | | Album Rating: 5.0
Apologies it was the fact that this is coming up to it's 20th anniversary that put me into a déjà vu time warp. Jesus time flies and I feel old. Never known a band to have had such a massive impact in Britain.
Best days of our lives.
| | | Album Rating: 5.0
No problem : ) I was very young when Oasis where at their peak but it's obvious how much of an impact they have given i hear their songs still played and adored when i go out to pubs/clubs.
| | | Album Rating: 4.0
Sweet, another full discography! I liked your Cure and Bowie reviews. Can't wait for your review of Morning Glory.
| | | Album Rating: 5.0
Thanks man, i've got the Morning Glory one written already, will drop it in a day or 2 once this
review's had a little airtime : )
| | | Kudos Tom for doing the whole Oasis discog, although I'm a die-hard metalhead for the most part, I've always been wondering what albums to check from this band.
| | | Album Rating: 5.0
This album is their best imo, its follow-up is a close contender and was massively successful but this
is Oasis at their prime - the most consistent, vital and enduring thing they did.
| | | I've always felt that Oasis is nothing very unique or special, just a very good rock band who can bang out some awesome tunes. This is their best though
| | | haven't heard this one. might check it out
| | | Their best,band is so dam overrated tho
| | | Album Rating: 3.0
Meh, I had to neg. You're a good writer, but I can't help but disagree with your view on Oasis' "borrowing". Yes, every musician is influenced by others, but they still offer variety. Their not necessarily inspired by the past songs themselves but the way in which they're written. That's my problem with Oasis. They don't just sound like older music, they're literally playing older music (For the most part. They have some good material). It's just blatant theft and I think they deserve every lawsuit and criticism that came with it.
| | | Album Rating: 5.0
You're supposed to neg for a lack of writing quality, not based on your opinion of the album itself - that's what the rating system is for :-/
| | | blatant theft? lol that's a little elitist and just generally a very weird criticism. there are a lot of bands that sound very much like their contemporaries, or lift liberally from the past, what of it? most of the stuff we love today is indebted to the past. moreover, you realize you just said you voted that this review was poorly written because you disagree with his view, right?
| | | You're supposed to neg for a lack of writing quality, not based on your opinion of the album itself - that's what the rating system is for :-/
i wouldn't take a neg seriously if the person negging is doing so because they can't stand divergent opinions
| | | Album Rating: 5.0
Hard 5.
| | | yay a new major tom discog
pos ofc
| | | Album Rating: 5.0
Thanks tommygun
| | | Album Rating: 5.0
As the person who's already reviewed all of the post-Morning Glory Oasis albums on this site, I'd just like to say:
Good luck, you're gonna need it.
Also, pos because 1) Oasis 2) this is an amazing album 3) good writing!
Also also de-capitalize the 'M' in "ShakerMaker." For some reason it's really botherin' me when it's written that way.
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