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Album Ratings 1807 Objectivity 79%
Last Active 01-10-23 3:56 pm Joined 04-16-12
Review Comments 18,856
| YoYo's Revolutionary Rush Ranking
Did a Rush discog run for November, remarkably consistent band with only a few missteps across NINETEEN dang albums. Here are my thoughts on each of them. Time to piss everybody off, which is how you know a ranking is based. | 19 | | Rush Rush
2.5/5. "Working Man" is obviously a classic, and "Finding My Way" ain’t bad either. Every song in between just sounds like a Zeppelin tribute band, plus no Neil. Comfortably their worst in my opinion, but it’s not even the same lineup as the rest of their albums so it’s whatever. BEST TRACK: “Working Man” | 18 | | Rush Roll the Bones
2.7/5. Some bangers scattered throughout, particularly "Bravado". But let’s talk about the elephant in the room. I don’t know if it’s some sort of meme among the Rush community, but the title track is easily my least favorite Rush song. Whoever decided to insert the rap verse should never be allowed any creative control over anything ever again. The album-wide lyrical theme of gambling and fate is also kind of lame and overdone, I can just listen to Freewill on repeat if I want that kind of thing. BEST TRACK: “Bravado” | 17 | | Rush Caress of Steel
3/5. Rush took a bit of time to really get off the ground, and their growing pains are more apparent on CoS than anywhere else. Bastille Day and Lakeside Park are two of the best examples of their hard rock sound, while I Think I’m Going Bald gets a bit too much hate and is fun for what it is. The last two songs, especially The Fountain of Lamneth, are incredibly messy and, while full of good ideas, the execution is subpar. BEST TRACK: “Bastille Day” | 16 | | Rush Presto
3/5. Now that Vapor Trails has received a pristine remix, Presto has taken the crown as Rush’s worst produced album and it’s not really close. There are some good ideas and songs here, mostly on the front half (the first 3 tracks come to mind). However, there’s also “Scars”, Rush’s second worst song that features incredibly dated MIDI drum sounds, and the cringe lyrical gimmick of “Anagram for Mongo”. BEST TRACK: “Show Don’t Tell” | 15 | | Rush Power Windows
3/5. Speaking of dated MIDI drum sounds...I know this one is a fan favorite, but I can’t help but feel like it’s aged so poorly. It’s cool how unapologetically Rush committed to the synth-led sound on here, but it feels more like a relic of its time now than a piece of art that holds up 36 years later. Despite this, there are some fantastic cuts here. BEST TRACK: “Middletown Dreams” | 14 | | Rush Hold Your Fire
3.5/5. Like I said, Rush is remarkably consistent. We’ve got fourteen albums left and we’re already getting into the pretty good stuff. Hold Your Fire has a lot of songs that suffer from being dragged out a bit too long, but it hits the mix of synth and guitar sounds where Power Windows and Presto veered too far in either direction to negative effect. Also how about that Aimee Mann feature? BEST TRACK: “Mission” | 13 | | Rush Vapor Trails
3.5/5. The fact that this is all the way down at 13 should tell you everything you need to know about how incredible Rush’s discography is. The remix is the only version available on Spotify, so I was thankfully able to evaluate this album solely based on the quality of the songs. Most of them are very good, and Geddy and Neil both give some of their best performances on this album since the band’s classic era. However, it’s a bit too long and many songs overstay their welcome. BEST TRACK: “Secret Touch” | 12 | | Rush Snakes & Arrows
3.5/5. Fantastic production, Peart’s drums sound unusually crisp here. This one is mostly solid 3.5 quality all the way through with a couple of all timers thrown in. Lifeson getting back on the classical guitar is a nice touch. I don’t know wtf Geddy is doing with his voice on “Good News First” though. BEST TRACK: “The Main Monkey Business” | 11 | | Rush Fly by Night
3.6/5. Neil Peart arrives onto the scene in unforgettable fashion as “Anthem” crashes through the speakers and lets the listener know that Rush have reinvented themselves forever. It doesn’t keep this quality up throughout, but it’s an insane improvement over the self-titled and features some of their most enduring classics (Anthem, By-Tor, title track). BEST TRACK: “Anthem” | 10 | | Rush Grace Under Pressure
3.7/5. Signals, for lack of a better term, signaled the arrival of a new sound for Rush, and Grace Under Pressure is the full pivot into that synth-driven ethos that would define the rest of their 1980s output. Geddy’s keys are the driving force of every song here, but make no mistake about it; Lifeson’s guitar tone on here is otherworldly, and he rips some amazing solos too. Peart is Peart as per usual, and he doesn’t use too many annoying MIDI pads here. I remember this had a 3.6 average when I joined Sput, so to see it rocket up to a 3.9 is awesome. BEST TRACK: “Red Sector A” | 9 | | Rush 2112
3.8/5. Time to ruffle some feathers. 2112 (the song) is one of Rush’s greatest achievements, a titanic prog suite that has come to define everything about the band from their lyrics to their logo and merch. 2112 (the album) is one of the band’s best songs, followed by five 3-minute numbers of wildly varying quality. The fact that the first song alone almost gets this to a 4 is a testament to its greatness. BEST TRACK: “2112” | 8 | | Rush Test for Echo
4/5. Are your feathers ruffled yet? The fact that this is often considered the band’s worst album on Sputnik is shocking to me for a variety of reasons. Firstly, it’s pretty similar to Counterparts, which is a fan favorite of their later work. Second, the boys are simply on fire here. Yeah, the lyrics to Virtuality didn’t age well. So what? Every riff kicks ass, the production is fantastic, Lifeson’s guitar tone is top notch, and Driven might just be one of their best songs period. And it’s one spot better than 2112. You’re welcome. BEST TRACK: “Driven” | 7 | | Rush Counterparts
4/5. After suffering through Presto and Roll the Bones back to back, “Animate” kicked in and finally shook me back to my senses. Then “Stick It Out” began and WOW I forgot how damn good this album is. Rush haven’t rocked this hard since Moving Pictures, and the different production style makes them sound even more ferocious than before. Neil and Alex both turn in their best performances since Grace Under Pressure here, with Lifeson’s guitar in particular carrying this album comfortably into the top 10. BEST TRACK: “Stick It Out” | 6 | | Rush Signals
4.2/5. The last of Rush’s “classic” albums is a strange beast. One part ‘70s Rush and one part ‘80s Rush, Signals blends the best of both decades to create a chameleon of an album that jumps from one sound to another almost effortlessly. You’ve got synth-driven bangers in “Subdivisions” and “New World Man”, something new entirely in “Losing It”, and even some reggae in “Digital Man”. As we enter the top 6, we find ourselves examining all the Rush albums that have absolutely no duds. “Subdivisions” is the one everybody remembers (and for good reason, it SLAPS) but every single song here is worth checking out. BEST TRACK: “The Analog Kid” | 5 | | Rush Clockwork Angels
4.2/5. Rush’s final album is a perfect swan song, a grab bag of everything that made them great over the course of their career rolled into one frenetic package. The sci-fi conceptual lyricism of 2112, the progressive song structures of AFTK and Hemispheres, the catchiness of Moving Pictures, and the responsible synth usage of Signals; you name it, it’s here. What a fantastic album to go out on. BEST TRACK: “Headlong Flight” | 4 | | Rush Moving Pictures
4.5/5. Often considered their best, which I have no problem with. Moving Pictures is apex Rush, containing their most popular song in “Tom Sawyer”, which is also one of their best. Hey wait, “Red Barchetta” is one of their best too. And so is “YYZ”. Hmm, I’m starting to notice a trend here. The first 4 songs are quite a bit stronger than the last 3, and the last 3 are still incredible. Some of Peart’s all time great drumming performances are on display here, and “YYZ” gives everyone a chance to show off just how freakishly talented they are at their instruments. Moving Pictures rules. BEST TRACK: “Red Barchetta” | 3 | | Rush A Farewell to Kings
4.7/5. Rush’s first true masterpiece, and the beginning of an absolutely untouchable run of albums. The two epics from this record, “Xanadu” and “Cygnus X-1” often get the majority of the attention, but that shouldn’t distract from how insanely good the other songs are. For starters, there’s the title track, which houses an all-time great Lifeson solo AND an all-time great Geddy vocal performance. Then there’s “Closer to the Heart”, one of their most enduring hits. “Cinderella Man” and “Madrigal” remain heavily underrated 45 years later, showcasing the best of Rush’s softer side. Add the two epics, both top 10 Rush songs in their own right, onto that tracklist, and you’re looking at our third place finisher. BEST TRACK: “Xanadu” | 2 | | Rush Permanent Waves
5/5. I never cared all that much about music. Then I heard the opening riff to “The Spirit of Radio”, and the rest is history. I didn’t know it was possible to cause that much chaos in five minutes. I didn’t know you could end a song that propulsive and anthemic with a damn reggae breakdown. I didn’t know guitars could make sounds like the riff in “Jacob’s Ladder” at 1:34, still the best riff of all time for my money. I didn’t know a drum kit could sound that way. I didn’t know music could be this awesome, and then I did, and I’ve never been the same. And this isn’t even their best album, what? BEST TRACK: “Jacob’s Ladder” | 1 | | Rush Hemispheres
5/5. Hemispheres is cheesy, overindulgent, pretentious, and nerdy. And I fkn love it. Here we have the rightful heir to the “Best 20 minute Rush opener” throne in “Cygnus X-1 Book II”, a labyrinthine musical journey that features some of Peart’s best lyrics and some of the most jaw-dropping musicianship that the trio ever put to record. Follow that with two of your best rockers in “Circumstances” and “The Trees”, and you’re sure to have yourself at least a top 3 Rush album. But closing it with “La Villa Strangiato”? Now you have yourself one of the best albums ever made. In my opinion, “La Villa” is this band’s crowning achievement, a song they never topped, and a song very few bands have ever come close to matching. Every member of the band catches fire for 9 consecutive minutes to produce pure instrumental magic and cap off the best album of their career in flawless fashion. That’s just what Hemispheres is; flawless, which makes it #1. BEST TRACK: “La Villa Strangiato" | |
YoYoMancuso
11.27.21 | This is sure to go over well. RIP Neil | JKing92
11.27.21 | Interesting ranking. My top five:
Moving Pictures > Permanent Waves > 2112 > Hemispheres > Clockwork Angels
Not sure if I could do a whole ranking, haven't listened to most of the '80s and '90s albums in years. | YoYoMancuso
11.27.21 | Nice top 5 JKing! Imo revisiting the 90s albums is worth it just for 7 and 8.
@octagon much luv, I try to offset my hot takes with thorough analysis haha | CygnusX1
11.27.21 | Hard to argue with that top 5. The rest is arguable, but descriptions are on point. 9 and 10 just feel dirty being that low | AlexKzillion
11.27.21 | Justice for power windows :( | YoYoMancuso
11.27.21 | I was surprised on this listen at how much the rest of 9 paled in comparison to the title track | YoYoMancuso
11.27.21 | @AlexK unfortunately have never understood the Power Windows love but I know the fans are VERY vocal lol | chemicalmarriage
11.28.21 | 1 is 1 | YoYoMancuso
11.28.21 | yes | rockarollacola
11.28.21 | 15 is 1. I would never consider putting Hemispheres at 1. My hatred for the song "The Trees" really hurts my overall enjoyment of the album. Fuck that song. | YoYoMancuso
11.28.21 | have you considered changing your opinion entirely | rockarollacola
11.28.21 | No. I used to hate Rush based on that song alone, but now I'm a fan after giving their discography a listen. But even as a fan I still hate that fucking song. | YoYoMancuso
11.28.21 | bruh moment | DominionMM1
11.28.21 | cool write ups but i gotta disagree hard on your cos take | Titan
11.28.21 | Neil Peart is responsible for the inclusion of the rap section in Roll The Bones, but no worries Yoyo, as I'm pretty sure he'll never have any control over anything else moving forward. | YoYoMancuso
11.28.21 | ^ lol yikes | Sunnyvale
11.28.21 | Pretty sweet list, YoYo! The top four is definitely my top four, although I'd struggle to rank those albums. I'd definitely have Fly By Night, Caress Of Steel, and the self-titled higher, I guess I'm just a sucker for early Rush. | Senetrix666
11.29.21 | terrible 2112 take. | robertsona
11.29.21 | this band is very low on my to-check list tbh, not a huge prog guy and their songs are some of my least favorites of the canonical litter. def appreciate the effort that went into this list though | YoYoMancuso
11.29.21 | based 2112 take | twlight
11.29.21 | im very ok with this ranking, nice write ups | twlight
11.29.21 | although 3 is 1 in my book | DavidYowi
11.29.21 | Yea Counterparts is very underrated. Sick rankings | YoYoMancuso
11.29.21 | Counterparts blew my mind on this listen. So much more consistent than I remembered
Very respectable Twilight. I honestly considered 5ing it but couldn’t |
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