The Mars Volta
Amputechture


2.5
average

Review

by Ryan Flatley EMERITUS
April 15th, 2007 | 19 replies | 14,107 views


Release Date: 2006 | Tracklist


When I first looked at the Mars Volta's newest release, Amputechture, I noticed the artwork. It was nothing overdone or showy, and yet it was effective in portraying a message; it was a message of unhappiness. When looking at all of the men pictured on the front and back of the lyric booklet had such stale faces, it shows that expression. The faces were quite boring with a puzzling look. Was this perhaps a preface into Amputecture? As the songs unfolded before me, it became clear that this was no coincidence that the people holding what appeared to be "amputechture," to the Mars Volta, were not happy with what they were holding. I firmly agree.

The first quip is the repetitive, cyclical nature of certain Mars Volta songs. I felt that there was little progress made between the first six and the last minute of “Tetragammaton.” After the initial break, there is another after a verse and chorus section. Another example comes with “Viscera Eyes,” where the instruments decided to put their work on repeat during the verse while the chorus follows suite. After more than five minutes of repetition, there is a miraculous change. The bass takes over and there is a new section of music, but then that bass riff is repeated for four minutes. It soon becomes as dull as the initial portion of the song. However, one thing this is never dull nor stale, is Cedric’s voice.

In the past, Cedric Bixler-Zavala has been known for his layered vocal work. While sometimes it adds more character to the song, Cedric has found a breaking point of how much layering is too much. The doubling of the pitches and vocals (one at a lower octave and one at a high octave) during choruses becomes tiresome and irritating, but at the same time showcases Cedric’s range, which is quite high at times. In addition, Cedric continues with obscure lyrics. Here is an excerpt from “Meccamputechture,” ‘they needed those locks of dirty red hair/ a necklace of follicles with sabertooth monocles/ they want a bouquet of black rose gems/ castrating kisses stalactite stems/ they went and built a capsule in the cyanide pond/ where the holiest of water would have you to drown.” Uhhhh….what? Cedric probably was leaning towards the fact that a cave man was about to be baptized, but soon to be victim of murdered. Look for it in the next Nancy Drew mystery novel.

Guitarist and songwriter, Omar Rodriguez-Lopez, showed a few aspects of his guitar arrangement during this album such as his knowledge of scales. During the marathon track “Tetragrammaton” he plays about thirty hundred scales. Ascending scales and descending scales infiltrate the verses creating a nauseating roller coaster effect. In addition, another concern is the controlling nature of the guitar work throughout the album. There are just portions where it is not necessary to have overbearing guitar work (See: end of “Asilos Magdalena” and the end of “El Ciervo Vulnerado”).

“Vicarious Atonement,” “Asilos Magdalena,” “El Ciervo Vulnerado” are perhaps the best and worst to come from this album. They are the best because it strays away from the norm encountered within the album. They are emotional breaks, one completely in Spanish, with a relaxing atmosphere. The three convey a similar mood created in the song “Televators” but with no percussion and not as catchy. As for the bad, they sound way too similar. In fact, if “Asilos Magdalena” did not contain lyrics spoken in Spanish, I would have had trouble deciphering all three with one another. They drag on and on for more than six minutes each. To make matter worse, the songs contain the out-of-place-but-somehow-making-sense guitar work on top of the soft-echoed mood, which ruins the effect.

Now while I have down talked most of this album there were also sections that were fantastic in their own regard. Between the fantastic bass solo incorporated into the introduction until the funky drum solo towards the end, “Day of Baphomets,” it caps off one of the truly spectacular moments of the album. Armed with a catchy chorus accompanied by a medley of sounds including an exasperated saxophone I was hooked. The bass thumps throughout with the usual guitar and high vocal work that transition seamlessly into the chorus. This song solely sums the Mars Volta and their progression in the past couple years. They have their roots of groovy bass lines, fast-paced drum work, and intricate guitar riffs with little vocal effects involved (as far as heavy manipulation goes).

In addition to “Day of Baphomets,” “Vermicide” stands out. The track is nothing fancy, but that is the essence of the “Vermicide.” The Mars Volta keep it modest by not overdoing any musical segment with an abundance of guitar work or vocal effects. It seems The Mars Volta has an album full of highlighting their pretentiousness. They kept a track aside that was subtle and almost cozy to listen to, and “Vermicide” was that track.

Through this marathon, I felt like one of the men on the album cover. I was simply dissatisfied and unhappy. Unfortunately, the cons outweigh the good to come from this album that had promise after Frances the Mute. Amputecture was uninspiring, no doubt about it and they can only learn from their blunders.



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user ratings (1906)
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Comments:Add a Comment 
Iluvatar
Staff Reviewer
April 15th 2007



16083 Comments

Album Rating: 4.1 | Sound Off

I just plain don't get a lot of the points you make, oh well. Well written.

IsItLuck?
Emeritus
April 15th 2007



4927 Comments

Album Rating: 2.5

sorry this is the 9th review for this album (even though most have a positive opinion except one)

Wizard
April 15th 2007



19333 Comments

Album Rating: 3.5

Your review was well written and backed up (critical but very strong points)! However, I assume you dont have a strong background in musicianship, and so, I dont blame you for not overly enjoying this album. Im glad to see that its not always a review from the fanboy or someone who thinks they are God when it comes to musical opinions. This review makes perfect sense and is a breath of fresh air in the review world.

Digging: YOB - Clearing The Path To Ascend

Iluvatar
Staff Reviewer
April 15th 2007



16083 Comments

Album Rating: 4.1 | Sound Off

A strong background in musicianship has nothing to do with this. If anything, it revelas Omar's flaws as a composed if you do have a strong background.

embroglio
April 15th 2007



219 Comments

Album Rating: 2.0

yeah, Omar can't compose for shit. the only song on here i listen to from time to time is vermicide, which is a great song, but Omar's generic solo ruins it all.

iarescientists
April 15th 2007



5863 Comments

Album Rating: 2.5

xglassjaw85782x: comment my new review omgz.

cbmartinez
April 15th 2007



2525 Comments


I agree with this review. I think TMV have been slowly declining from lp to lp. Deloused is their finest, this is their worst.

Two-Headed Boy
April 15th 2007



4527 Comments

Album Rating: 3.0

Frances still blows me away, but this...just doesn't.

Cesar
April 15th 2007



2732 Comments

Album Rating: 1.5

Really like the review, got my vote. The first paragraph really cought my attention.

La Revolucion
April 15th 2007



1060 Comments


They're getting stale. They need an album full of "Day Of The Baphomet"s.

Acre
April 16th 2007



847 Comments

Album Rating: 2.0 | Sound Off

*gasp* What? Another negative review? Wow, for a while, I thought perhaps I was the only person who could see through the veil of Amputechture. Now I know I'm no longer alone! *Yay*

I agree with basically all your statements, including DotB's awesomeness, Omar's poor compositional skills, Cedric's annoying vocal layering, etc. Good review overall, and gets my vote.

Wyko
April 16th 2007



150 Comments

Album Rating: 4.0

I love this, though I can't really explain why...

Anyways, good review, although I disagree, you made your point very well.

ridethelib
November 24th 2008



4 Comments

Album Rating: 3.0

Tetragrammaton is the four letter name for God that Jews use. YHWH i think it is.

McP3000
November 24th 2008



3941 Comments

Album Rating: 3.5 | Sound Off

its YHWH, pronounched Yahweh

and tetragrammation is tied for the best song on this album next to day of the baphomets

Iluvatar
Staff Reviewer
November 24th 2008



16083 Comments

Album Rating: 4.1 | Sound Off

if tetra was like 5 minutes shorter it would slay

AtavanHalen
November 24th 2008



17927 Comments

Album Rating: 4.0

Tetra is actually my favourite song on this record.

Apostle7
March 22nd 2009



235 Comments


To be a staff member, sir, you must write better than that.

IsItLuck?
Emeritus
March 23rd 2009



4927 Comments

Album Rating: 2.5

wrote this before I was staff so I don't really care. maybe I'll edit it one day

Gyromania
November 26th 2009



15488 Comments


Introduction paragraph is god damn amazing.



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