Radiohead
Amnesiac


4.5
superb

Review

by scyther USER (41 Reviews)
September 21st, 2009 | 19 replies | 6,546 views


Release Date: 2001 | Tracklist


5 of 5 thought this review was well written

When I first bought “Amnesiac”, seeing the crying cartoon on the record’s cover, I figured it was a sad album and I was right. Not only did that picture depict an accurate moodiness, but the position it was crying in correlates with this record well: face hidden in shame. The insecurity and self-doubt present here are commanding themes, and help make “Amnesiac” the loneliest piece of music Radiohead ever wrote. Every song is so similar in that way it feels like the album was written, recorded, and mastered by the same person. It’s certainly a confession, but in the end seems more like a biography than anything else. And yet, somehow, its affect was lost in confusion with its cousin “Kid A”, and while the two records were intended differently, woe is life. Anyway, driving Radiohead to write and record this spectacle were the lavish genres of jazz, electronica, even a bit of shoegaze and the soothing sound of Earth’s most beautiful instrument, the piano. The music conveys both intensity and pure calm, like the transition from the nervous Pulk/Pull Revolving Doors to the cool-headed purging of You And Whose Army?. This album is cold and harmonious, schizophrenic and serene. It’s the most complete release by Radiohead and by that I mean every song falls into the next perfectly, to put it simply. Each piece is utterly dependant on the others and without a single one the story wouldn’t be finished.

“Amnesiac” doesn’t rely on one central theme, lyrically or musically. It’s entirely bi-polar, and for each swift switch of instruments there is a new idea to be pondered. It is the most captivating Radiohead, and the most inclined to tell a story. “Amnesiac” carries a doleful burden, but inside its slightly cryptic lair lays the heart of Radiohead’s music: family. The album tells a tear-jerking tale about lies, desperation, delusion of grandeur and betrayal within the songwriter’s strongest familial bond, whatever it may be…friends, blood relatives, humanity, etc. They are grown men with children and wives, an obvious but well chosen theme, raw from experience. Packt Like Sardines in a Crushd Tin Box, according to the band is a song about rush hour traffic. You could look at it that way – a traffic jam is a great metaphor for the grating routine that plagues many marriages. “I’m a reasonable man, get off my case”; if only every average guy could back that up. “After years of waiting, nothing’s changed”; as his life flashed before his eyes, inching along the highway in his metal coffin to quote the late Patrick Swayze, he realized…Pyramid Song is this man’s exploration of his own past. This is the realization strongly hinted at on the previous song. His past and what he sees as his future are laid out in front of him and he has hope that life gets better.

Some say that hope is useless, and I think that they were all once victims of logic. Pulk/Pull Revolving Doors is that harrowing logic. There are trap doors that you can’t come back from. The frank and abrupt vocal delivery and instrumentation on this song resemble the halting power of reason. Some men would stop here for fear of dropping into an endless abyss of misery and loss, but some men are short and it goes right over their heads. You And Whose Army? is the melancholy reflection of the fight he had with his spouse on the cathartic drive away from his prison (house). Bring them all on, the judges, the lawyers, your loyal friends…a huge wave of confidence cascades across his body as the freedom strikes him. However, soon after, the high disappears and reality sets in. I Might Be Wrong, he thinks. The song is an apology for the foolish behavior that led him to believe his spirit was dying. What would I do if I did not have you? It’s nothing, don’t even talk about it, I was wrong, not even a thought about it. Knives Out is his pleading for acceptance in a family he deceived; he wants her to know the man that left her left for good, and the one she married is here to stay. It’s the closest thing to a love song on the whole record, at least in the traditional sense. The whole album deals with love in every possible way it feels.

Morning Bell/Amnesiac starts at the beginning of the album once again. Days, weeks, months…maybe years have passed and allowed him to feel the same way he did when he was stuck in traffic that one fateful day. The song has a very dreamy feel, as if he’s thinking all of this, not saying it – just a hopeless plea for release, lying in bed next to his biggest mistake. Dollars & Cents marks the moment when he begins to put all of his anguish to intellectual use – philosophizing about the destructive character of humanity. The long fight between mental and physical desire – the spiritual dimension versus the jungle cluttered Earth. It’s a song that helped him understand why he wanted to escape from home so badly: because there is no solace in an unbalanced world. The physical overcame the metaphysical in an almost Neanderthal existence, and on a higher plane there are no humans who control humans. His and his wife’s controllers cater to their superficial desires like their taste buds, their genitals and their pockets. “Crack their little souls”, destroy their transcendental nature. Kill the human, but leave the body. Make them forget what they really are, like amnesiacs. Hunting Bears, being the climax in it’s instrumental loneliness looks away from civilization in shame; staring at the windy skies, there is only one guitar…I mean there is only one thing to do. But he can’t do it. Living in this world is Like Spinning Plates, no matter what anyone does and no matter how smart a rebellious soul becomes he will end up in the same place he started – the cycle of life. We’re all living in a Glasshouse, afraid to challenge them, scared to throw stones because everything they allowed us to have would crumble around our feet.



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user ratings (3210)
Chart.
3.9
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other reviews of this album
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Comments:Add a Comment 
ziroth
September 21st 2009



1252 Comments

Album Rating: 2.5

You're a heck of a reviewer.

Electric City
Staff Reviewer
September 21st 2009



15728 Comments

Album Rating: 5.0

I must review this again at some point to do it justice. You did well yourself, however

Digging: Alvvays - Alvvays

AtavanHalen
September 21st 2009



17927 Comments

Album Rating: 4.0

This wasn't a bad review

Wizard
September 21st 2009



19308 Comments

Album Rating: 4.0

When I first bought “Amnesiac”, seeing the crying cartoon on the record’s cover, I figured it was a sad album and I was right. Not only did that picture depict an accurate moodiness, but the position it was crying in correlates with this record well: face hidden in shame. The insecurity and self-doubt present here are commanding themes, and help make “Amnesiac” the loneliest piece of music Radiohead ever wrote.

Wow, I couldn't agree more. Excellent review. Really enjoyed the facts about the meanings behind the songs.

Digging: Downer - Downer

Waior
September 21st 2009



11450 Comments

Album Rating: 4.5 | Sound Off

Great review. Still needs a 5 review.

Electric City
Staff Reviewer
September 21st 2009



15728 Comments

Album Rating: 5.0

will write ugh ugh will probably make it my 100th

The Computer
September 21st 2009



255 Comments

Album Rating: 4.0

Your review eats mine. Oh wait, I took mine off. Great Review for a great album.

Waior
September 21st 2009



11450 Comments

Album Rating: 4.5 | Sound Off

Go for it, Waior! I'd love to read a review of yours for this.


Umm, I wrote a review for this when I was a baby reviewer but the review sucks. I'm leaving that one to EC because he actually knows what he's doing.

SeaAnemone
September 21st 2009



19955 Comments


Just what I needed next to my review... a Radiohead review to eat away all my comments!! haha just kidding, great review for a good album... but seriously though, there go all my comments : (

Digging: Natural Snow Buildings - The Night Country

Knott-
Emeritus
September 21st 2009



10195 Comments


still havent hearrrrrrrd

Tulannical
September 21st 2009



2051 Comments


your review took the words right out of my mouth

Mordecai.
September 21st 2009



8276 Comments

Album Rating: 4.5

This is good, but so jarring. Like it really makes me uncomfortable when listening to the album as a whole. No other album has done that to me.

Burn2Burn
September 21st 2009



2378 Comments

Album Rating: 5.0

definitely my favourite album of theirs.

zachbredberg
September 21st 2009



86 Comments

Album Rating: 3.0

This is my least favorite of any of their work other than Pablo Honey. Don't really know why.... I think it's because it's, like you said, Bi-polar. Isn't as cohesive as some of their other work like Kid A or OK Computer. But it's still good.

Chewie
September 21st 2009



4531 Comments

Album Rating: 5.0

Your reviews are awesome and always very deep scyther, which are the best to read. The story was quite original and a really interesting and cool interpretation. Because now I finally understand why the album is called Amnesiac, so I thank you.

Whenever I absent-mindedly think of my favorite albums, this rarely pops into my head, but then if I ever sort out all of my albums, I realize this is easily one of the best. Speaks layers to how strangely brilliant it is.

joshuatree
Emeritus
September 21st 2009



3743 Comments


you're a good reviewer

qwe3
September 21st 2009



21355 Comments

Album Rating: 4.5

i loved the review man. your reviews are always really interesting even if i don't agree

zeppelinUSA
September 21st 2009



299 Comments

Album Rating: 4.0

Great review man. Reading it is actually helping me understand this weird album.

Oliver
November 13th 2009



118 Comments


Listened to this on the way back from Psychology. I forgot how great the first four tracks and "Like Spinning Plates" were.

Very good review by the way.



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